What should I do if I can't write a composition without material?

1. I can't write a composition, especially without composition material. What should I do? Read more books, newspapers and news.

Varieties can be mixed, don't look unhealthy. 1. Look at the famous works at all times, at home and abroad, and see how great writers conceive and arrange their structures.

Read some sci-fi and supernatural novels (you can blame Harry Potter in the studio, but forget about ghosts and grave robbers, and all that junk on the Internet) and develop your imagination. 2. Look at some poems, use them properly in the composition, and add some highlights.

Reading newspapers and news can get a lot of material, which can really impress people when used in composition. 4. If you can't write an argumentative paper, just buy a book with arguments and arguments, all of which are in it. Memorize several different types of exams to write a composition.

5. Remember more allegorical sayings and so on. The general two-part allegorical saying is quite playful and vivid in the article. 6. Ask the old man to tell you some folk stories. Now there are many books of this kind, which are generally divided by region. You can go to the library.

Usually pay more attention to the things around you, which can be used in composition. In your spare time, you can walk around to broaden your horizons, look for materials, or try to write articles or fragments at home.

2. What should I do if the composition has no material and is not specific? Learn to observe and let the article have content to write. Students are most afraid of Friday.

Writing a composition on Friday makes it difficult for teachers to ask questions. 1, can't observe 2, reading is small and narrow, reading thousands of books, writing like a god.

3, the teacher's life is difficult to write this morning in spring, I woke up in a relaxed mood, and there were mosquito bites everywhere. Come at night, bear, and see where you are going! We can write what we like! 4, no accumulation, bear broken stick, whispering wand. First, learn to observe. Second, learn to accumulate the first level. Learn to observe. As we know, building a building needs bricks and stones, cooking needs to prepare daily necessities, writing and calculating problems need pens, ink, paper and so on.

Then the composition not only needs to store a large number of various materials, but also needs to sort out and summarize various materials and be ready to use at any time. The same is true of composition. You should keep enough materials and organize them regularly.

Memorizing a lot of materials that you see with your eyes, hear with your ears and smell with your nose every day is called internal storage information; Recording the learned materials in a notebook is called external storage information. Collect records every day. After a long time, your information will increase greatly, and you will have something to say when writing.

When the sun flowers are in full bloom, you may feel that every day is almost the same, so lush and gorgeous. The careful author found that a single sun flower, blooming in the morning and dying at night, has only a short life.

The secret of sunflower blooming is that a new batch of sunflower blooms every day. If you observe life like this author, you will make new discoveries every day.

Appreciate Xin Qiji's "Xijiang Moon": the moon is full of surprises, and the breeze cries at midnight. The cool evening breeze seems to have spread to cicadas in the distance.

In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year. In the old days, Maodian was near the forest, and the road turned to the stream bridge.

Fifty words show a beautiful picture of the moonlight night scene. Tangible and vivid, colorful and tasteful, not a beautiful word, but full of beauty.

This kind of beauty and fun is the crystallization of the author's careful observation and profound experience. Many beginners don't pay attention to this point, and often write when they see it. The result is that they don't observe carefully and don't know much. When writing a composition, they need to describe it, but they don't describe it in detail. If a description is needed, it will not be detailed; If you need to talk, you can't be reasonable.

In order to write an article with content, observation and accumulation at ordinary times are essential. We should listen with our ears, see with our eyes and feel with our hearts, that is, listen, see and think, and integrate these contents into the composition, so that the composition can be written with content. View is to look, examine is to look carefully, investigate and study. According to scientists' determination, the information people get with their eyes accounts for more than 70% of the total information. It can be seen how important it is to observe with your eyes for a composition with substance in speech.

However, observation is not only to see with eyes, but also to understand things correctly. It's not enough to see with your eyes. You must also listen with your ears, smell with your nose, taste with your tongue and touch with your body. Under the coordination of your brain, all kinds of senses work together to think, associate, imagine and process with your brain. Therefore, only by making full use of various senses to observe objective things carefully can we obtain the material more accurately.

1, observe the scene of the event (activity). The next round of competition has started again. Some contestants blow with their heads tilted, some blow with their faces upturned, and some laugh and blow bubbles. Big ones, small ones, long ones, flat ones, singles and strings are all dancing in the classroom.

