Appreciation of modern landscape poems

1. sentences describing mountains and appreciation ***6 sentences immediately adopt sentences describing mountains.

1, Wulong Mountain Scenic Resort is surrounded by water, with isolated peaks, lush trees, shady bamboos, steep mountain walls and turbulent rivers.

2. A mountain rises in the distance, with trees and flowers. The whole mountain looks like a demon.

Looking at Tianshan Mountain from a distance, the top of the mountain has been covered with snow for thousands of years, lying there peacefully, like an old man in white who has experienced vicissitudes.

When I climbed to the top of the mountain and looked around, the spectacular sight made my blood boil, and the whole Laoshan Mountain seemed to be floating in the fog.

The majestic mountain peaks rising from the ground are like giants, camels and horses, with different shapes and steep.

6. Mount Tai rises from the ground and soars into the sky, just like a giant, standing among thousands of mountains and overlooking the earth affectionately.

2. The modern poem titled Xilin Wall, which describes Dashan. In the Northern Song Dynasty (Su Shi), the mountain side became a peak, and the distance was different. I don't know the true face of Lushan Mountain, but I am on this mountain. Du Fu (what a magnificent Mount Tai! Endless green spans Qilu and Qilu. ). The magical nature brings together thousands of beauties, the mountains in the south and the separation between morning and dusk in the north. Caiyun lave? My mind is free and easy, birds are flying around in front of my nervous eyes ... trying to climb to the top of the mountain: it dwarfs all the peaks under our feet.

Green Woods surround the village and green hills are located outside the city. -Meng Haoran's "Passing the Old Village" Wan Li went to Rongji and the mountain was flying. -"Mulan Poetry" Gushan Temple is in the north of Jiating West, and the water level is low. Bai Juyi's spring outing in Qiantang River, and then he disappeared at the corner of the pass, leaving only hoofprint. -Cen Can's "A Snow White Farewell to Tian Shuji Wu's Home" The apes on both sides of the strait can't stop crying, and the canoe has passed. -Li Bai's "Early Interpretation of Baidicheng" made Longcheng fly, but did not teach Huma to cross the Yinshan Mountain. -Wang Changling's "Embankment" Mountain covers the day, and the ocean drains the golden river. -Wang Zhihuan's "Looking at the Heron Tower" The Yellow River is far above the white clouds and is an isolated city, Wan Ren. -Wang Zhihuan's "Liangzhou Ci" suspected no road village. -Lu You traveled to Shanxi Village. Once he climbed to the top of the mountain and peeked, he would see that other mountains looked short under the sky ...-Du Fu's "Wang Yue" picked chrysanthemums under the east fence and leisurely saw Nanshan. -Tao Yuanming's drinking.

3. Appreciation of landscape poems and ancient landscape poems (continued)

There are so many beauties in Qian Shan, the literati left us endless quatrains. Here are some poems for everyone. Interested students can search for more by themselves. Please choose your favorite poem, read it several times, feel the poet's feelings and see who remembers it the most.

House of Bamboo

Wang Wei

I leaned alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue.

The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one.

I forgot that Zen and poetry are in perfect harmony.

Chai Lu

Wang Wei

No one can be seen in the silent valley, only the voice is heard.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.

Wang Wei is also good at capturing the touching moments of sound, color, picture and emotion, and unifying them to convey them best.

In the mood and artistic conception, express it in appropriate language.

Niaomingjian

Wang Wei

People are idle, osmanthus flowers fall, and the night is quiet and empty.

When the moon comes out, the birds are startled, and the sound enters the spring stream.

In the mountains.

Wang Wei

The stream of the river has been flowing for less than a day, and white stones are exposed on the riverbed. The weather is getting colder and the red leaves on the branches are becoming scarce.

There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.

An autumn night in the mountains

Wang Wei

The empty mountains are bathed in a new rain, and feel the early autumn at night.

The bright moon shed clear light from the cracks and cleared the fountain on the rocks.

The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

Spend the night on Jiande River.

meng haoran

Stop the boat in a foggy small state, when new worries come to the guest's heart.

The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.

Tianjin Sha Qiu Si

Ma Zhiyuan

Dead vines, old trees, faint crows,

Small bridges and flowing water.

The ancient road and the west wind are thin.

