Traditional Culture Encyclopedia - Travel guide - Qujiang Duijiu Original _ Translation and Appreciation

Qujiang Duijiu Original _ Translation and Appreciation

the head of the river outside the garden can't sit back, and the Shuijing Palace is turning slightly. Peach blossoms are falling, and yellow birds fly with Bai Niao. If you indulge in drinking for a long time, you will be abandoned, and laziness will go against the world. The official's feelings are even more distant, and the boss's injury has not brushed his clothes. -Tang Du Fu's "Qujiang Dujiu" Qujiang sat on the outside of the wine garden, and the Shuijing Palace turned slightly.

The peach blossoms are falling, and the yellow birds fly in Bai Niao.

if you drink too much for a long time, you will get rid of it. Being lazy is against the world.

the official's feelings are even more distant, and the eldest brother has not brushed his clothes when he is injured. Patriotic Translation and Annotations

Translation

I don't want to go back yet. I just want to keep a flowing river and this royal garden wasted by the war. I want to sit for a little longer. Even if the position of the luxurious palace becomes hazy and unpredictable with the passage of time, I still want to see more about how peach blossoms chase white poplars and how they scramble to abandon the world. Orioles and white gulls, racing to escape. I am also a misanthrope, and I have long lost my appetite to see the emperor. Due to the lack of outliers, I indulge in wine and fill it with rotten rice. I want to live in seclusion by the water, but I am still a king at the water. Now that I'm old, I still say "I have to brush my clothes." Appreciation

The first two couplets are Qujiang Scenery. "Sitting outside the courtyard in Jiangtou" and "Sitting in Jiangtou" indicate that the poet has been in Jiangtou for a long time. This word "no" is very particular. If you use "sitting and not returning", it only reflects the objective phenomenon and does not return; "Sit back" highlights the poet's subjective will, and he doesn't want to go back, which shows the mood in his heart. This is a cushion for the expression of the three and four.

the following three sentences are followed by what you saw while sitting. "Shuijing Palace turns to the faint", and between "Palace" and "the faint", there is another word "turn", which highlights the change of scenery. On the surface, this is the result of "sitting back": sitting back for a long time, it's almost evening, so the palace is faint. However, in the following description, there is no scene of sunset, which reveals that the poet has another intention. Pu Qilong's Reading Du Xin Jie once compared the two Qu Jiang Poems, Qu Jiang Dui Jiu and Qu Jiang Dui Yu written by the poet in this period with two for the road written before the An Shi Rebellion, and pointed out: "The words in Qu Jiang's poems here are all flowers, birds, ducklings and butterflies. When it comes to the palace garden, the clouds' nest emerald',' turn to dusk',' cloud cover' and' quiet at night' are just that. Looking at the' cloud curtain' and' royal chef' mentioned above, I feel that the ups and downs are in sight, and each other is for a while. " This view is reasonable. What "the palace of the water spirit turns to the faint" shows is a kind of empty and sparse scene, and the word "turn" means that times have changed.

In contrast to this, it is the natural spring scenery that comes as scheduled: "Peach blossoms chase young flowers, and yellow birds fly in Bai Niao at the same time." In just one couplet, shape, spirit, sound, color and fragrance are all available. The words "meticulous" and "simultaneous" are extremely written, and the fallen flowers are light and silent, and the birds are happy and singing, vivid and vivid. Two sentences set off the poet's mood at this time: sedentary, idle and boring, so he paid attention to flowers and birds flying. The original sentence "Peach Blossoms Drizzle Out Young Flowers" is "Peach Blossoms Desire * * * Yang Hua Yu", and later Du Fu's "Change Three Characters with Light Pen" (Hu Zai's Tiaoxi Fishing Hidden Cong Hua) is changed from personification to description. The reason for this change is that "peach blossoms desire * * * Yang Hua Yu" is too comfortable and full of interest, which is inconsistent with the poet's frustrated career and lazy and boring mood at that time.

This combination of "self-antithesis" means that the two sentences are not only up and down, but also some words in this sentence are opposite. Here "peach" is for "Yang" and "yellow" is for "white". Birds are divided into yellow and white, which is a bright spot, and the color of peaches and poplars is a dark spot: peach blossoms are red and poplars are white. This kind of color presents a moving scene of dancing up and down with the "fine one by one" of flowers and "flying at the same time" of birds, rendering a group of spring scenery extremely beautiful.

