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Poems about pastoral poetry and picturesqueness
1. Looking for 5 idyllic poems about landscapes and poetic connotations
Five poems from "Returning to the Garden and Living in the Fields"·Tao Yuanming One of them: I rarely have any vulgar rhyme, my nature is to love hills and mountains.
I accidentally fell into the dust net and passed away for thirty years. The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss.
Open up the wilderness in the south, stay humble and return to the garden. The square house covers more than ten acres and has eight or nine thatched houses.
The elms and willows shade the back eaves, and the peach and plum trees in front of the hall. The distant village is warm, and the smoke in the ruins is still there.
Dogs bark in the deep alleys, cocks crow on top of mulberry trees. The courtyard is free of dust and clutter, and the empty room has plenty of leisure.
After being in a cage for a long time, you can return to nature. Poetry Translation: When I was young, I did not have the nature to cater to the world. My nature originally loved mountains, rivers and pastoral life.
Tao Yuanming seemed to have fallen into the trap of the human world by mistake, and passed away for decades. A bird in a cage longs for the woods where it once lived, and a fish in a pond longs for the deep pool where it lived.
Go to the southern wilderness to open up wasteland, stick to your ignorance, and return to your hometown to live a pastoral life. There are more than ten acres of land surrounding the residence, and there are eight or nine thatched houses.
Elms and willows cover the rear eaves, and peach and plum trees line the front of the hall. Inhabited villages can be vaguely seen in the distance, and the smoke from the villages rises gently in the wind.
Dogs bark in the deep alleys, and roosters crow on top of the mulberry trees. There are no worldly distractions in the courtyard, and there is plenty of free time in the empty room.
After being trapped in a cage for a long time, I can finally return to nature. Notes on poetry (1) Adapt to the secular world.
Rhyme: mood, demeanor. (2) Dust net: refers to the earthly world, where official life is dirty and restrictive, like a snare.
This refers to official career. (3) Thirty years: Wu Renjie thinks it is "thirteen years".
Tao Yuanming began his official career as a wine worshiper in Jiangzhou in the 18th year of Taiyuan (393), and resigned from Peng Zeling and returned to his fields in the first year of Yixi (405), which was exactly the thirteenth year. (4) Bird in a cage: a bird in a cage.
pond fish: pond fish. The bird misses the old forest and the fish misses the old abyss, which is a metaphor for being nostalgic for the old home.
(5) Nanye: This book is called Nanmu. Ji: between.
(6) Shouzhuo: Keep upright. Pan Yue's "Preface to Xianju Fu" contains the words "qiaoguan" and "humble official". Qiaoguan refers to someone who is good at exploiting the camp, while clumsy official refers to someone who keeps upright.
The meaning of shouzhuo is to maintain integrity. (7) Fang: pronounced as "side".
This sentence means that there are more than ten acres of land around the house. (8) Yin: shade.
(9) Luo: List. (10) Warm: dim appearance.
(11) Yiyi: gentle look. Xuli: village.
(12) These two sentences all use the meaning of "the cock crows high in the trees and the dogs bark deep in the palace" from the Han Yuefu "Cock Crow". (13) Huting: Gate.
Chenza: worldly chores. (14) Virtual room: a quiet room.
Leisure: leisure time. (15) Fan: Fence.
Fan cage: a bird storage tool, here is a metaphor for official career. Return to nature: refers to returning to farmland.
These two sentences mean that like a bird in a cage, you return to nature and gain freedom. The theme of the poem echoes from beginning to end, and at the same time serves as a highlight, revealing the theme of "Returning to the Garden and Living in the Fields".
But this response and point of view are not forced at all. The whole poem goes from the strong boredom of official life to the beautiful and moving pastoral scenery and the joy of new life. A feeling of relief is naturally revealed.
Second, there are few people and things in the wild, and there are few martingales in the back streets. In the daytime, the leaves are covered with thorns, and the empty room is empty of dust.