The sun went down,

Heartbroken people are at the end of the world.

Night berth near Fengqiao

Tang zhangji

Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.

In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.

Hangzhou wangchun

Bai Juyi

Looking at the sea tower in the distance, the morning is bright and the river bank is white.

That night, he should be recruited into the temple and hide with Liu Sechun.

Tea brocade praises persimmons, and green flag sells wine and pears.

Who opens the southwest road of Lake Temple? The grass-green skirt is inclined at the waist.

Nanhu early spring

Bai Juyi

The clouds have gone, the wind and rain have stopped, the weather is just right, and the sun shines on the lake to form a reflection, which has a warm feeling.

Wild apricots everywhere, broken red spots; The floating water on the lake looks like a neat lawn at first sight.

The rain on Bai Yan dried up, his wings became heavy and he had to fly low; The oriole's tongue is quite stiff.

It's not that the spring in Jiangnan is not good, but that I'm one year old, and my mood has also decreased.

Spend the night on Jiande River.

meng haoran

When my boat was moored in the fog,

As the sun fades, old memories begin.

How wide the world is, how close the trees are to heaven,

The river is so clear that the moon is close to people.

Stay in the mountains

Xu Zhang

Light makes spring glow, not for lightness.

Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.

4. Describe the modern poetic mountains. . Africa 1, we look at the green trees around your village and the light blue in remote mountainous areas. -Meng Haoran's Passing Old People's Village

2, Wan Li to Rongji, Guanshan degrees if flying. -"Mulan Poetry"

3. Gushan Temple is in the north of Jiating West, and the water level is low. -Bai Juyi's Spring Tour in Qiantang

Then he disappeared around the corner, leaving only hoofprint. -Cen Can's Farewell to Tian Shuji Wu's Homecoming, Song of Snow.

The apes on both sides of the Taiwan Strait can't stop crying, and the canoe has passed Chung Shan Man. -Li Bai's "Early Making Baidicheng"

6, but make Longcheng fly, do not teach Huma to spend Yinshan. -Wang Changling's "The Embankment"

7. The mountains cover the day, and the sea drains the golden river. -Wang Zhihuan is at the Heron Villa.

8. The Yellow River is far above the white clouds. It is an isolated city, Wan Ren Mountain. -Wang Zhihuan's "Liangzhou Ci"

9. There is no doubt about mountains and rivers, and there is another village. -a tour of Shanxi village by land.

10, under the east fence of chrysanthemum picking, leisurely see Nanshan. -Tao Yuanming's drinking.

1 1, the mountains and rivers are broken and the wind is floating, and life experiences are ups and downs. -Wen Tianxiang's "Crossing the Ocean"

12, the water is bright and sunny, and the mountains are empty and rainy. -Su Shi's Drinking Rain after Chu Qing on the Lake.

13, the moon rises, and the sound is in the spring stream. -Wang Wei's Bird Watching Creek

14, the trees are all autumn, and the mountains only have light-Tang's wild hope.

15. Snowflakes in Yanshan Mountain are as big as seats, blowing off a piece of Xuanyuantai-Tang Libai's "Popular in the North".

16, the mountains are getting better and better, and the birds are on their way home. -Tao Yuanming's drinking.

17, seven or eight stars in the sky, two or three rains in front of the mountain ―― Xin Qiji's Xijiang Moon

18. Peach Blossoms in Mountain Temple bloom in April-Bai Juyi's Peach Blossoms in Dalin Temple.

19, Yun Xi began to sink into the pavilion, and the rain was coming. -Xu Hun's "Xianyang East Building" >

20. The green hills on both sides of the strait are opposite, and the sails are coming alone-Looking at Tianmen Mountain by Tang Libai

5. Appreciation of ancient landscape poems 1. Visiting Shanxi Village Song Dynasty: Farmers traveled to Xiao Mo and lived in a rich year with plenty of chickens and dolphins.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay. The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane. The appreciation is as follows: Shanxi Cunshan is surrounded by water on all sides, with birds and flowers singing and boundless spring scenery. On the other hand, it is full of philosophy, showing some regularity of life change and development, which is memorable.

