Imagine Jiang Xue as a painting. How to write?

Jiang Xue written by Liu Zongyuan, a great writer in the Tang Dynasty, "There are no birds in hundreds of mountains, and there are no footprints in thousands of roads. A boat, a bamboo cloak, an old man fishing in the cold river-snow. " With only a few strokes, I drew a picture of fishing alone in the Han River, which is really a masterpiece with pictures in poetry. Indeed, this poem has been widely loved by ink painters and has been re-created. The following Tea Poetry Network takes you to appreciate this China ink landscape painting.

Jiang Xue.

Liu Tang Zongyuan, there are no birds in hundreds of mountains, and there are no footprints in thousands of paths. A boat, a bamboo cloak, an old man fishing in the cold Jiang Xue.

Why is this poem so suitable for ink painting?

First of all, Liu Zongyuan's "Jiang Xue Shi" accords with the vastness and silence of ink painting.

In the poem "Jiang Xue", the charm and artistic conception of the poem lie in "absolute", "absolute", "solitary" and "absolute", that is, the last word of each sentence. Can these four words cause countless reverie? What is the form of extinction? What painting should loneliness become and what tangible things should it become? These are actually created by artistic conception. This is the beauty of poetry and the artistic conception that ink painting should pursue.

Secondly, Liu Zongyuan's ancient poems in Jiang Xue are composed of black and white images, which are in line with the color orientation of ink painting.

The images in Jiang Xue mainly include snow, mountains, rivers, boats and an old man, among which snow and Jiangdu are white, while mountains, boats and the old man are deep and shallow. In ink painting, ink is divided into five colors, namely, coke, thick, heavy, light and clear. And white is the sixth color besides these five colors, and it is a colorless color. So the color of Jiang Xue is the color of ink and wash, and the color of ink and wash is the most suitable to describe Jiang Xue.

Thirdly, there are a lot of blank spaces in Liu Zongyuan's ancient poems in Jiang Xue, which is consistent with the blank spaces in ink painting.

The poem "Jiang Xue" has many connotations, and the poet actually expresses his feelings by writing landscapes. He left this lyric blank for everyone to feel, speculate and conceive. And this is what ink painting pursues, which has endless significance and enlightening association. The blank between poetry and painting also reflects the aesthetic pursuit of ethereal realm in China traditional culture.

Mr. Zong Baihua, a master of modern aesthetics, thinks: "The image created by the artist is real, arousing our imagination is empty, and the artistic conception produced by the image is a combination of reality and reality. A work of art, unlike the imagination of the viewer, is dead and lifeless. A painting can make you wander, and wandering is empty. " This tells us that a good ink painting can bring you into the artistic conception of virtual reality, let you exert your imagination and make you wander. When painting Jiang Xue, the words in the poem itself are endless, which will bring such fugue to the painting and arouse endless imagination between "likeness" and "non-likeness".

Ink painting takes "vivid charm" as the highest realm, and poetry takes "nothing to say, everything is romantic" as the top grade. The combination of the two forms the same origin of poetry and painting, so there are paintings in poetry and poems in painting, which is intriguing.