Appreciation of Li Bai's Farewell

The one upstairs won't. Don't answer randomly. . .

It is not difficult to translate this poem. The following is more of a free translation. The reference translation is as follows:

On the edge of the acropolis, we said goodbye to each other and were too drunk to sleep in the restaurant. The snow on the bush is like white pears, and thousands of poplar leaves are like wisps of smoke. We drank all the wine in the pot when we said goodbye. When parting, send a whip on horseback. I look forward to your coming to Yingshang, when the new moon will be round.

Precautions:

1. barrel: a volumetric metering device, with ten liters of barrels and ten barrels for welcoming guests. Here is a description of drinking too much.

2. Weicheng: Qin Dou Xianyang Ancient City. Most people who traveled westward from Chang 'an in the Tang Dynasty said goodbye in Weicheng.

3. Shantou: restaurants, restaurants.

4. (x ǔ):) Good wine.

Appreciation: This is a farewell poem. The poet is addicted to wine and attached to the scenery. Snow, poplar leaves, whip, pot and crescent moon are all farewell images. Snowflakes only appear in cold winter. Pear blossoms only bloom in warm spring. Poets use pear blossoms as a metaphor for snow, hoping that their deep feelings will make parting friends forget the sadness of parting in winter like pear blossoms in spring.

PS: What I want to say here is that the author of this poem is Cen Can, and the title of the poem is Seeing Andy. Because Li Bai's poems are scattered a lot, it is inevitable that future generations will make mistakes in summing up and confuse other Tang poems. Anyone who knows a little bit about it knows that pear flower is used as a metaphor for the creation of Shi Xue Cenjiazhou, which is also the place where his poems are talked about. "Bai Xuege" in "Farewell to Tian Shuji Wu's Home" has: "If the spring breeze comes at night, ten thousand pear blossoms will be blown away." . Only he wrote the verve of frontier fortress incisively and vividly. Of course, this is my opinion. The author is also well-founded, and predecessors have also done textual research on this poem, and they all agree that it is the work of Cenjiazhou. Let me quote someone else's point of view here. Yan Yu in the Southern Song Dynasty wrote in his work "Canglang Poetry": Taibai's poem "Fighting for Wine by Weicheng, Drunk and Not Sleeping". Cen Can's poems are misleading, and Taibai's song "Ma Zhao Xinzan Purple Jade Saddle" is Wang Changling's poem, which is also misleading. There are two chapters in Changling's book. The first episode is "Bright Moon in Qin Dynasty, Customs in Han Dynasty". Today, Sun Qinan, director of the Ancient Literature Research Office of the Institute of Literature of the Shanghai Academy of Social Sciences, also wrote in the "Five Laws": I said that among the five laws of the Tang Dynasty, Cen Can's syntax was the closest to that of Li Zicheng, such as "Fighting on the edge of the city, getting drunk and not sleeping." , "Mount the horse with a hook to make a long head", "spread willow branches yellow, and smell the wine on the stove". , not only from the beginning of the sentence, but also like Taibai throughout. Xu believes that Taibai and historical books are the most important in the Tang Dynasty, followed by Du Fu and Wang Wei. In the middle and late period, Zhang Ji was promoted, followed by Han Na, and in addition, contempt. The author is also quite fond of Li Bai's poems, but academic research is also necessary. Putting other people's poems on the poet, it is estimated that the poet will not agree if he knows it in heaven, nor will Cenjiazhou. If you have any questions, the landlord can ask me to continue the discussion. It is very irresponsible to despise people who answer questions casually. Typing is so tiring, the landlord will give you points, hehe.