It shows the poet's unique thinking and spirit-it often contains infinite hope in adversity. The poet described the feeling of being lost in the lingering scenery and the joy of seeing a new scene again. People can learn the philosophy of life from it-no matter how difficult the road ahead is, as long as they have firm beliefs and are brave in pioneering, life can "save the day" (a new realm full of light and hope appears).

2. Jiang Xue Tang Dynasty: Liu Zongyuan, there were no birds in the hundred mountains and no footprints in the thousand paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.

Appreciation is as follows: Liu Zongyuan's landscape poems have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river.

What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world.

What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent.

The wider the background, the more prominent the main description object. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone".

Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image.

But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively.

It can also be said that the first two sentences were originally a foil. According to the general understanding, you only need to outline it, and you don't need to make great efforts to carve it. However, poets just don't handle it this way.

It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are.

The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers.

As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang". In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making birds fly away and people disappear.

Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow".

On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water.

However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent.

Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly.

Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings.

It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman. Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.

3. Wanglushan Waterfall in the Tang Dynasty: Li Bai's Rizhao incense burner gave birth to purple smoke, and the waterfall hung over thousands of rivers. On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.

Appreciation is as follows: This is a landscape poem written by the poet Li Bai when he was about 50 years old and lived in seclusion in Lushan Mountain. This poem vividly depicts.

6. The poem Appreciation of Ancient Poems in the Mountains depicts the scenery in the mountains in early winter.

The first sentence is about a stream in the mountains. Jingxi, whose real name is Changshui, also known as Lianshui, originated in the Qinling Mountains in the southwest of Lantian County, Shaanxi Province, and flowed northward to the northeast of Chang 'an to enter Lianshui. What is written here is probably the upper reaches of the mountain. Mountain roads are often close to streams. Walking in the mountains, it is easy to notice the winding Qingxi, as if it were a companion. The weather is cold, the water is shallow, and the mountain stream becomes a trickle, exposing the white stone of phosphorus and phosphorus, which is particularly shallow and lovely. Grasping the main features of the mountain stream in cold winter, readers can not only see its clear color, winding shape, but even seem to hear its gurgling sound.

The second sentence is about red leaves in the mountains. Gorgeous frost-leaf mangroves are the characteristics of Qiushan. In the cold winter, red leaves become scarce; This used to be a rather unremarkable sight. But for Wang Wei, a poet and painter who is particularly sensitive to the color of nature, the red leaves dotted here and there are sometimes more conspicuous on a lush mountain background (as can be seen in the following two sentences). They may arouse the poet's reverie about the gorgeous autumn scenery that has just passed away. Therefore, the "rare red leaves" here do not give people the feeling of bleak and withered, but arouse people's cherish and nostalgia for beautiful things.

If the first two sentences describe one or two parts of the mountain scenery, then the last two sentences show the whole picture. Although it is cold in winter, the whole Qinling Mountain is still green and luxuriant, and the mountain road runs through the boundless thick green. Castle peak color itself is ethereal and bright, unlike tangible things that can be touched, so it is called "empty green". "Kongcui" naturally does not "wet clothes", but it is so thick that it can almost overflow the water of jadeite, so thick that almost the whole air is filled with jadeite molecules. People walk in the empty green, just like being shrouded in a green fog. The whole body and mind are influenced and nourished by it, but they feel a slight coolness like drizzle and wet clothes, so although there is no rain on the mountain road, they can feel it naturally. This is an unreal feeling, a spiritual pleasure produced by the complex effects of vision, touch and feeling. The contradiction between the word "empty" and the word "wet" came together in this spiritual pleasure.

Zhang Xu's "Stay in the Mountain" said: "Mysteriously, even if there is no rain, you will get clothes in the depths of the clouds." Touching clothes is a true writing, which shows another beautiful realm where clouds lock the mountains; The "wet clothes" in Wang Wei's Shan Jutu is an illusion and an illusion, which expresses the poetry of dark green mountains. The same scenery in the mountains, the same clothes, but the same works and different songs are wonderful. True art never repeats itself.

This mountain winter scene, which is composed of white stone, red leaves and boundless thick green, is full of poetry and painting, without bleak and lonely artistic conception. Compared with some poems written by the author, it is inevitable that there will be cold nothingness if they are devoted to the realm of tranquility. This poem seems to be healthier in emotion and aesthetic taste.