At that time, in the middle of the ruins, people were walking around in grass. When we meet, there are no words, but the road is long.
The days of mulberry and maize have been long, and the days of my soil have been broad. They are often afraid of frost and sleet, and they are scattered like grass.
Poetry Notes Personnel: refers to making contacts with people. Martingale: The leather strap around the horse's neck when driving.
This sentence means that the place is remote and shabby, and there are few cars and horses. Song: A secluded place.
Xu Song: Still in the countryside. Phi: put aside.
Poetry Comments This article is the second poem of "Returning to the Garden and Living in the Fields", which is intended to describe the tranquility of rural life. First, write "quiet" from the front.
Living in a remote village, there are very few worldly social interactions, and there are very few carriages and horses visiting distinguished guests. Precisely because there are no worldly affairs or people to disturb you, you can "cover your door under the thorns in the daytime and keep your thoughts in an empty room."
The ajar wooden door and the quiet room have far isolated the noisy worldly thoughts. However, there are also times when the Chaimen is open. The poet "often returns to the ruins and sings, walking around with grass on his back", and often chats with his neighbors.
However, in the poet's view, interacting with simple farmers throwing grass is not a secular "personnel matter"; talking about mulberry and hemp is not "miscellaneous talk". Compared with the officialdom, which is full of cleverness and hypocrisy, this place is completely different.
——This is to use the external "movement" to express the inner "quietness". Country life also has its joys and sorrows.
"The mulberry fields have grown long, and my soil has become vast", which makes people happy; at the same time, "I am always afraid of frost coming, and they will be scattered like grass." However, this joy and fear are not "earthly thoughts".
On the contrary, this simple joy and fear means that working in the countryside has made the poet's mind clear and his emotions simple. ——This is to further demonstrate the "quietness" of the heart with the "movement" of the heart.
The poet may speak from the front or from the side, allowing readers to appreciate the tranquility of the countryside and the tranquility of their own state of mind. Yuan Haowen once said: "How can this man write poetry? He writes directly to the sky in his heart."
The poet describes a peaceful and pure world here. The three types of beans are found at the foot of the southern mountain, where the grass is abundant and the bean seedlings are sparse.
In the morning, I clean up the wasteland and filth, and return with a hoe in the moonlight. The road is narrow, the grass and trees are long, and the evening dew touches my clothes.
It is not a pity to have stains on your clothes, but your wishes are true. Notes on poetry 1. Nanshan: refers to Mount Lu.
2. Xing: get up. 3. Wasteland: an adjective used as a noun, referring to the weeds in the bean sprouts.
4. Carrying a hoe: Carrying a hoe. Hey, carry it.
5. Narrow: narrow. 6. Grass and trees: thick with vegetation.
7. Dip: get wet. 8 feet: worth it.
9. But: only. 10. Wish: refers to the desire to live in seclusion and work hard, and not to join the world. 11. Violate: violate.
Poetry Translation There is my bean field at the foot of the southern hillside. It is overgrown with weeds and the bean seedlings grow very sparsely. I got up in the morning and went to the fields to clear weeds. Under the stars and moon, I carried my hoe and went home to rest.
Grass and trees covered the narrow return path, and the night dew wet my coarse cloth jacket. It's no big deal if my clothes get wet, as long as it doesn't go against my will to return to farming.
The central idea of ??the poem is to plant beans at the foot of the southern mountain, and the grass is full of bean seedlings. These two sentences are written about planting beans at the foot of Nanshan Mountain. The grass is very lush but the bean seedlings are sparse.
The starting sentence is very plain, just like an old farmer standing there talking, which makes people feel very friendly. I wake up in the morning to sort out the wasteland and filth, and return with a hoe in the moonlight.
In order to prevent the bean fields from becoming barren, the poet went to the fields early in the morning and came back in the evening under the moonlight. Although it is very hard, he does not complain, which can be seen from the beautiful scenery of "Returning to Hoe with Moon Lotuses".
