The meaning of the word "Xi" in Lu You's "Entering Shu"

It means all, all. ?

"Entering Shu"

Author: Lu You

On the 23rd, I passed through Wushan Zhenzhen Temple and paid a visit to Miaoyong Zhenzhen Temple. Zhenzhen is what the world calls She is also the Goddess of Wushan Mountain. The temple faces Wushan Mountain, with peaks rising into the sky, and the foot of the mountain plunging directly into the river. The commentators say that Taihua, Heng, and Lu are not so strange. However, the twelve peaks cannot be seen at all. Eighty-nine peaks can be seen. But the Goddess Peak is the most slender and steep, and it is suitable for being entrusted by immortals. Zhu Shiyun said: "Every August 15th night when the moon is bright, there is the sound of silk and bamboo, going to and from the peak, and the mountain apes are all singing, and they gradually stop at the end of the night." Behind the temple. , there is a stone altar halfway up the mountain, which is flat and vast. It is said that "Xia Yu saw the goddess and gave him a talisman here." From the altar, the twelve peaks looked like a barrier. That day, the sky was clear, and there was no shadow around, except for the goddess. There are several white clouds on the peak, like luan and crane flying and dancing, lingering for a long time, which may be different. There are hundreds of black clouds in the temple, seeing off guests and welcoming boats.?

Translation?

On the 23rd, I passed the Ningzhen Temple in Wushan and paid a visit to the ancestral hall of Miaoyong Zhenren. She is what everyone calls the Wushan Goddess. The ancestral hall is facing Wushan. The peaks are so high that they reach into the sky, while the foot of the mountain plunges directly into the river. Among them, the commentators said that Mount Tai, Mount Hua, Mount Heng, and Mount Lu were not as unique as Mount Wu. However, not all of the twelve peaks could be seen. Of the eight or nine peaks that could be seen, only the Goddess Peak was slender, steep, and varied. , is indeed suitable as the incarnation of the goddess. The person who presided over the sacrifice in the temple said: "When the moon is bright on the night of August 15th every year, you can hear beautiful orchestral music. Walking back and forth on the peak, you can hear the music on the mountain. The ape's cry gradually stopped at dawn." Behind the temple, there is a stone altar halfway up the mountain, which is relatively flat. Legend has it that "Xia Yu met the goddess, and it was here that the goddess gave the talisman to Yu." On the stone Looking at the twelve peaks from the altar, they are like barriers. On this day, the sky is clear, and there is no cloud or smoke around. There are only a few white clouds on the Goddess Peak, like phoenixes and white cranes dancing and walking there, and they do not disperse for a long time. , is also a very strange phenomenon.

Analysis:

"Entering Shu" is a diary kept by Lu You on his way to Shu in the Southern Song Dynasty. It has six volumes and is the first full-length novel in China. Travel notes. Integrate daily travel life, natural and cultural landscapes, world conditions and customs, military politics, poetry and anecdotes, literary and historical research, tourism aesthetics, evolution and ups and downs into an intricate chapter, commenting on the past and the present, mixed with narratives and discussions, with endless insights and profound messages. .

About the author:

Lu You (1125-1210), with the alias Wuguan and his nickname Fangweng. A native of Shanyin, Yuezhou (now Shaoxing, Zhejiang), he was a patriotic poet of the Southern Song Dynasty. When he was young, he was influenced by his family's patriotism. During the reign of Emperor Gaozong, he took the examination of the Ministry of Rites and was deposed by Qin Hui. During the reign of Emperor Xiaozong, he was granted a Jinshi background. He entered Shu in middle age and devoted himself to military life. He was appointed to Baozhang Pavilion to be appointed. In his later years, he retired to his hometown. There are more than 9,000 poems in existence today, and they are extremely rich in content. He is the author of "Jiannan Poetry Manuscript", "Weinan Collected Works", "Southern Tang Book", "Laoxue'an Notes", etc.