Traditional Culture Encyclopedia - Tourist attractions - Ingenuity and Uniqueness —— Experience of visiting Suzhou Museum
Ingenuity and Uniqueness —— Experience of visiting Suzhou Museum
? It has been raining for several days, and it is sunny today. My friend and I decided to take a one-day trip to Suzhou. What I have to mention here is Suzhou Museum.
? It is said that Suzhou Museum is not well-known and is one of the most popular city museums in China. Because it is adjacent to the world cultural heritage such as Humble Administrator's Garden, Lion Forest and Pingjiang Road, the focus is on free visits.
? Suzhou Museum was founded on 1960. The museum site, Zhongwangfu of Taiping Heavenly Kingdom, is one of the first national key cultural relics protection units and a well-preserved historical building complex of Taiping Heavenly Kingdom in China. The new Suzhou Museum was designed by the world Chinese architect I.M. Pei. Regardless of architecture, color, layout and style, they all inherited the essence of Suzhou classical gardens, and made breakthroughs and innovations.
? Walking into Suzhou Museum, you can see the glass skylight with three-dimensional geometric modeling of the roof, which presents three-dimensional modeling effect and unique design, breaking through the constraints of lighting.
? White walls and grey tile cornices are reminding tourists that this is in the south of the Yangtze River. Standing in the exhibition hall, you can see the gurgling water outside, reminding tourists that this is a water town; There are mountains outside the glass, and the green bamboos are tall and straight, reminding tourists that this is a garden.
? The collections in the museum are mainly ancient paintings and calligraphy, porcelain, handicrafts and unearthed cultural relics. There are four exhibition halls, namely, Wudi Heritage, Wuta National Treasure, Wuzhong Elegance and Wumen Painting and Calligraphy. There are many exhibits and many tourists on weekends, so you can't enjoy them all. In fact, with my limited appreciation ability, I can't tell the difference between good and bad exhibits. But after a round of visits, my biggest feeling is the ingenuity of the ancients.
? Whether it is stone carving, wood carving, jade carving, embroidery or painting and calligraphy, I am impressed by the calm and dedicated power of the ancients.
? Like the purple sand Maitreya Buddha in the Qing Dynasty, Maitreya's head is big and round, his eyes look up slightly, and his eyes are almost narrowed into a crack. He is laughing, his mouth is very detailed, and every tooth is very detailed. Double earlobes and shoulders, very blessed. He is wearing a robe with wide sleeves, with wide cuffs hanging naturally on the ground and an open stomach like a ball. Watching the laughter of Maitreya makes people happy. Seeing him made them happy. If the author didn't have enough calm and determination, it would be impossible to carve such a happy Maitreya Buddha.
? There are calligraphy and painting, and I really have to admire the exquisite skills of the ancients. Every stroke is extremely vivid. The mountains overlap, the white waves are sky-high, the pavilions and pavilions are exquisite and vigorous, or criss-crossed, or delicate and changeable.
? Every work on display in the museum was created by the ancients after repeated improvements and the pursuit of perfection and perfection. In my opinion, this is a kind of craftsman spirit. Craftsman spirit needs to rely on continuous accumulation, sink down, and spend time and energy to keep improving. Confucius is a model of pursuing craftsman spirit. When he was learning the piano, he practiced a piece of music repeatedly, carefully pondering its shape, spirit, meaning and context, and finally achieved something.
? In pursuit of speed modernization, the craftsman spirit is gradually losing. We call for artisans, but also demand ourselves with the spirit of artisans, pay attention to details, and treat everything with calm and focused power.
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