The road is narrow and the grass and trees are long, and the evening dew touches my clothes. It's not enough to regret the stain on your clothes, but your wishes are fulfilled.
The road is narrow and the grass is long, and the evening dew stains your clothes, but what's the pity if your clothes get wet? This sentence may seem plain, but it is so plain. 2. Words that describe pastoral poetry and picturesqueness
Ancient poems that describe pastoral scenery 1. "Two Quatrains" by Du Fu of the Tang Dynasty Chiri River and mountains are beautiful, and the spring breeze is fragrant with flowers and grass. The mud melts and swallows fly, and the sand is warm and mandarin ducks sleep. 2. "Zhuli Pavilion" by Wang Wei of the Tang Dynasty Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People deep in the forest don't know that the bright moon comes to shine. 3. "Passing an Old Friend's Village" by Meng Haoran of the Tang Dynasty. An old friend brought chicken and millet and invited me to Tian's house. The green trees border the village, and the green mountains and hills slope outside. Open a pavilion and a garden, talk about mulberry and hemp over wine. When the Double Ninth Festival comes, there will be chrysanthemums. 4. "Wangchuan Leisurely Presents Pei Xiucaidi" by Wang Wei of the Tang Dynasty. The cold mountains turn green and the autumn water gurgls. Leaning on a stick outside the firewood door, I listen to the evening cicadas in the wind. The sun is setting over the ferry, and the lonely smoke is rising in the ruins. In the summer time, the father-in-law is drunk and singing wildly in front of the five willow trees. 5. "Returning to the Garden and Living in the Fields" Part 1 Tao Yuanming of the Song Dynasty The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss. Open up the wilderness in the south, stay humble and return to the countryside. The square house covers more than ten acres and has eight or nine thatched houses. There are elms and willows behind the starlings, and peaches and plums in front of the hall. 6. "Pastoral Words and Feelings"
Li Bai of the Tang Dynasty Jia Yi was relegated in the third year, and his class exceeded ten thousand miles. Like holding a white calf and drinking water from a clear stream. 7. "Lu Chai" by Wang Wei of the Tang Dynasty. No one can be seen in the empty mountain, but the sound of people's voices can be heard. Returning to the deep forest, the light shines on the moss again. 8. "Dwelling in the Mountains in the Dark Autumn" by Wang Wei of the Tang Dynasty. After the new rain in the empty mountains, autumn comes late. The bright moon shines among the pines, and the clear spring flows over the rocks. The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. Let the spring fragrance rest at will, and the kings and grandsons can stay. 9. "April in the Village" Weng Juan, Song Dynasty The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules. There are few idle people in the countryside in April, so they are planting sericulture and planting fields. 10. "Pastoral Miscellany in Four Seasons" by Fan Cheng of the Song Dynasty. The plums are golden, the apricots are fat, the wheat flowers are sparse, the white cabbage flowers are sparse. No one passes through the fence during the long day, only dragonflies and butterflies fly. 11. "Evening Scene on the Spring River in Huichong" by Su Shi of the Song Dynasty. Three or two peach blossoms outside the bamboo are prophets of the warmth of the spring river. The ground is covered with wormwood and reed buds are short, which is when the puffer fish is about to come. 12. "Birdsong Stream"
Wang Wei of the Tang Dynasty The people are idle, the osmanthus flowers are falling, the night is quiet and the spring mountains are empty. The moonrise scares the mountain birds, and they sing in the spring stream. 13. "Visit to Shanxi Village" by Lu You of the Song Dynasty. Mo Xiao's farmhouse is full of wax and wine. In good years, there are enough chickens and dolphins for visitors. The mountains and rivers are full of doubts and there is no way, and the willows and flowers are dark and the flowers are bright in another village. 14. "Old Song of the Wild" by Zhang Ji of the Tang Dynasty. The poor old farmer lived in the mountains and cultivated three or four acres of mountain fields. The seedlings were so sparse and taxed that they could not be eaten, so they were imported into official warehouses and turned into soil. At the end of the year, people are hoeing and plowing in an empty room, and calling their children to climb mountains to harvest acorns. Xijiang Jia Ke has hundreds of dendrobium trees, and the dogs raised in the boat will eat meat. 15. "Zhongnan Mountain" Wang Wei of the Tang Dynasty Taiyi is close to the capital of heaven, with mountains and seas. The white clouds look back and merge, and the green mist comes in to see nothing. The peaks in the field change, and the clouds and sunshine are different. If you want to stay somewhere, ask the woodcutter across the water. 3. Poems about pastoral scenery (with added poetic flavor)
Passing through an old friend’s village
(Tang Dynasty) Meng Haoran
An old friend invited me to Tian’s house with chicken and millet.