7. Appreciation of Landscape Poems and Emei Mountain Moon Songs.

Lipper

In the autumn of the first half of Mount Emei, the Pingqiang River reflected.

In the evening, Qingxi went to the Three Gorges, but the four gentlemen did not see Yuzhou.

This poem was written by young Li Baichu when he was far away from Sichuan, with clear artistic conception, simple language and smooth rhyme.

The poem begins with "Emei Mountain Moon", pointing out that the season of traveling far away is in autumn. The word "autumn" is upside down at the end of the sentence because of its rhyme. Autumn is crisp and the moonlight is bright ("autumn moon is bright"). The word "autumn" also describes the beauty of moonlight, which is natural and wonderful. The moon is only "half a circle", which reminds people of the beautiful artistic conception of the castle peak spitting the moon. There is Pingqiang River in the northeast of Emei Mountain, now Qingyi River, which originates from Lushan County, Sichuan Province, flows to Leshan County and joins Minjiang River. The second sentence "shadow" refers to the shadow of the moon, and the verbs "enter" and "flow" form a linked predicate, indicating that the shadow of the moon is reflected into the river and goes with it. Life experience tells us that no matter how the river flows, the moon shadow in the water is fixed. "When the moon is gone, I will go." Only when the viewer goes down the river will he see the wonderful scenery of "shadow into the river" Therefore, this sentence not only describes the beautiful scenery of Qingjiang River reflected by the moon, but also describes the darkness of sailing in autumn night. Artistic conception can be described as ethereal and wonderful.

There is someone in the second sentence, and the person in the third sentence has appeared: he is leaving Qingxi Station overnight, entering the Minjiang River and heading for the Three Gorges. Young people who "go to the countryside with swords and shadows and leave their loved ones to travel far away" will be reluctant to leave their hometown. Seeing the moon on the river is like seeing an old friend. However, the bright moon is not an old friend after all. I can only "look up at the bright moon and send my feelings for thousands of miles." The last sentence, "I miss you, but I can't see Yuzhou", can be described as infinite separation.

Emei Mountain-Pingqiang River-Qingxi-Yuzhou-Three Gorges, the picturesque landscape gradually unfolds a picture of the Shu River for readers. Apart from the "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; Except for the word "four kings", there is no lyric. However, the artistic image of "Emei Mountain Moon" runs through the whole poetic realm and becomes a catalyst for poetic sentiment. It has rich implications: the mountains and the moon accompany Wan Li, which can be seen every night, making the feeling of "missing you" deeper and deeper. The bright moon is approachable and unattainable, which is a symbol of missing friends. Where there is a bright moon singing, where there is a feeling of missing friends in the river, which is intoxicating.

Originally, the expression of time and space changes in short quatrains is quite limited, so the general writing method is not to transcend time and space at the same time. The time and space span expressed in this poem is really free. There are five place names in twenty-eight words, and the word * * * is twelve, which is unique among the ten thousand quatrains in the Tang Dynasty. It means "four words in the place name are five, and the ancient and modern eyes are the last words, and they never tire of repeating them" (in Wang Linzhou's language). The reason is that the poet's experience of swimming in the river and his yearning for his friends are permeated in the poetic realm, and the symbolic artistic images of mountains and moons are everywhere, unifying a vast space and a long time. Secondly, the treatment of place names is also full of changes. "Emei Mountain Moon" and "Pingqiang River" are attached to the scenery by place names and are useless; "Faqingxi", "Xiangsanxia" and "Xiayuzhou" are all practical, but their positions in the sentence are also different. I can't feel the trace when I read it. It's wonderful in chemical engineering.

Zhu Wang Tang Wei

(2005-09- 18 02:48: 17)

Leaning alone in the dense bamboo,

I played the lute and hummed.

It's too light for anyone to hear,

Except my comrade, Mingyue.

analyse

Wang Wei (701-761), who is good at landscape, started the southern painting school, which is picturesque. He is good at music, and his good poems are like beautiful music. Most of his later works depict landscapes and natural landscapes.

The seventeenth song of Wangchuan Collection describes the interest of seclusion in the mountains. Poems are written with plain lines, and the poetic scene is quiet and unique, ethereal and clear. Deep in the bamboo forest, there is no earthly noise, the piano is quiet and the singing is comfortable. At this time, the poet enjoys the freedom of solitude and tastes the elegant taste of artistic life.