Accompanied by our songs and bursts of laughter, the little bubbles danced all over the sky with their hearts.

3. What if there is no material for writing a composition? Li Bai, the material of this character, became a needle. Li Bai has been a very clever child since he was a child.

At the age of five, Xiao Li Bai sat by the window and began to shake his head and recite famous articles loudly. He only needs two or three times to memorize the contents of the book without any difficulty.

Because Li Bai always does his homework well, the teacher likes Li Bai very much and often praises him in front of the children. However, Li Bai is also a playful child. Like other children, he inevitably has some shortcomings.

One day, the teacher was still lecturing, but he was distracted. He stared out of the window with big eyes and remembered the story of golden carp told by his mother last night. Li Bai thought, "Those little fish are wearing golden scales and shining in the sun. It's really beautiful.

However, will their beauty attract bad people? If someone catches you, you can't swim freely. That's a real pity. "Look, Li Bai began to fall into his own fantasy world.

Seeing Li Bai waiting for a while, the teacher knew that he was not listening carefully, so he stopped the class and said angrily, "Li Bai, stand up and repeat what I just said." Li Bai woke up suddenly and stood up hurriedly, but he couldn't say a word.

"The students are laughing at me!" Li Bai's face turned red, and he felt extremely embarrassed. On the way home from school, Li Bai was still angry with himself.

Suddenly, he found a white-haired old woman grinding a thick iron bar by a clear stream. The old woman grinded very hard, and big drops of sweat rolled down from her forehead, but the old woman just raised her hand and wiped the sweat with her sleeve, and then continued to grind the big iron bar.

Li Bai was very curious to see the old woman grinding the iron bar so hard. So he ran forward, came to the old woman's side, gently pulled the old woman's skirt and said politely, "Hello, grandma.

Why are you grinding this big iron bar? "The old woman continued to grind her iron bar intently and said without looking back," I will grind it into a thin embroidery needle. " Li Bai's eyes widened and he pursed his lips and said, "Can such a thick iron bar be ground into needles? "The old woman turned to look at Li Bai. When she saw his unbelievable appearance, she stopped what she was doing, squatted down and said kindly to Li Bai," Good boy, as long as you work hard, iron bars can be ground into embroidery needles! " Li Bai seemed to suddenly understand a profound truth and nodded hard.

This incident left a deep impression on Li Bai and had a positive impact on his future study and life. Later, whenever he encountered difficulties in reading, he naturally thought of the teaching that "as long as the kung fu is deep, the iron rod is ground into a needle", so he refreshed himself, summoned up courage and worked tirelessly.

For a time, he even moved to a Taoist temple to study hard in order to concentrate on his studies. It is with this spirit that he read a lot of books, which laid a solid foundation for the success of his poetry creation in the future.

Li Bai's extraordinary talent made him a world-famous poet. So even Emperor Xuanzong of the Tang Dynasty wanted to see how powerful Li Bai was.

So Emperor Xuanzong of the Tang Dynasty issued a letter inviting Li Bai to meet in the palace to discuss state affairs. Hearing the emperor's call, Li Bai strode into the palace with a smile, without any restraint or tension.

Tang Xuanzong saw Li Bai's extraordinary appearance, momentum and bright eyes, just like the rising sun in the East. Through a cordial conversation with Li Bai, the emperor found that Li Bai was really not simple. His knowledge is so profound that no matter what questions are raised, he can readily answer them and put forward many original opinions of his own.

Tang Xuanzong was very happy to have such a boastful scholar around him and immediately invited Li Bai to stay and have dinner with him. At that time, it was a very, very glorious thing for anyone to have dinner with the emperor.

What's more, the emperor personally entertained Li Bai with a table full of good dishes. As a result, many people envy Li Bai, but there are also many narrow-minded people who envy him.

But Li Bai is not afraid of being envied by others. He is as free and wild as ever. Li Bai likes drinking. Du Fu, another great poet of his time, once wrote in a poem: "Li Bai's 100 poems about fighting wine are buried in Chang 'an Restaurant.