Green trees border the village, and Qingshanguo slopes outside.
Open a dining room and chat over wine.
On the Double Ninth Festival, I will still come to see chrysanthemums.
An old friend prepared a sumptuous meal and invited me to his farmhouse.
The village is surrounded by green trees, and the village is surrounded by sloping green hills.
Open the window facing the threshing floor and vegetable garden, and talk about farming while drinking from wine glasses.
On the day of the Double Ninth Festival in September, I will come to drink and enjoy the chrysanthemums.
Returning to the Garden and Living in the Fields
Tao Yuanming
He is a young man who has no sense of vulgarity and loves hills and mountains by nature.
I accidentally fell into the dust net and passed away for thirty years.
The tame bird misses the old forest, and the fish in the pond miss the old abyss.
Open up the wilderness in the south, stay humble and return to the garden.
The square house covers an area of ??more than ten acres and has eight or nine thatched houses.
The elms and willows shade the back eaves, and the peach and plum trees in front of the hall.
The distant village is warm and the smoke is lingering in the ruins.
Dogs bark in the deep alleys, cocks crow on top of mulberry trees.
The courtyard is clean of dust and clutter, and the empty room has plenty of leisure.
After being in a cage for a long time, you can return to nature.
When I was young, I did not have a natural tendency to cater to the secular world. I originally loved mountains, rivers and pastoral life.
Thirteen years have passed since I mistakenly fell into the snare of this world.
The caged bird is attached to the woods where it lived, and the fish in the pond longs for the deep pool where it lived.
Go to the southern wilderness to open up wasteland, stick to your ignorance, and return to your hometown to live a pastoral life.
There are more than ten acres of land around the house, and there are eight or nine thatched houses.
Elms and willows cover the rear eaves, and peach and plum trees line the front of the hall.
Residential villages can be vaguely seen in the distance, and the smoke from the trees rises gently in the wind.
Dogs bark in the deep alleys, and roosters crow on top of the mulberry trees.
There are no worldly distractions in the courtyard, and there is plenty of free time in the empty room.
I have been trapped in a cage for a long time, and now I can finally return to nature.
Touring Shanxi Village
Lu You
Moxiao’s farmhouse is full of wax and wine, and in good years there are enough chickens and dolphins for visitors.
There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers.
The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient.
From now on, if I can take advantage of the moonlight, I will knock on the door all the time and night with my stick.
Translation 1. Don’t laugh at farmers who make turbid wine in the twelfth lunar month. In the year of good harvest, there will be plenty of delicacies to entertain guests.
2. There are mountains and rivers, and when I doubt that there will be no way out, I suddenly see the willows green, the flowers bright, and another village appears in front of me.
3. You play the flute, I beat the drum, we form a team to celebrate, the Chunshe Festival is approaching, clothes made of cloth, the most common hat, and the simple ancient style still exist.
4. From today on, if I can take advantage of the moonlight for a leisurely stroll, I, a white-haired old man, will also enjoy the night, leaning on a cane and knocking on the firewood door of my farm friend. 4. Sentences describing pastoral poetry and beautiful scenery
"Twelve Pastoral Miscellanies in Spring"
Fan Chengda, Song Dynasty
The sound of roosters in the deep alley of willow flowers at noon, The tips of the mulberry leaves are not green yet.
