Reading the architectural history of China: Liang Sicheng designed the renovation plan of Wang Teng Pavilion.

In the Architectural History of China, Mr. Liang Sicheng reviewed the achievements and ideas of the Architectural Society in the restoration of ancient buildings during the Republic of China:

"Liu Dunzhen and Lu Shusen rebuilt the qixia temple Tower in Nanjing, which opened a new era for me to repair ancient buildings. Ji Tai Engineering Department Yang Tingbao, China Architecture Society Liu Dunzhen and Liang Sicheng are responsible for the design of cultural relics in Beijing's old capital, and have successively restored the ancient buildings such as the Temple of Heaven, imperial academy, Yuquan Mountain, memorial archway and Wuta Temple. Those that were planned but not rebuilt, such as the Confucius Temple in Qufu, had plans to restore it, and Liang Sicheng also had plans. In addition, such as Pagoda of Six Harmonies in Hangzhou, Dashiqiao in Zhao County, Stargazing Observatory in Dengfeng and Little Wild Goose Pagoda in Chang 'an. All of them were entrusted with the plan of China Construction Society, but all of them were suddenly attacked by war and failed to realize. Nanchang Pavilion, designed by Liang Sicheng and Mo, is an idea to rebuild the original appearance of ancient times. "

Wang Tengting, as he said, is the famous Wang Tengting in Nanchang, Jiangxi Province in Wang Bo, where "the sunset is lonely in Qi Fei, and the autumn water is * * * the sky is one color". It was built in the 4th year of Tang Yonghui (AD 653) and was named after Wang Teng Li Yuanying, the younger brother of Li Shimin, Emperor Taizong.

Tengwang Pavilion is located on the east bank of Ganjiang River, Jiang Yan Road, Nanchang City, Jiangxi Province today. As one of the most famous images in China's cultural history, Wang Teng Pavilion has been destroyed and built repeatedly, and the last reconstruction (the 28th Wang Teng Pavilion) was in 1909. 1926, it was artificially burned because of the warlords' melee.

During the period of 1942, Liang Sicheng and his assistant Mo passed by Jiangxi when they were inspecting ancient buildings in the south, and drew a set of sketches of the reconstructed museum, including a color perspective view, seven plans, elevation views and section views. Liang Sicheng and Mo's design is based on the original paintings of Song Dynasty collected by Xiangzijing in Ming Dynasty. Because of the turbulent situation, there has been no reconstruction.

1957, Jiangxi Province submitted the Opinions on Rebuilding the Museum to the Ministry of Culture, and decided to rebuild the Museum based on the design scheme of Liang Sicheng and Mo in 1942. However, the reconstruction plan was put on the agenda until 1983, when the Wang Teng Pavilion Reconstruction Preparatory Committee was established. 1985 laid the foundation for reconstruction, and 1989 was completed.

1989 Wang Teng pavilion has a clear height of 57.5m and a building area of13000m2. Its lower part is the base of 12m, which symbolizes the ancient city wall and is divided into two layers. The main hall above the pedestal adopts the format of "Sanming and Seven Dark Rooms", that is, it is a three-story building with a corridor from the outside, but there are seven floors inside, that is, Sanming and Three Dark Rooms, plus the equipment floor of the roof.

There are two gourd-shaped artificial lakes connected north and south under the pedestal, and there are nine wind and rain bridges above the North Lake. From first-class platform to second-class platform, it symbolizes the city wall. These two stage platforms have 89 steps, and the new museum was completed and opened on 1989. 20 18 10, Tengwangge Tourist Area in Nanchang was approved by the Ministry of Culture and Tourism as a national 5A-level tourist attraction.

In history, Li Yuanying was not a man with outstanding achievements. He built buildings just for eating, drinking and having fun. If Wang Bo's Preface to Wang Tengting hadn't become a classic image in Chinese civilization, it might have been neglected after several constructions. Architecture exists because of literature, and people also exist because of literature. Wang Bo, who died young, seems to have come for this building all his life.