What kind of weather did Xiangzi see?

On June 15, the weather was extremely hot. Hardly had the sun come out when the ground caught fire. There was not a drop of water on the road. It was dry and white. The dust on the sidewalk flies high and connects with the gray air in the sky, forming a vicious gray sand array that burns the faces of pedestrians. Everywhere is dry, everywhere is hot, everywhere is sultry, and the whole old city is like a thoroughly baked brick kiln, which makes people breathless.

Appreciation: Who is not afraid in this daunting weather? However, Xiangzi "looked at the gray-red sky in the yard, drank cold water and went out." He didn't go to enjoy the cool, not to spend the summer, not to have fun, but to make a living and pull down the car in the hot sun to make money. In this way, Xiangzi's tragic fate has been fully reflected in the description of the scenery.

Extended data:

The whole work of Camel Xiangzi does not have too much layout and rendering, and there is no bizarre and tortuous story. Writers introduce, describe or comment on the ins and outs of stories and the joys and sorrows of characters through narration. However, the story begins and ends, and the unfolding of the plot echoes before and after, which not only conforms to people's appreciation habits, but also makes the characters more prominent and the theme of the work more clear and concentrated, showing the author's complex and simple artistic skill.

Lao She also wants to write about society, and it is impossible to create characters without writing about society. But those social lives, involving the fate of the protagonist, are things that are different.

Moreover, some minor figures, such as Tigress, Mr. Cao, Mrs. Xia, the grandson of the old horse and Detective Sun, all appeared around Xiangzi's fate and were subordinate to the shaping of Xiangzi's image. The advantage of this conception method is that the clues are clear and concentrated, which can make the characters look plump and thick.