Nothing happened while sitting and sleeping, and the windows were filled with silkworms growing on a sunny day.
The earth is about to move, the rain is coming frequently, and thousands of grasses and flowers are blooming.
The wild border behind the house is still green and beautiful, and the neighbor is whipping bamboo shoots over the wall.
The high fields and two wheat fields are connected with the green mountains, and the low fields near the water are green and unplowed.
The village is full of peach blossoms, and the spring is like brocade, and the singing of drums has passed the Qingming Festival.
The first ripe Dumao firewood in the old basin is brought to the Tiantou Festival.
Don’t be dissatisfied with the taste of the witch lady, the flag pavilion official wine is more gray.
The money-burning drums in the club are like thunder, and the setting sun helps the drunkard to return.
The green branches and flowers are scattered all over the ground, and I know it is the children and grandchildren coming to fight with grass.
Riding blowers come from the east and the lanes are noisy, and the spring carriages and horses are noisy like smoke.
Don’t tie the cow to the road in front of the door. Move it to the west of the door and tie it to Qibian.
Cold food flower branches are placed all over the head, and there are a few small boats in the green skirt and green mantle.
I visit the mountain temple once a year, and if I don’t go to Lingyan, I will go to Tiger Hill.
The people in Guoli pay their respects to sweep back, and they recommend green plums to the newly opened mash wine.
Richang Road is close to the city gate. Let me warm you in that thatched pavilion.
Walking in the spring, I have a good mood, and the rain is lingering on my feet, and the water is like a cup.
He went forward with the help of a yellow dog, and suddenly turned back when he reached the stream.
Planting the garden yields fruits and rewards the labor, but the children are scratched by the birds.
Thorns have been inserted into the bamboo shoots, and cherries have been laid out.
It is an auspicious day to start planting rice bags, and thunder and rain in Nanshan continue all night long.
This year I don’t owe water to the rice fields. Take a look at the newly raised water and take a look at the small bridge.
The borders are full of green spring vegetables under the mulberries, and the heart of the mulberry is green and tender, and the mustard moss is fertile.
I wash my clothes in Xitou and sell them in a shop. At dusk I return home wrapped in salt and sold wine.
"Visiting Shanxi Village"
Lu You of the Song Dynasty
Mo Xiao's farmhouse is full of wax and wine, and in good years there are enough chickens and dolphins for visitors.
There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers.
The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient.
From now on, if I can take advantage of the moonlight, I will knock on the door all the time and night with my stick.
"Passing an Old Friend's Village"
Meng Haoran of the Tang Dynasty
An old friend brought chicken and millet and invited me to Tian's house.
Green trees border the village, and Qingshanguo slopes outside.
Open a dining room and chat over wine.
On the Double Ninth Festival, I will still come to see chrysanthemums.
"Pastoral Works"
Meng Haoran of the Tang Dynasty
The house is isolated from the noise of dust, but the first thing is to maintain tranquility.
There are three paths adjacent to the divination, and thousands of trees are planted with fruits.
I have been promoted to other places in Guangdong, but I have not met him in my thirties.
It is getting late when I write and write swords, and the sun is already dusk in Qiuyuan.
When you wake up in the morning, you will have many thoughts, but when you sit down during the day, you will often have few thoughts.
The swans in the sky are envious of the swans, and the chickens are ashamed to compete for food.
Looking across the Golden Horse Gate, I work hard and sing on the woodcutter road.
There are no friends in the countryside, and there are no relatives in the court.
Who can recommend Ganquan Fu to Yang Xiong? 5. Who knows that landscape pastoral poetry is poetic?
Wang Wei's landscape pastoral poetry says goodbye. I got off my horse to drink your wine and asked you where you were.
You are dissatisfied with your words and return to the south mountain frontier. But don’t ask again, the white clouds are endless.
Send Zhang Wu back to the mountain. I will send you off to the end of my sorrow. Who will I send you back to? We hold hands together for several days, and we brush off our clothes once in a while.
