How does Tomb-Sweeping Day draw?

Appreciation of the Riverside Scene at Qingming Festival (1), which gives a simple description of the content of the painting from the composition and level (2)

This painting depicts the prosperity of Bianjing in the Qingming period, which is a witness to the prosperity of Bianjing in that year and a portrayal of the economic situation of the city in the Northern Song Dynasty. Through this painting, we learned about the city appearance of the Northern Song Dynasty and the life of people from all walks of life at that time. In a word, The Riverside Scene at Qingming Festival is of great historical value. The center of the Riverside Map on Qingming Festival consists of a rainbow-shaped bridge and the street surface of Qiaotou Street. At first glance, people were crowded. A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people. There are people who ride cars, ride horses, carry loads, drive donkeys and carry goods, and push unicycle ... The south of the bridge is connected with the street. There are teahouses, pubs, pawn shops and workshops on both sides of the street. There are also many small vendors with big umbrellas in the open spaces on both sides of the street. The street extends from east to west to the quiet suburbs outside the city, but there are still pedestrians on the street: some are carrying burdens, and some are driving ox carts to deliver goods. Some people stopped to watch the scenery of the Bianhe River. There are many ships coming and going on the Bian River. It can be said that Qian Fan is racing and hundreds of ships are fighting for the trend. Some are parked near the dock, and some are driving in the river. Some big ships are overloaded, and the owners hire many trackers to pull them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatmen on this big ship are very busy. Some. Some people are struggling to support the pole by the boat; Some people hold long poles against the roof of the cave in bridge opening, so that the ship can pass through the water safely. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting. Zhang Zeduan has a high degree of artistic generalization, which resulted in The Riverside Scene at Qingming Festival. Many figures are unprecedented in scale. The picture of Riverside Scene on Qingming Festival is dense and orderly, from quiet suburbs to bustling city streets, attracting people everywhere.

What season is the riverside scene on Qingming Festival?

There are different views. 1. The word "Qingming" in The Riverside Scene at Qingming Festival in summer and autumn does not refer to Tomb-Sweeping Day, but refers to the gradual refreshing and clear weather in summer and autumn. Needless to say, there are three points to prove: first, the clothes on the painting are thin and the children are still naked; Second, no one holds objects to mourn the dead; Third, there are fallen leaves on the ground. Secondly, people think it depicts the scenery in spring. The first skeptic was Mr. Kong, a teacher in Kaifeng. In the second issue of Art magazine of 198 1, he published the article "The Riverside Scene at Qingming Festival Queries Qingming Festival", listing eight reasons. It is considered that the riverside scene at Qingming Festival is autumn scenery. First, there is a donkey carrying 10 basket of charcoal at the right end of the painting. Meng Yuanyuan's Dream of Tokyo in the Northern Song Dynasty records that every October in the lunar calendar, Bianjing began to "put charcoal in the heater, put wine in front of it and have a warm party". It is against the customs of Song people to say that Tomb-Sweeping Day used to burn charcoal in the heater. The historical events mentioned above should be credible. Secondly, there is a farm hedge full of eggplant and other crops. What's more interesting is that several children are playing and chasing naked, which is not a thing in Qingming Festival. Third, there are more than a dozen people with fans in the picture, some with fans and some with sunshade. Common sense tells people to use fans in dog days, and few people use fans in early spring. Fourth, there are straw hats and bamboo hats in many places in the picture. It doesn't rain in the picture, so it must be for the emperor's grandson. According to the climate of the capital of song dynasty at that time, Tomb-Sweeping Day seems unnecessary, which deserves our suspicion. "Fifth, there are many wine shops in the picture, and the word" new wine "is written on the wine flag, while" Tokyo Dream China "is written:" Before the Mid-Autumn Festival, all the shops sold new wine ... drunk and fairy brocade, and the city people fought for it. Otherwise, there will be no new wine. Sixth, there is a small tea stall on the screen, which reads "Kouxia Tree Seal". "If the word" Xia Shu "in" Kouxia Shu Yin Zi "is good, it is enough to explain its season." Seventh, there are several vendors' tables with cut watermelons on the banks of the river and on the bridge. It is impossible for the capital of song dynasty to be warm and cold in early spring. After careful analysis, although these people may go to the grave, it is more appropriate to say that they are hunting in autumn, because it is possible to go to the grave all year round. As far as flower arrangement is concerned, it can be explained in spring and autumn. Now, judging from various phenomena in the picture, it is more realistic to say autumn.

The Riverside Scene at Qingming Festival is a painting of that dynasty. Kangsong

The Five Dynasties and the Song Dynasty were the heyday of China's painting art. With the establishment of the Academy of Fine Arts, the palace painting in China's art history showed a prosperous and active scene, and later literati paintings usually traced the painting tradition back to this period. New painting contents such as folk painting began to appear, such as The Riverside Scene at Qingming Festival by Zhang Zeduan in the Northern Song Dynasty, which vividly depicted the bustling scene of Bianjing (now Kaifeng) with a long scroll composition. Truthfully showed the social life at that time. The last part of landscape painting in this period, Hao Jing and Guan Tong, who lived in the Central Plains during the Five Dynasties, and Dong Yuan and Ju Ran, who lived in the south of the Yangtze River, used different pen and ink techniques to describe mountains and rivers in different regions, with different painting styles, which had an important impact on the development of landscape painting in later generations. Li Cheng painted in the Northern Song Dynasty, with mountains and rivers in Fan Kuanli, wild forests and rivers in Xu Daoning, and Guo. Hui Chong and Zhao Lingqi's lyrical landscapes and Mi Fei and Mi Youren's father and son's Yunshan ink paintings made the landscape painting in the Northern Song Dynasty highly mature. During the Southern Song Dynasty, the painting style of Dashan Tang Tang was replaced by a large number of blank paintings. Li Tang inherited the previous dynasty, but developed a unique axe chopping technique to describe rocks. Later painters such as Ma Yuan and Xia Gui basically followed Li Tang's style, but in the Southern Song Dynasty,