Jiangling is anxious to have something to send.

I am anxious to have something to send to Jiangling.

There are thousands of maple leaves, and the river bridge is covered with dusk sails.

Remember that your heart is like the Xihe River, which flows eastward day and night.

Translation and annotation

Jiangling: Today's jiangling county, Hubei.

Shadow: When it is hidden, it is now.

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Xu Gan, a poet in Jian 'an period, wrote the famous poem "Thinking Room" with five chapters. At the end of the third chapter, four sentences are: from the monarch, the mirror is dark, and there is no medicine to save. Thinking of a gentleman is like running water. Later generations love the beauty of its charm, and many of them imitate it as a five-character quatrain, which is seamless. This poem (entitled "I am anxious to send my son to Jiangling") written by Yu, a poetess, is very close to the four sentences in Xu Gan's "Thinking Room" in terms of content, rhyme and couplets. However, the genre belongs to the seven wonders, which can be regarded as a variant of the self-monarch. There is change, so the harvest is also among them.

Although five quatrains and seven quatrains belong to the same quatrains, their adaptability to different styles is quite different. Zhu Ziqing, a close friend, said: On the meaning of the seven absolutely, it is called the wind tone. The wind is swaying and profound, and the melody is melodious and profound. In short, it has a deep aftertaste. This is also in line with the long tune of the four-character poem. There is no tone in the five-element poem without words. After reading this poem by Yu, I feel a little more than "out of the king", which is the style mentioned here. Originally, this poem could easily be condensed into a five-line poem: a thousand maple leaves, a river bridge sails late. Thinking of you is like a river. When we rest day and night, the number of words decreases and the meaning remains the same, but we feel a little less, which is also the style here.

Try to ponder the fish poem sentence by sentence and see if two more words in each sentence are redundant.

The first sentence begins with the melancholy rise of autumn scenery in Jiangling. "Songs of the South Call the Soul": There are maple trees on the water in Zhanjiang, which are thousands of miles away and hurt the spring. Maple leaves are born by the river. When the west wind comes, the sound of rustling in the forest is easy to touch people's minds. A thousand branches reply to a thousand branches, which means writing the weight of sadness with as many maple leaves as possible. It not only writes many thousands and tens of thousands of maple leaves, but also shows the richness of branches and leaves through the repetition of branches and characters. The maple leaf, however, does not have the above advantages because it is a ten million-word decline.

The river bridge is hidden-the sail is late in the evening. At first glance, the river bridge is hidden in the maple forest; It was dusk, but the man didn't come back by boat. Writing maple leaves to cover your eyes helps convey the anxious expression in the poem. Words are disyllabic and easy to pronounce. With this word, the parallelism in the sentence is formed, and the tone is longer than that of Jiangqiao Mufan.

The first two sentences are written in the hope that people will not come, and the last two sentences are written in the love of acacia. An inexhaustible river is better than the endless rest of lovesickness, which is exactly the same as the metaphor of "homesickness". Xijiang River and Liu Dong seem to be gossiping at first glance, but in fact they are reduced to remembering the monarch like running water, and they can't rest day and night. Compared with the original sentence, they feel less interesting to read. The last two sentences of Liu's "spring resentment" say: the east wind enters the courtyard, and thousands of willows go west. In the late Qing Dynasty, Wang Kaiyun praised the rise of East and West together, which (wonderfully) not only the author did not know, but also the author did not know. Just right. The beauty of the last two sentences of Yu's poem is the same. These two delicate words were originally used as pairs of antonyms (East and West), and were not designed for parallelism. They echoed each other, creating an emotional atmosphere of repression and resistance to depravity, or an escape function, which made the poem read with an exclamation, which is the so-called style. However, the literal meaning of deletion is not bad, but it will definitely damage the rhyme.

Yu's poem uses repetition, parallelism and antonym at the end of the sentence to create a melodious style, which is of great help to lyric. Each sentence is more than two words, but it has fully played its role. Therefore, the comparison between the five absolutely and the monarch is one, and art has its own unattainable place. /p & gt； Looking at Jinling from three mountains, send it to Yin Shu.

Li Bai visited Jinling in three mountains and sent it to Yin Shu.

Three mountains are full of gratitude, and the water looks at Chang' an. There is no river in Wuyang County, and Qiu Jiang is due north.

Lulong frost and cold wind, magpie moonlight cold. Recalling the Qiongshu, the end of the world sends joy.

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Li Bai 701February 28, 762, with the word Taibai, was named Qinglian layman. China, a poet in the Tang Dynasty, was known as a poetic immortal and a great romantic poet. Han nationality, originally from Ji Cheng, Longxi County, now south of Jingning County, Pingliang City, Gansu Province, was born in Changlong County, Mianzhou County, jiangyou city City, Sichuan Province, now Qinglian Township, jiangyou city City, Sichuan Province, and was born in Broken Leaves in the Western Regions, now tokmak, Kyrgyzstan. Died in dangtu county, Anhui. His father Li Ke and his wives Xu and Liu have two sons, Boqin, a natural girl and Pingyang. There are more than 0/000 poems in the world, with masterpieces such as Difficult Road to Shu, it is hard to go, Climbing Mount Tianmu in a Dream, Jiang and Li Taibai Ji. He died in 762 AD at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.

