Film critics love is colder than death.

What the hell are these two doing? They met inexplicably, searched inexplicably, waited inexplicably, and then came together inexplicably. He can let his girlfriend sleep with him for him. He kills, kills, keeps killing, and kills for no reason. But neither of them realized such a puzzling relationship. Frank silently endured Bruno, watched him kill and took the fall for him, while Bruno was burdened with the secret task of framing Frank and pulling him into the underworld gang. In fact, at the moment, they know nothing about their own destiny and their real relationship.

The only person I know is Joanna, a beautiful and dissolute Joanna, a Joanna with a woman's sensitive intuition. In the last scene, the three of them rob a bank together, and Bruno secretly sets a killer to kill Joanna, her and his woman. Joanna, on the other hand, secretly went to the police and killed Bruno, him and his man with the help of the police.

Finally, the car that fled to the distance was driving under endless haze. It is always cloudy. In movies, it's never sunny.

What's fassbinder trying to say?

At the age of twenty-four, genius fassbinder began to shoot his first feature film "Love is colder than death". This 1 hour 24-minute black-and-white film, although not lengthy, is really dull, with a beating picture, a dry plot, stage-like scenery and characters, but it is still a blockbuster at the Berlin Film Festival. Among them, fassbinder, wearing his favorite black leather coat, personally played the leading role in the film. His eyes were narrowed, his expression was cold, and his hands were dangling in his trouser pockets. This is such a person.

Many years later, in a character story in fassbinder, the author wrote: "I have never seen anyone who is more likely to fall into chaos than fassbinder, and I have never found anyone who is more closely related to movies than fassbinder. For him, movies are mirrors, diaries, legends and daggers. This gives him the right to live two lives, one in reality and the other in images.

Yes, both in reality and in images. 1965 rpm 1982, 18, 18. This man is aging rapidly, burning like a flammable substance thrown into the fire, and igniting the fire of images at the expense of accelerating death. The man actually tried not to sleep. He fought against God, time and life. He drinks, smokes and takes drugs in various ways. He drives himself to work hard in various ways, just like driving a prickly Ma Xiangqian mercilessly. This man's horse runs in inhuman time and space. Love is colder than death, and fear devours the soul. Lily, Marilyn, fassbinder, what do you want to do?

But no one knows. Just as no one knows the secret of Frank and Bruno, no one knows when the cloudy days in his movies will clear up. Only God can make fassbinder find his long-lost sleep. He would curl up in his mother's womb and sleep like a baby. Fassbinder, he will definitely say that the only time in his life when he didn't hate his parents was in his mother's womb. At the beginning, at the beginning and at the end, he could be as open and honest as a baby. It turned out that he tried his best to escape the memories of childhood, parents, betrayal and deception ... he used all his strength and life to fight against the injury and betrayal from childhood to adulthood. Finally, he began to lose his mind. He can't tell love from injury, just as he can't tell image from reality. These injuries sneaked into himself, became his blood, and became one of his strengths. Finally, they became his movies. He regards it as a life movie.

Who knows, in this world, what is cause and what is effect.

Does fassbinder know all this? Maybe. Because, at the age of 24, he was already old when he should have been naive and young. He said coldly that love is colder than death.

So, is it a hobby? Perhaps, as Socrates said, only God knows this.