Traditional Culture Encyclopedia - Weather forecast - Appreciation of Shuyu's Ci in Ode to Yule

Appreciation of Shuyu's Ci in Ode to Yule

Yongyule

The setting sun melts gold, and the clouds merge. Where are people? Dye willow smoke and play plum blossom flute. What do you know about spring? Is there no wind and rain when the weather is harmonious during the Lantern Festival? Come and meet each other, enjoy the BMW and thank the wine friends for their poems. Zhongzhou is in its prime, and the boudoir is full of leisure. Remember points three to five. Pave the green crown, twist the golden snow willow, cluster and fight for Chu. Now I am haggard, windy and frosty, and I dare not go out at night. It's better to listen to people laughing under the curtain.

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Zhang Guier Ji says: Yi 'an "crossed from the south and often missed the past. In his later years, he wrote the word "Yuan Xiao's ode to fishing" and "the sunset melts into gold, and the clouds merge at dusk", which made him a success. As for' dyeing willow smoke lightly, blowing plum flute to complain, how much spring is known', the weather is better. After Dieyun:' I am haggard today, and I am afraid of going out at night.' They all enter the melody in common language. Refined sentences are easy, simple sentences are difficult. "Plain language" and "plain intonation" are two great advantages of Yi Lee's ci. Those who are so plain are determined by their moods and circumstances. As for the common language, this was the case when Li Yian didn't do any work. In his later years, his mood was dull, and he was more involved in the chemical industry. He thinks that after carving, there is no meaning of whitewashing. Like those who come out naturally, he is moving and desolate. It was difficult to get this fresh taste, but Jinan Er 'an can do it, and its tone and taste of Yuanqu began very early. However, compared with the peace of mind, Li Yian's ci lacks bold spirit, and although his voice is ordinary, it lacks the pungent meaning of Yuan Song, so he is always a real poet, and it is different to use vulgarity to write ci. This word is very emotional, so people who are particularly close to Liu Chenweng can feel it, and drew up a preface for "Yong Yu Le": "I recited Li Yian's" Yong Yu Le "from" Yi Hai Shang Yuan "and wept for it. It has been three years now, and every time I hear this word, I can't help myself, so I listen to its voice and believe it is easy and self-evident. Although I can't express my feelings, I feel very painful. On Chu Qingyue, the clouds are far away. Who cares about spring scenery? The forbidden garden is cold, the lake embankment is tired and warm, and the forepart is so steep. Sweet dust and dark strangers, bright lights and bright books, dragons are lazy to go hand in hand. Who knows, smoking is forbidden and nights are forbidden, and the city is full of wind and rain. Xuanhe old days, Lin 'an south crossing, Fang Jing still. Wandering from place to place, the wind blows three to five, which is the most bitter. There is no road in the south of the Yangtze River. Who knows the pain in Zhangzhou tonight? Empty relative, disabled sleepless, full of village drums. "Bitter is bitter, but the straight road is bitter, just the road is bitter, so I feel a little inferior. It's best not to feel bitter and miserable. Therefore, heavy roads are easy to suffer, and light roads suffer. He also wrote "Never Meet Happiness" and "Hanging Yi Anyun" in sequence: "Yu Fang suffered from the habit of going to sea at the end of Yuan Dynasty, which was suitable for both Deng Zhongfu and Yi An, so he hung it with words. Canoe Huaxing, Cliff Mountain Qikou, Guanjun Wai. Yue Hui is round, silver flowers are short, and things in spring are so sudden! Linzhou is shallow, Aoshan is diffuse, and sorrow is like a rainy night in Miluo. I also know the beautiful scenery, when summer night was a couple of immortals. Now there is nothing to do, Yuan, just like the moon facing the fifteenth. Looking at the lights in the small temple and turning the drums in Tuanjie always seems to add some sadness. Orange sleeves are cold, quinoa leaks, I see the old days. It' s still remembered, and it' s like sorrow. " "Spreading the cold of orange sleeves" is like Li Yian's mantle, but Li Yian is only famous in Kyushu now. Today, people only care about its absolute beauty, and when they linger in chanting, they can no longer feel the feelings of home and country. Sad husband! I am deeply worried about this, but I am not the only one who hurts Yi Lee. Zhang Yan's etymology says: "As Li Yian's etymology says,' It's better to listen to people laugh under the curtain'." This word is not evil. Singing in slang