The son of heaven didn't get on the boat, calling himself Brewmaster. The meaning of this poem is: "Li Bai can write hundreds of poems after drinking a barrel of wine, and he can fall asleep in a hotel in Chang 'an."

While drinking, Li Bai ignored the emperor's call and called himself Brewmaster. One day, the emperor summoned Li Bai again and asked him to draft a very important imperial edict.

It happened that Li Bai had just finished drinking and staggered towards the main hall. He squinted around and saw a eunuch standing beside the emperor staring at him very unfriendly.

The eunuch named Gao Lishi was very popular with the emperor at that time. Even the emperor's son called him "brother", and the princes and ministers also called him "father". Gao Lishi kept thinking: "I am a red man in front of the emperor, who dares to offend me!" So he was bullying around the palace all day, always bullying the small officials who were excluded by him.

He found it hard for the emperor to like Li Bai, so he wanted to find a chance to fix Li Bai. Li Bai, in fact, has long been disgusted with this bully eunuch.

So he said to the emperor, "Your Majesty, I have a small request. I wonder if you will allow it? " Because the emperor was anxious to ask Li Bai to write the imperial edict, he said anxiously, "Just say what you want." Li Bai said, "I just drank some wine, so I can't write my article respectfully as usual."

Please allow me to dress casually so that I can write this imperial edict to meet your requirements. The emperor thought about it, touched his beard and said, "In this case, I will allow you to make yourself at home." "

So Li Bai stretched himself and said, "The shoes I wear are too tight. I need to change into a pair of loose casual shoes." The emperor immediately asked someone to bring him a pair of leisure shoes to change.

Li Bai took the opportunity to extend his foot to Gao Lishi standing by: "Take off your shoes for me!" Gao Lishi is used to bossing around at ordinary times, but I didn't expect Li Bai to attack suddenly. In the absence of psychological preparation.

4. If you want to write a travel note, but there is no material, you can describe the scenery in your own words first. It is best to insert ancient poems or modern famous poems and express your feelings with their feelings, which will be more infectious! For example, the night here is as quiet as Lu Xun said: "There is only a blue sky left; I don't know what your teacher wants In fact, you don't have to write all the interesting things about the scenery or the trip, you can also write out the feelings after the trip. I think you will learn a lot every time you travel. If you visit the former residence of an ancient person, the center of your travel notes can be regarded as: a new understanding of this sage, or an inspiration from an anecdote, and a brief description of this person. If you don't have a particularly deep language foundation, you'd better write a narrative and a discussion in your senior high school composition. The scores of narrative about the scenery and things in the examination room are very polarized.

Children only go to primary school and can't write a composition. They always feel that there is no material. How to write a good composition skills: first, accumulating composition materials and accumulating rich composition materials is the first condition for writing a good composition.

Many experts in writing are quick-thinking, and the important reason is that they have a rich library of materials in their brains. They can write articles with ease and make ends meet. If students want to write a good composition, they must make great efforts to accumulate composition materials.

Writer Qin Mu said: "A writer should have three warehouses: a direct material warehouse containing materials obtained from life; One indirect warehouse contains materials from books and materials, and the other is a warehouse that collects people's languages on a daily basis. With these three articles, it is better to write. "

The first two warehouses mentioned in this passage are exactly what students should do to write a good composition. 1. The best way to accumulate "life materials" is to keep an observation diary.

The common problem for students to keep diaries is a running account. I am too lazy to write because I feel boring. I suggest you write according to the method taught by Mr. Lao She: "You should carefully observe the character and characteristics of Lao Wang or Lao Li around you, pay attention at any time, write it down at any time ... remember it every day and form a habit."

A gust of wind blows, you write it down; You can also write down the next shower, because you don't know when you need to describe a gust of wind or shower in your work. Without this accumulation, there would be no rich writing. |2, accumulate "materials from books", on the one hand, combine reading and writing in Chinese class through classroom reading; On the other hand, we should rely on extracurricular reading and insist on writing abstract reading notes.

If each excerpt uses a piece of paper, it is a reading card. As the saying goes, "a good memory is not as good as a bad writing."

