Illustration of Italian architecture-Whose painting is this?

design the illustration art of Italian artist ANDREAMININI!

AndreaMinini was born in 1979, an Italian illustrator and graphic designer. Graduated from Milan Polytechnic University in 24, majoring in design. He has appeared in many blogs, magazines, books and art exhibitions.

The superposition of lines and the arrangement of thickness outline the iconic features of objects. These illustrations seem simple, but each stroke has its unique charm.

Aliyev Cultural Center C Zaha Hadid

* Milo Bridge C norman foster *

Bird's Nest C Herzog and De Mellon

Sydney Opera House-Jon Wuzhong

Russian Dominion Office Building C Zaha Hadid

Louvre Pyramid C Pei Ming

Singapore Sands Hotel C Safdie

Bilbao Guggenheim Museum C Frank Gehry

Burj Khalifa

Mary Gibao Cultural Center C renzo piano

Flowing water. Genheim Museum C Frank Lloyd Wright

In addition to the buildings, AndreaMinini also made illustrations of animals, and the shape of each animal perfectly showed its characteristics.

have you seen the charm of p>AndreaMinini's illustrations?

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Note: This article does not involve commercial use, but only the communication of art and culture. If the graphic resources infringe on rights and interests, please contact us in time and we will deal with it as soon as possible. Whose is this painting?

from Diu Lei.

I. Brief introduction of life

Albrecht Dürer (1471-1528) was a German painter, printmaker and woodcut designer. When he was a teenager, he studied with his father. He showed a special talent for painting. At the age of 13, he was able to paint his portrait realistically. At the age of 19, the portrait he painted for his father fully showed his mature sketching skills, which can echo Leonardo da Vinci from a distance. Later, I worked in the painter MichaaeelWolgemut for three years. Vogmut's workshop also produced woodcut illustrations for Diu Lei's godfather, printer and publisher AntonKoberger. At that time, this largest factory had a great influence on Diu Lei. He first came into contact with copper skills in his childhood, and this enduring impression played a decisive role in his later creative printmaking. After the completion of the division, the young painter walked out of the studio and traveled along the Rhine River to major industrial cities in Germany, visited Frankfurt and visited Cologne and Basel. The four-year study tour has played a decisive role in the formation of the painter's world outlook and artistic development. 23-year-old Diu Lei is already an influential artist. During this year, he married Agresa Flaughey, the daughter of a musician in his hometown. Since then, Diu Lei has started to work independently as a jeweler and painter.

In p>1485, German education was on the eve of the upcoming reform under the influence of humanism, and Diu Lei entered a public primary school in Nuremberg. According to the tradition of his family, the father apprenticed his son in his own workshop and wanted to train him as a jewelry worker. Diu Lei got the painting training for the first time in the workshop, and soon became proficient in it, which became the basis of his artistic activities. In order to learn the decorative arts necessary for jewelry technology, Diu Lei further began to copy the artist's figure paintings, and also copied the sculptures of Martin Sannguer, which created conditions for him to be an artist. At the age of thirteen, Diu Lei carved his first self-portrait with a silver needle and wrote: "When I was a child in 1484, I drew myself in the mirror." His second year's pen-and-ink painting "The Virgin Mary and Angel on the Throne" is one of the second earliest works, which has been preserved to this day.

In the process of learning painting, Diu Lei was very interested in character structure and painting rules, so he asked his father to allow him to be a painter. His father obeyed his son's wish and sent him to the studio of the painter Michael Valgemmert near Nuremberg. The contract stipulated that he would be an apprentice for three years. Diu Lei copied the teacher's works, and gradually learned a variety of painting skills, and began to study nature, human body and plants, and began to try to create. At the same time, he also carefully studied the deployment and application of colors. Therefore, when his apprenticeship expires, he will be able to create according to the artistic rules. Twenty-three-year-old Diu Lei formally set up a studio not far from home and began to paint portraits.