Although the scenery is good, it is the season of falling flowers in late spring. The colorful loss of English is pleasing to the eye, but it is also easy to evoke the feeling of hurting spring, so the three and four sides expressed their feelings about wine and turned to their grievances and sorrows.

Write a complaint first: "If you drink too much, you will be judged to give up. Being lazy is really against the world." These two sentences mean: "I have been drinking all day, and I have long been willing to be rejected;" I am lazy to go to the Senate, which is really against the world. " This is the poet's complaint, which actually means: "since people dislike me, it is better to borrow wine to send themselves;" Since I am not used by the world, why bother to be diligent and diligent? " The irony of the truth is even more obvious, and it is subtle and euphemistic. The "people" and "the world" mentioned here not only refer to the mediocre people in the imperial court, but also complain to Tang Suzong and Li Heng. Poets are always "loyal to the monarch", but when they are disappointed too much, they can't help but make small remarks. These two sentences show the poet's anger and injustice. Creation background This poem was written in the spring of the first year of Tang Suzong Ganyuan (758), and it was Du Fu's work when he finally kept Chang 'an. A year ago, Du Fu went to Li Heng, Tang Suzong, and was left to pick up. Because of the dismissal of Fang Shu as prime minister, it was unfair and not reused. Du Fu did nothing, was empty-minded and full of complaints. This song "Qujiang Duijiu" was written in this state of mind. Du Fu (712-77), with beautiful words, was called Shaoling Yelao, known as "Du Gongbu" and "Du Shaoling" in the world. He was born in Gongxian County, Henan Province (now gongyi city, Henan Province) and was a great realistic poet in the Tang Dynasty. Du Fu was honored as a "poet saint" by the world, and his poems were called "history of poetry". Du Fu and Li Bai are called "Li Du" together, and in order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Li Du", Du Fu and Li Bai are also called "Great Li Du". He is concerned about the country and the people, and his personality is noble. About 1,4 of his poems have been preserved, and his poetic skills are exquisite, which is highly respected in China's classical poems and has far-reaching influence. He lived in Chengdu from 759 to 766, and was commemorated by Du Fu's Caotang in later generations.

Du Fu's spring worries are hard to force him to see the mountains, and the past is thrilling and tearful. Four million compatriots in Taiwan burst into tears. last year, today, the day of the cession of the motherland! -Qing Dynasty Qiu Fengjia's "Spring Sorrow"

Spring Sorrow

Qing Dynasty: Qiu Fengjia wrote 3 ancient poems. In spring, patriotic and sentimental waist feathers and arrows faded for a long time, and it was too late to breathe. Lao Tzu is still as good as the desert, so why do you cry for a new pavilion? A suit of national death, temples to people no longer green. Remember the berth in the rivers and lakes, and lie and smell the new geese falling into the cold. -Song Dynasty Lu You's Sleeping in the Water Village

The arrow at the waist of Sleeping in the Water Village has withered for a long time, and it is too late to breathe.

I'm still in the desert, so why do you weep at the new pavilion?

I'm ashamed of my country, but I'm ashamed of my temples.

remember the berth in the Jianghu, where you lie and smell the new geese falling into the cold. Patriotism, ambition, lamenting the years when Wan Li was guarding the clouds, the sword was closed at once. The mountains are endless, and Chang 'an is straight to the north. People suffer for a hundred years, ghosts cry, and the heavens should be returned for a long time. Hand-written to stay in the chariot, intense heart Dan. For the blue light, scratch the white hair, and the sound is residual. When you are old, you will not be able to make meritorious deeds, but you will be idle. Meiling green shade Qing Zi, Pujian clear spring white stone, blame my old alliance cold. On Christmas Eve after the bonfire, I dreamed of my hometown. -Song Dynasty cui yuzhi's "Shuidiao Getou Tijian Pavilion"

Shuidiao Getou Tijian Pavilion Wan Li Yunjian Garrison, immediately sword gate closed. The mountains are endless, and Chang 'an is straight to the north. People suffer for a hundred years, ghosts cry, and the heavens should be returned for a long time. Hand-written to stay in the chariot, intense heart Dan.

scratch your white hair at the blue light. When you are old, you will not be able to make meritorious deeds, but you will be idle. Meiling green shade Qing Zi, Pujian clear spring white stone, blame my old alliance cold. On Christmas Eve after the bonfire, I dreamed of my hometown. Bold, patriotic feeling