There is a thatched hut in Dongshan, which is fortunate to be used to sweep away the thorns. When you go to thank the official, it will go against your heart.
Passing the Guanhua Temple and Tanxing Master Shanyuan, holding a bamboo stick at dusk, they were waiting for each other at Huxitou. The guests are urged to hear the sound of the mountains and return to their houses to chase the water.
The wild flowers are blooming, and the valley birds are singing quietly. Sitting in the empty forest at night (Yizuo Village), it is quiet, the pines and the wind are as straight as autumn.
Autumn is dark in the mountains. After the new rain in the empty mountains, autumn weather comes late. The bright moon shines among the pines, and the clear spring flows over the rocks.
The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. Let the spring fragrance rest at will, and the kings and grandsons can stay.
Zhongnan Bieye I was quite good at Taoism in my middle age, and I came home to Nanshan in my later years. Every time you go alone when you are happy, success will be in vain (only one thing).
Walk to a water-poor place and sit down to watch the clouds rise. Occasionally, I visited Lin Sou, chatting and laughing for a long time. 6. The poetic flavor of the ancient poem "Pastoral Miscellany in Four Seasons"
The poetic flavor of "Pastoral Miscellany in Four Seasons": with simple language and detailed description, it enthusiastically praises the intense and busy working life of farmers. The first two sentences describe the rural men farming and women weaving, working hard day and night, showing the poet's sympathy and respect for the working people. The last two sentences vividly describe the scene of rural children participating in labor within their capabilities, and express praise for rural children who love labor. The children described in the poem are innocent, simple and endearing. The whole poem has an overview and a close-up, reflecting the scenes of rural men, women, old and young participating in labor from different aspects, and has a strong flavor of life.
Pastoral Miscellany in Four Seasons
Fan Chengda of the Song Dynasty
Working in the fields during the day and planting hemp at night,
The children of the village are in charge of their own affairs .
The children and grandchildren have not yet left for farming and weaving.
They also learn to grow melons by the mulberry tree.
Translation:
Hoeing weeds during the day and twisting fine linen at night,
Farmers and men had no time to spare.
Children do not know how to plow fields and weave cloth,
They also learn to grow melons under the shade of mulberry trees.
① Pastoral Miscellany of the Four Seasons: In his later years, the poet wrote a set of pastoral poems about the four seasons, a total of 60 poems, divided into "spring", "late spring", "summer", "autumn" and "winter". There are four groups and five groups, each group has 12 songs. They all describe rural life. The poem chosen here is "Summer". ②Fan Chengda (1126-1193 AD) - named Zhineng, also known as Shihu Jushi, was a native of Wu County, Pingjiang (now Wuxian County, Jiangsu Province), and was a poet of the Southern Song Dynasty. ③Hoe: weed. ④ Ji Ma: twisting hemp rope or twine. ⑤Head: Take charge of housework. This refers to taking on the production labor tasks of the family. ⑥Tongsun: refers to children. ⑦Unsolved: Don’t understand. ⑧Gong: worship. This refers to "participating in" and "engaging in". ⑨Pong: close. ⑩mulberry shade: the shade under the mulberry tree. 7. Sentences describing pastoral poetry and beautiful scenery
1. There is a thin river on the green grassland, exposed in the sun, and looking from a distance, it looks like a shining silver necklace.
2. In the grassland after the rain, wild flowers are blooming, like a flower headscarf that has just been soaked in water, and even the dewdrops are colorful! 3. There are countless beautiful scenery in my memory. Not to mention the lotus that "comes out of the mud but is not stained, and washes the clear ripples without being evil", nor the simple, elegant and beautiful bridges and flowing water, nor the evergreen pines and cypresses that are evergreen.
This unique pastoral scenery alone deeply attracted me.
The rural countryside full of fruits and fragrant fruits is fascinating, the clear and sparkling Tianjia pond is wonderful, and the poetic and picturesque farmhouse with simple, natural mountains and clear waters is even more unique.
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