No matter how strong the memory is, after a long time, there are always some things that will be forgotten. If you extract what you think is wonderful when reading, you can not only avoid forgetting, but also facilitate reading.

The so-called "wonderful content" worth refining. It is related to readers' interests, hobbies, level, needs and other factors, and there is no unified standard.

Generally speaking, wonderful aphorisms, vivid descriptions, novel and profound viewpoints, lively and interesting dialogues and even beautiful words can be classified and extracted. In order to facilitate future reference, it is also necessary to indicate the source of materials after the original excerpt.

Many students have written excerpts or reading notes, but not many insist on writing. Unfortunately, a useful job fell by the wayside.

According to statistics, Marx wrote Das Kapital and wrote 1500 kinds of "abstracts". Lenin wrote philosophical notes and directly quoted dozens of philosophical works. Like a revolutionary teacher, insisting on writing abstract reading notes will make you smart, full and rich, and make you think quickly when writing in the future.

Second, the training and improvement of writing ability is not a one-off event, which requires long-term planning. Therefore, we should arrange the order of composition training. What is the most reasonable order? From the growth of many writers, we have seen colorful "sequences", and it is still difficult to say which is the universal truth.

The following is the training sequence of "seven before seven after", which may be a common meaning. Please refer to your own situation. 1 Practice writing narrative and descriptive articles first, and then practice writing explanatory and argumentative papers.

Practice writing your own personal experience first, and then practice writing what others tell you. Pay attention to training observation and accumulation first, and then pay attention to training analysis and expression. Practice writing simple things first, and then practice writing complex things.

5. Don't be limited by the "frame" of writing, let go of the courage of writing; Then according to the basic requirements and characteristics of different articles, standardized training is carried out. 6 "Imitate" first, and write an article drawing a gourd according to the same pattern; After "creation", write novel and unique articles.

7 First, make the article as long as possible, emphasizing expansion and dissemination; After that, try to write a short essay, paying attention to conciseness. The above "seven before seven after" conforms to the law of people's understanding of things, from concrete to abstract, and the law of ability training, from low to high, from clumsy to skilled.

As for when or to what extent as the first and second boundaries, this is another problem that cannot be "one size fits all" and must be analyzed in detail. It's not bad if some students arrange the above seven first and then seven alternately and repeatedly, such as imitating creation and then imitating creation.

Third, we should develop good writing habits. After students enter junior high school from primary school, composition training has embarked on a new course, and special attention should be paid to cultivating their good writing habits. From the writing experience of the winning students in the composition competition, we summarized the following seven good writing habits for students' reference.

1 The habit of "writing a little every day". Many award-winning students said that their composition won the prize because they insisted on keeping a diary. If there is more time, they will write more, and if there is less time, they will write less, even if it is as few as dozens of words.

This is really an experience. As the saying goes, "Never leave your fist, never leave your mouth". Writing every day can make your writing more dexterous and accumulate a lot of composition materials.

2. The habit of "thinking through the whole article and writing an outline of the composition". Don't write a composition unless you know what to write in the next paragraph. You must conceive the whole article and fix the "framework" of the conceived composition in the form of an outline.

People who have been engaged in writing for a long time also have an outline before they start writing, but some hide the outline in their stomachs and call it a "draft by heart." 3 the habit of "reciting the first draft of the article".

In ancient times, there was a habit of "singing" and "humming" when writing poems, because there were many problems that could not be "read" or read aloud. If you are in the examination room, you can only read silently to find out whether the sentence is fluent, whether the tone is coherent, whether the context is fluent and whether the phonology is harmonious.

4. The habit of "seriously modifying". The ancients said, "An article is never tired of changing", which is the golden advice of writing a good article and the experience of all article experts.

Without this habit, it is almost impossible to write a good article. 5 "Don't tell lies" habit.

Any good article must be the expression of the author's true feelings, and any falsehood can't fool the reader's eyes. If students begin to learn to write, they are terminally ill, and there is almost no hope of improvement in the future of composition.

6 "Don't write hard, force yourself to write" habit. Lu Xun said, if you can't write, don't write hard. Of course it's right, because what you try to write is bound to be false.

However, if students can't write the teacher's composition proposition for a while.