Later, Diu Lei completed the first great masterpiece-the woodcut group painting of "Revelation". This book of revelation originated from the mysterious fantasy of old Christianity in Nero dynasty of Roman Empire. He produced a group of 15 immortal works, which showed the helpless horror and disappointment of mankind at the end of the fifteenth century due to the arrival of the end of the world. At that time, Germany was in a struggle between the bourgeoisie and craftsmen, between peasants and feudal lords, between hunger and exploitation, and the passionate feelings of the people finally developed into numerous religious, political and revolutionary mass movements. Diu Lei wants to give the illusions in the apocalypse to the realistic images and give them the power of implication. Several of the paintings openly criticized the ruling forces, and he gave his opinions to everyone's conscience.

Since the publication of Revelation, Diu Lei has been ranked among the glorious ranks of contemporary great artists. Frederick invited him to draw a second altar painting. In 1498, Diu Lei became famous for her abundant vitality and confidence. Painted a self-portrait in luxurious clothes. On March 19th, 1514, Diu Lei painted a portrait of his mother two months before her death. In this charcoal painting, he created the most lively and moving work in his life, which is the only portrait of Diu Lei's mother that has been passed down to now. When his mother died on May 17, he wrote a few words on the painting: "This is the mother of Albrecht Diu Lei, who died at 2 pm on Tuesday before the prayer week in 1514, at the age of 63." Explain his lifelong respect and love for his mother.

from p>149 to 157, he traveled to Basel, Strasbourg and Venice, and paid a visit to GiovanniBellini, whom he admired for a long time. He not only tried to strengthen his artistic knowledge, but also began to study mathematics, geometry, Latin, classical literature and so on. His contact with scholars was more frequent and close than that with artists. In 1512, he became a command painter of EmperorMaximilan the Great. Later, he traveled to Antwerp, Brussels, Malian, Keren, Middlesbrough, Bruges and Ghent, and was well received. Returning to his hometown in July 1521, his health deteriorated, but he continued to write till his death.

Diu Lei is a representative figure of the Northern Renaissance. At that time, Germany was in the darkest period in its history. Confusion of thoughts and beliefs, famine and plague (Black Death) mercilessly claimed a large number of lives, and social contradictions intensified. This makes German culture and art weak, which is nothing more than a serious downturn. At the same time, European countries, led by Italy, have stepped out of the Middle Ages and entered a period of political, economic and cultural openness and prosperity, and the glory of humanism has illuminated the European continent. Therefore, as a German artist, Diu Lei can only pursue and spread the advanced ideas of "modern" Europe in a backward country that represents the past.

This talented boy is ready to introduce modern culture to Germany by himself. However, his eyes full of curiosity and doubt and his Christian fingers indicate that, unlike the Italian Renaissance's joyful view of the world between people and the Dutch Renaissance's stubborn concern for the outside world, the German Renaissance will stare at people themselves with a little bitterness. This will make him a maverick and avant-garde full of contradictions.

As a Renaissance man, Diu Lei believed that artists must observe nature deeply and try their best to discover the secrets of the universe in order to reveal and express beauty. But at the same time, he insisted on his semi-medieval belief that artists and their art should be the tools of God. When Michelangelo used the statue of David (151-154) to show the perfection and rebirth of human beings, Diu Lei created the etching print "San eustace" (151) with the same superb technique, which showed the scene of the martyr meeting with miracles as a paradise on earth. However, his masterpiece at that time was the woodcut group painting of Revelation, which was created a little earlier, and its content and expression style were more obvious with the characteristics of Gothic educational small portraits.

Like Leonardo da Vinci, Diu Lei has a scientific mind, so he studied mathematics and perspective deeply and wrote a lot of notes and works. In perspective and human anatomy, he created many paintings reflecting social reality. He also studied architecture and invented an architectural system. Diu Lei is also an art theorist, who has written Introduction to Painting and Principles of Human Anatomy. He freed German art from the influence and bondage of Gothic art, and moved towards the realistic art road guided by humanism. He pushed the naive printmaking art to a new stage of perfection. He supported the Reformation at that time and sympathized with the peasant war. He took the initiative to draw prints and illustrations for the brochure of Martin Luther, the leader of the Reformation, and ended his creative path with the design of the peasant war monument.