Miscellaneous poems in the mountains

Wu Jun

The mountain and the sky are connected into clouds, and the afterglow of the sunset can be seen from the cracks in the bamboo forest.

Birds fly happily to the eaves and white clouds float out of the window.

[Notes]

1 mountain: the place where the mountain meets the sky.

Peep: Look through the gap.

3 eaves: eaves.

[Explanation] This poem describes the poet's interesting life in the mountains. Surrounded by peaks, bamboo trees are flourishing, birds are flying on the eaves of others, and the most interesting thing is that clouds are floating outside the window.

8. In the Northern Song Dynasty (Su Shi), the modern poem "Tixilin Wall" describing this mountain looks like a mountain peak on the side of the mountain, with different heights. I don't know the true face of Lushan Mountain, but I am only on this mountain. Du Fu (works) How majestic Mount Tai is! Endless green spans Qilu and Qilu. The creator has endowed all the mysterious nature here with elegance, and? The day immediately enters dawn and dusk. Caiyun lave? My mind is free and easy, and birds fly back and forth in front of my nervous eyes. Once you climb to the top of the mountain and peek, you will see dwarfs under the sky like other peaks ... the green trees meet at the edge of the village and the green hills are slanting outside. -Meng Haoran's "If the Mountain flies". -Mulan Poetry Gushan Temple is in the north of Jiating West, with a flat water level and low cloud feet. -Bai Juyi went for a spring outing in Qiantang River, then disappeared at the corner of the pass, leaving only hoofprint behind him. -Cen Can's Song of Farewell to Snow in the Field-Clerk Wu went home, and the apes on both sides kept crying, and the canoe had passed. -Li Bai's "Early Arrive in Bai Di City" is a dragon. The ocean drained the golden river. -Wang Zhihuan's "Looking at the Heron Tower" The Yellow River is far above the white clouds, and there is an isolated city-Wan Ren. -Wang Zhihuan's "Liangzhou Ci" has no way to answer doubts. -Lu You's Travel Notes of Shanxi Village Once you climb to the top of the mountain and peek, you will see that other mountains are dwarfed under the sky ...-Du Fu's "Looking at the Moon" picks chrysanthemums under the east fence.

9. Poems about mountains 1. Hundreds of mountains have no birds, and thousands of paths have no footprints. (Liu Zongyuan: "Jiang Xue")

2. The mountains cover the day, and the sea drains the golden river. (Wang Zhihuan: At Lusu)

3. Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky ... (Du Fu: Looking at Yue)

Although a country is divided, the mountains and rivers remain forever, and the spring of trees and grass is back. (Du Fu: Hope in Spring)

There seems to be no one on the empty mountain, but I think I heard a voice. (Wang Wei: Chai Lu)

6. The bright moon rises from the mountains in the sky, in the infinite haze of the sea of clouds. (Li Bai: "Guan Shanyue")

7. Never tire of seeing it, only Jingting Mountain. (Li Bai: "Sitting alone in Jingting Mountain")

8. Peas are planted in Nanshan, and the grass is full of bean seedlings. (Tao Yuanming: Return to the Garden)

9. Castle Peak cannot be covered, after all, it flows eastward. (Xin Qiji: "Bodhisattva Xia? Book Jiangxi stoma wall ")

10. I don't know the true face of Lushan Mountain, but I am only on this mountain. (Su Shi: "Title Xilin Wall")

1 1. Wan Li goes to Rongji, and the mountains are flying. -Mulan poem

12. Gushan Temple is in the north of Jiating West, with low water level. Bai Juyi's Spring Tour in Qiantang

13. Then he disappeared around the corner, leaving only hoofprint. -Cen Can's Farewell to Tian Shuji Wu's Homecoming, Song of Snow.

14. The apes on both sides of the Taiwan Strait can't stop crying. The canoe has passed Chung Shan Man. -Li Bai's "Early Making Baidicheng"

15. But make Longcheng fly and don't teach Huma to cross Yinshan Mountain. -Wang Changling's "The Embankment"

16. Picking chrysanthemums under the east fence, you can see Nanshan leisurely. -Tao Yuanming's drinking.