Traditional Culture Encyclopedia - Weather inquiry - How difficult is it to play an orangutan in Rise of the Planet of the Apes 3?
How difficult is it to play an orangutan in Rise of the Planet of the Apes 3?
Before shooting, Terry, the action coach and technical director of ape-man form? Notari organized actors to enter the ape-man concentration camp for training. This concentration camp taught everyone to learn the posture, movements and pace of apes. Thirdly, due to the continuous evolution of the ape family, their appearance is closer to that of human beings and they stand straighter. Therefore, actors need to constantly practice the way of ape-man running, be familiar with crossing streams and rocks, and make the action more vivid in the film.
Shooting: combined with CG special effects.
The new breakthrough of "Rise of Planet of the Apes 3" in motion capture is that it is applied on location in some extreme weather environments, rather than shooting with a full green screen in the studio. There are many complicated movie scenes in the film. In order to make apes perfectly cooperate with the natural environment, several very advanced technologies are used this time, such as Totara, an organic jungle growth software, which can automatically adjust the shapes and colors of trees and plants. Fur description technology is also used in fur. For example, when snowflakes stick to fur, dense but distinct hairs can be presented one by one. Deduction: Live performance is the winning rule.
Although the technology is very powerful, Vita's digital visual effects director Anders? Ron Lance emphasized that no matter how powerful technology is, it can only be used as an auxiliary means of human performance. Real performance is the basis of motion capture. "There is no live performance, nothing. People's performance is the key. For example, we can turn you into an orangutan, but if you are not Szerkisz, you can't play Caesar. "
He mentioned that the performance of the ape-man should be 100% actor-based, but we need the efforts of the animation team to directly transfer the actor's performance to the ape-man performance. We need to analyze these manifestations, what is the intention behind each frame shooting, and deeply understand the physiology of human beings and apes in order to transfer seamlessly.
Case: Caesar's history of change
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