The accuracy of his sketches of animals and plants can be completely comparable to that left by Leonardo da Vinci, but at the same time, he is convinced of the existence of various monsters recorded in Revelation. Therefore, Diu Lei is not only a painter, but also a mathematician, mechanic and architect. He once founded the theory of fortification.

He traveled all his life, with a wide footprint and broad vision, which was almost unmatched at that time, but he always retained some peasant ignorance and narrowness. He believes that reason and knowledge will make people noble beings, but he has a deep awareness of human imperfections.

He came from a medieval craftsman's family and lived in a country with the lowest status as an artist, but he became the most independent and proud artist in Europe at that time. As the "father of self-portrait", he was the first painter in Europe who was attracted by his appearance and identity, thus becoming the pioneer of Rembrandt. He has more or less realized that art will make him immortal, but he has been pursued by the idea that death is approaching all his life and can't get rid of the fear that his body will disappear. As far as artistic style is concerned, although he is the pursuer and disseminator of Italian Renaissance art, the German tradition in which he lived has made his art retain a little medieval Gothic legacy, and at the same time, it is surprising to show some baroque characteristics first.

Diu Lei's works include woodcut prints and other prints, oil paintings, sketches and sketches. Among his works, printmaking is the most influential. He is one of the best woodcut and copperplate artists. His major works include Revelation, The Great Disaster of Christ, Minor Suffering, Men's Bathroom, Sea Monster, The Prodigal Son, Great Destiny, Adam and Eve, Knight, Death and Demon, etc. His watercolor landscape painting is one of his greatest achievements, and the atmosphere and emotion of these works are extremely vivid.

At the end of p>1523, Diu Lei began to write an autobiography, which not only reviewed his life, but also described his parents, his seventeen brothers and sisters and his own life experiences. Only one of his younger brothers was left alive at that time.

In p>1525, Diu Lei's important book "A Course in Measuring Art" was published. Therefore, he became one of the first-rate art theorists in the Renaissance. In 1526, Diu Lei created outstanding portraits, such as Ishmas Van Rotterdam, which became his greatest masterpiece.

In p>1527, the second scientific work, Principles of Building Cities, was published. In 1928, The Principles of Human Anatomy was released, which is the crystallization of his research on human anatomy in the past 27 years. Unfortunately, he didn't see the great influence of this work. Diu Lei, a 57-year-old, returned from the Netherlands with weak physical strength and was repeatedly harassed by diseases. This brilliant cultural superstar suddenly fell on April 6, 1528. What does Byzantine art include?

ByzantineArt, an artistic style and skill developed in the Eastern Roman Empire from the 5th to the mid 15th century. It became the link between Greek and Roman classical art and later western European art. Byzantine art combines the naturalism of classical art with the abstract decorative characteristics of oriental art. There is no clear dividing line between early Christian art and Byzantine art. The early initial period, from 33 when Constantinople became the capital to about 5 years ago, is called pre-Byzantine period. The first golden age of Byzantine art was ushered in during the reign of Justinian I (527-65). For a period of time in the 8th and 9th centuries, a dispute called the anti-idol debate opposed the idolatry, and many paintings and sculptures were destroyed. With the end of anti-idolatry in 843, the depiction of sacred figures was encouraged again. The second golden age of Byzantine art, which lasted from the 9th century to the 12th century, introduced realism into imperial court art and mysticism into religious art.. The last glory of Byzantine art took place during the reign of the Valliollo dynasty from the 13th to the mid-15th century. It is called the Byzantine Renaissance. In the later stage, religious art expressed more emotion and naturalism. Style characteristics from the fourth century to the fifteenth century to Constantinople (that is, the ancient Greek city worship