You Jingting sent Cui (a book to the ancient city)

Li Baiyou respects the pavilion and sends it to Cui (the book is sent to the ancient city Wangfu)

Under my pavilion, I will follow Xie Gong's work. Hundreds of years apart, the wind period is like yesterday.

In autumn, the sky is crisp, the mountains are high and the mountains are far away. Overlooking the heron, you can drink water, peck and sing.

Although the master is pedaling, there are cranes in the snow in Yaotai. Look at the clouds independently, and your heart is vast.

Laugh at me when you come and have a sunflower and vanilla meal. The road on earth is like the autumn wind, and it is bleak to meet.

There is a sword on the waist, which means nothing. A strong man should not take it lightly, and stay in Yun Ge.

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"You Jingting sends a message to Cui (the book is sent to the ancient city of Wangfu)", written by Li Bai, a poet in the Tang Dynasty. In the autumn of 753 (Tianbao 12th year of Emperor Xuanzong of the Tang Dynasty), Li Bai wrote this poem when he visited the Jingting Pavilion in Xuancheng. In the poem, he praised Cui Shi for proudly defending Geng Jie's character and encouraged each other with strong men. Although this poem has overlapping levels, it gives people a sense of coherence because of the clever arrangement of the poet.

Jiangling envoy to Ruzhou

Minister of Wang Jianwei Jiangling in Ruzhou

Looking back, the road is in the clouds, and cold food is cooked at home.

At sunset, the peaks are green, and businessmen say it is Ruzhou Mountain.

Translation and annotation

Looking back at Balu, I saw the white road, like silk, extending forward and finally disappearing into the sky between clouds.

Cold food left home, and the suburbs were still green. When I got home, the fields were already golden.

In the evening, several green peaks appeared in front.

Businessmen in the same trade said it was a mountain near Ruzhou.

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This poem was written by Wang Jian when he went to Jiangling for the first time and went to Ruzhou (now Linru County, Henan Province) on his way back.

The first sentence is looking back. Balu refers to the road leading to Jiangling and Badong. It is a long journey from Jiangling to Ruzhou. Looking back at Balu, I saw the white road, like silk, extending forward and finally disappearing into the sky between clouds. This sentence shows that it is still far from the destination of the mission, Jiangling, and the return trip is coming to an end. Looking at the south, there will certainly be some nostalgia and yearning for Jiangling, which is far away from Yunshan, but what fills the poet's mind at this time is mainly the joy that the return journey is coming to an end. So the second sentence immediately looks forward and calculates the date of return. Wang Jian's home in Yingchuan (now Xuchang, Henan) is very close to Ruzhou, and when he arrives in Ruzhou, he is almost home. Cold food is made after leaving home, and it is unremarkable, as if it is just an objective explanation of the time and season of leaving home and returning home. The long journey back and forth, the hardship on the road, the urgency of returning home, and the changes in scenery in different seasons on the way are all hidden between the lines. Cold food left home, and the suburbs were still green. When I got home, the fields were already golden.

Translate the scenery seen on the road ahead. At sunset, the peaks are green, and businessmen say it is Ruzhou Mountain. In the evening, several green peaks appeared in front of us, and the merchants in the same trade said that they were mountains near Ruzhou. Write a few sentences lightly, stop slowly, only say what you have seen and heard on the road, but you can't feel a word of mood and feelings, but you have a charm of your own, a leisurely and endless atmosphere.

From the perspective of landscape painting alone, using clean and bright brushstrokes to draw several well-defined and verdant peaks on a hazy background can really give people a sense of beauty and freshness. People can even imagine the sunny weather, the clear sky and the striking and beautiful posture of these peaks from the green of several peaks. But it seems that its advantage lies not in writing landscapes, but in subtly conveying a traveler's unspeakable mood in the specific environment at that time.

This special situation is that the return trip mentioned above is coming to an end, and it is approaching Ruzhou, the nearest big station head. Such a stop is undoubtedly attractive to travelers who are eager to return home, and naturally they will pay special attention to its appearance. When I looked forward, I suddenly saw several peaks, which attracted people's attention. I can't help asking the businessmen in the same trade, who inadvertently said it was the mountain of Ruzhou. The speaker has no intention, but the listener has intention. At this moment, the poet's heart will naturally be filled with a happy, excited mood and cordial feelings. However, the author didn't bother to describe the mood at that time. He just wrote lightly and revealed what he saw and heard, which naturally constituted a rich artistic conception and fascinating style.

Ji Xing's poems will naturally write about mountains and rivers, but its attraction is often not only because of the beautiful scenery, but also because of the poet's mood under certain circumstances. This artistic beauty, which is composed of scenery and artistic conception, is often the mystery of the artistic strength of Ji Xing poems (especially short poems).

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy the ancient poems and see Lushan Waterfall.