seems to have hit Shao, which is sad. "Zhang thinks he is an honest man, so he regards this work as a slang word. Although he has a reputation, he also has a reputation. Jia Baoyu has a good place to eat tea. Miaoyudao is the love between Lin Daiyu and Xue Baochai, so don't thank her. Yang Shen's Ci Pin said: "Xin Jiaxuan's Ci" is deep in the north, blowing beautiful plums ",and also used Yi 'an" to dye willow smoke lightly and blow resentment ". However, Jia Xuan changed the figures to be more work-oriented, so it is better to copy them. Otherwise, you want to steal the fox's white hair and evil hands? "According to the quoted non-symphonic words, Liu Guo's Letter from Liu Zaoqing said:" The pan-chrysanthemum cup is deep and the plum blossom corner is far away ",or it is wrong. Yang Shen's statement that he is "hardworking" is not true. Besides, although Li Yian used these sentences, he didn't mean to. As the saying goes, the more you talk, the more you can see that their hearts are not there. The heart of a fairly well-dressed beauty is not here, and everyone who looks at them has their own people! It would be better to describe it in two ways. Whether Yang Shen regards it as a "work" or not can be said to be superficial. The Summary of Sikuquanshu said: "Zhang's Gui 'er Collection strongly recommended his Yuanxiao Ci" Song of Eternal Sorrow "and his autumn Ci" Slow Sound ",and thought that the style of the boudoir was almost empty, and the goodness was not empty. Although there are not many articles, they are indispensable, and they are a large number of poets. "There are people, and there are people when they meet, so there will be such a thing, which is the result of two accidents and is beyond the reach of a generation. There are three sentences in Xie's Collection of Gambling Chess Villa: "Liu Tuntian's' Xiao Feng Canyue' is clean and bright; Li Yian's Sunset and Twilight Clouds are full of care and strong algae. Summarize the soul, write about the weather, and build an elegant forest. "If the algae is dense and the heart is idle, why is the heart idle? If you have to be idle, if you are, don't just set it up for a few weeks. The more you think about it, the more carefree you are, and the more bitter your feelings are. Such a work goes beyond the word soul. Wu Mei's General Theory of Ci Poetry says: "The most popular Ci poems in Yi 'an, such as" Green Fat and Red Thin "in Mengliling," Fragrant Lotus Root "in Pruning Plums," West Wind with Curtain "in Drunk Flower Yin and" Fragrant Cold Gold "in Phoenix Terrace, are all quatrains in the world. His "slow voice" was especially appreciated by Luo Dajing and Zhang. In fact, this word is a second language, which is quite annoying, and it is not the winner of Yi 'an concentration. Generally speaking, Yi An's works can be light and calm. In other words, just like the word "Yong Yu Le Xiao Yuan", people are salty and excellent. At this time, I feel sorry for Luo Jing. I must have a painful language. Words like' I am haggard, windy and foggy now, and I dare not go out at night' are real words, but the context does not call it. On the cloud,' spread a blue crown, twist golden snow willows, and cluster with them to fight for Chu', and on the cloud,' it is better to go under the curtain and listen to people laugh'. It's all too qualitative, and the wise will tell. Wu Mei is another master of Ci after Mr. Wang Guowei. However, Mr. Wang Guowei is good at innovation and creation, so "Tales on Earth" has become a classic, while Wu Mei only knows the old end of the net and becomes a book bag, which may be used in reality to maintain the thread. If it is innovation and development, it is not, and the theory is outdated. So there are many disciples who are teachers rather than masters, and the rest may be refuted. That is, the theory here has seen the style. People call it the best, and only Wu thinks it is not very good. " "Can be sparse or light" is a superficial statement, and its so-called calmness is seen in the text. I don't know that Yi Lee's calmness is more about his attitude and taste in life. This matter is beyond the understanding of an old pedant like Wu Mei, so he thinks that "listening to people laugh under the curtain" is too qualitative, and Wu Mei can't get its true colors in Yuan Qu, but it is true. "Context doesn't matter", what a good theory! I also think that Li Yian doesn't make painful remarks, but if he is "haggard now, windy and foggy at his temples, and afraid to go out at night", Wu Can also considers him a wicked person who really makes painful remarks? In order to prevent the viewer from thinking it wrong, I specially wrote a song about marrying a flute and renting a flute building to see its characteristics:

Wu Mei's "Yuan Tan Qu" quoted Bai Pu [meaning of drunkenness]: "Doubt is here, beauty is all killed. Yi Nai waved Li Bai in his hand, watching his charming attitude sprinkle pine smoke and break peach cheeks. He commented that "this word praised the beautiful mole, and the text was wonderful", which is obvious that it was also heard by the ancients. White words are not like words, songs are not like songs, neither fish nor fowl, chanting beauty moles, and unconsciously falling into bad taste. Fu You earns money by selling women's meat to buy meat and wine. In addition, Zuoge advocates "no irony" in drama theory. Unfortunately, in the United States, although she is knowledgeable and has made meticulous research on Zhou Xiqu, her emotional appeal of thinking and understanding is still ancient. For the real interest in writing and literature, she can't be said to be glad you came. Writers seek goodness, but they can't be pedantic and pedantic. " Replace muduo with legendary works. Because there are very few people who can read and know books, it is unreasonable to persuade them to be good and remonstrate them as evil. This kind of writing is valid, which means that the good is this way, the bad is that way ... The world is cold, and this is the intention to reverse right and wrong, and this article is used as a tool to retaliate against hatred. Those who are happy in their hearts will be given the name to give birth to Dan, and those who are evil in their hearts. As for modern times, it is still called that Yuanqu is also a difficult person, and its understanding of Qu is actually better than that of Wang Jing 'an. Jing 'an chose Yuanqu because of its literature, which can be a generation after Tang poetry and Song poetry. Therefore, his History of Drama in Song and Yuan Dynasties is full of chapters that are proud of Ju Yuan's articles, while other chapters are just perfunctory. Therefore, Fu Sinian's article "New Wave" is highly praised for its unique reference to this chapter, and is called "a man with excellent writing and a world vision". Wei Jing and an yun's "The highlight of Yuan Zaju is not the ideological structure, but the article", but I still think its knowledge is still dusty, which has been discussed in the past. Wu's Talking about Wang et al. is really the last first-class of Song, but its essence is unknown. Although Wang's poems are small and impressive, they have a profound understanding of literature. His theory of "realm" is popular all over the world, which is far from Wu's, so it is very appropriate for him to say a lot without being pedantic! Qu's system is different from poetry. It can play a story and create a plot by integrating elements of novels to express the affairs of characters. Wu's ignorance and talk about abstinence from irony, teaching loyalty and persuading good and evil, isn't it just like spending the night in the bridal chamber and not knowing about men and women, which can't help but embarrass people?

Hu's close friends, such as Hu, Hu, Hu and others, were full of praise for this word. Is it accidental evil? If Wu Mei is destroyed, I really don't know what the motive is. There is a saying in Tang Guizhang's Ci theory: "The word' ode to fishing music' is also full of patriotic thoughts. Later, Liu Chenweng read this sentence and wept for it. According to its voice, it is clearly touching, and the two are saddened by the death of the country. " "In the movie, I wrote about the reality of the Lantern Festival in Lin 'an, the capital. The scenery is good, the weather is good, and the lights in the whole city are very popular, but I was secretly injured in the national subjugation and didn't want to see it. In the following film, I recalled the grand occasion of Bianjing Lantern Festival. Many women put on colorful makeup and went out to see the lights. In a blink of an eye, nomads invaded and disappeared, leaving thousands of families homeless and miserable. And my head is flying like a canopy, and I have no intention of grooming. On the Lantern Festival, I dare not even think about watching lanterns at night. It is precisely' what a beautiful day, who will be happy? Finally, listening to people's laughter can better reflect a person's loneliness and sadness. It is better to swallow your tears silently than to burst into tears. "Wu mei thought that there must be painful language, not superficial!