Ancient Poetry in Spring and Its Analysis

Ancient Poems of Singing Spring and Its Analysis

Lead: Spring has come quietly, so do you know any poems about spring? The most important thing is that what I sorted out is also analytical. I hope everyone will adopt it.

Poems describing spring:

Jiang Nanchun's quatrains

Dondum

Thousands of miles of Ti Ying green reflects the great river, and Shuizhaishan fruit wine flags the wind.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.

[Introduction to the author]

Du Mu (803 ~ 805) was born in Mu Zhi, Fan Chuan in Jingzhao Wannian (now Xi City, Shaanxi Province). Born into a bureaucratic landlord family for generations. Zhong Shi, 26, is the librarian of Hong Wen Pavilion. Later, in addition to working as a local aide for ten years, he also worked as an ambassador in Huang, Chi, Mu and Hu, and also worked as a supervisor, food department, comparison department and foreign minister in the central government, and finally wrote a book. Author of Fan Chuan's collected works.

Du Mu was a famous poet in the late Tang Dynasty. In his youth, Du Mu had the ambition to rule the country and level the world, liked reading military books, was upright and upright, and dared to point out the shortcomings of the past. Later, because he was involved in the political whirlpool of the party struggle between Niu and Li, his political views did not unfold and he finally fell into a decadent and enjoyable life.

In the aspect of literature, Du Mu advocated the application of literature, emphasizing the content first, supplemented by the form, and advocating the unpretentious style of writing; Oppose moaning and one-sided pursuit of form. In the late Tang literary world, he advocated? I want to be tall, not beautiful? There are bold and handsome, and there are steep and beautiful. His seven laws and seven laws are very successful, and the seven laws are particularly concise and natural. Many famous articles are read by later generations. Because of his great achievements in poetry, later generations compared him with Du Fu and called him? Dee. , or for Li Shangyin, named? Du Li? . Although Du Mu wrote some progressive poems, he also wrote many negative, decadent and tasteless works. These poems containing dross should be paid attention to and criticized.

[Notes]

① Guo: Outer city. Wine flag: wine curtain, a sign hung high outside the hotel.

② 480 Temple: The emperors and bureaucrats of the Southern Dynasties built Buddhist temples in Beijing (now Nanjing). According to Southern History? Official? Legend of Guo Zushen:? Went to more than 500 Buddhist temples? . The 480 temples mentioned here are approximate figures.

[translated poem]

The vast Jiangnan, singing and dancing,

Villages by the water, battlements by the mountain, all have wine flags fluttering in the wind.

The rulers of the Southern Dynasties believed in Buddhism and built 480 temples.

How many terraces are shrouded in this misty rain now?

[Appreciation]

This is a four-line poem describing the scenery in the south of the Yangtze River. How charming and desirable is Jiangnan? At sunrise, the river is redder than fire, and in spring, the river is as green as blue? Bai Juyi painted a beautiful picture for us, but it is only macroscopic, while Du Mu's "Jiangnan Spring" is relatively specific. It seems that we have been to several scenic spots and are more impressed. Du Mu not only depicts the beautiful spring scenery in the south of the Yangtze River, but also reproduces the misty balcony scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing. ? Thousands of miles of warblers sing green and reflect red, and the water country and the country are full of wine flags. First of all, the poet brought us into the colorful Jiangnan world. You see, there are songs and dances everywhere, green trees and red flowers everywhere; Dripping water village, battlements surrounded by mountains, especially wine flags fluttering in the wind, are so charming! ? Thousands of miles? Explain the whole south of the Yangtze River, but the whole is expressed through concrete images. ? There were 480 temples in the Southern Dynasties. How many towers were there in the misty rain? Is there an important link in the transition to Jiangnan scenery? Temples have a sense of vicissitudes, and many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and spring rain, adding more confusing beauty. The poet said nothing here? Jiangnan 480 Temple? And say? Super Super 480 Temple? Obviously, it makes no sense. The rulers of the Southern Dynasties lost their lives for Buddhism, wasted people's money and built a large number of temples. Legend of Guo Zushen:? At that time, the emperor's interpretation of the scriptures was based on customs, so the ancestors made a special statement about it. I thought they all went to more than 500 Buddhist temples. They were extremely poor and resplendent, with more than 100,000 monks and nuns, and their assets were abundant, which was beyond words in counties. ? According to this, Du Mu said? 480 Temple? Obviously, it is less. Now? Four hundred and eighty halls in southern dynasties? It has become a historical relic and a part of the beautiful scenery in the south of the Yangtze River. There is no lack of irony in aesthetics, and the connotation of poetry is richer. The four sentences in this poem are all scenic words, each with its own characteristics. There are sounds and colors, space expansion and time tracking. In just 28 words, the poet painted us a vivid and verve picture of spring scenery in the south of the Yangtze River in very popular language.

The Hope of Spring Tang Du Fu

Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested. Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.

The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.

Appreciation of poetry and prose

From Tang Suzong to Deyuanzai (756), in June, An Shi Rebellion captured Chang 'an, Tang Dou. In July, Du Fu heard that Tang Suzong had acceded to the throne in Lingwu, so he settled down in Qiang Village of Langzhou and went to Su Zong. On the way, he was captured by rebels and taken to Chang 'an. He was not imprisoned because of his humble position. Hope in Spring was written in March of the following year.

The first four sentences of the poem are all written in defeat and full of sighs; The last four sentences are about the situation of relatives, full of feelings of separation. The whole poem is calm, sincere and natural.

? Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested. ? At the beginning, I wrote what I saw in spring: the capital fell and the city was broken. Although the mountains and rivers are still there, there are grass everywhere and the trees are gray. Is it broken? Words, let a person see a big surprise. Then one? Deep? Words are sad. Sima Guang said? Where are the mountains and rivers? Nothing was left in the Ming dynasty; ? Deep vegetation? , Ming no one. ? The poet here clearly writes about the scenery, but in fact he is expressing his feelings, putting his feelings on things and entrusting his feelings to the scenery. It creates an atmosphere for the whole poem. The antithesis of this couplet is ingenious, mature, natural and poetic. ? The country is bankrupt? Right? Cheng Chun? The two meanings are opposite. ? The country is bankrupt? Broken walls and rich businessmen? Cheng Chun? The contrast is strong. ? The country is bankrupt? What's next? Where are the mountains and rivers? On the contrary, unexpectedly; ? Cheng Chun? It should be beautiful, but the suffix is? Deep vegetation? Then nothing grows in Syria, and one after another runs counter to it, turning over and over. In Ming Dynasty, Hu Zhenheng spoke highly of this couplet, saying: Duality is not refined, but it changes vertically and horizontally, and it is more stereotyped, with distinct shades and originality. ? Tang Yingui's First Volume Nine

? Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate. ? The general explanation of these two sentences is that flowers and birds are originally recreational things, but they hate parting because of their feelings, which makes the poet cry. Another explanation is that flowers and birds personify people and feel sad when they leave. Flowers also splash tears and birds are heartbroken. Although their theories are different, their spirit can be interlinked, one is touching the scene and the other is feeling deeply, which shows the richness of good poetry.

The first four sentences of the poem are unified? Hope? In the words. Poets look at it from near to far, from far to near, from cities to mountains and rivers, and from cities to flowers and birds. Feelings are from hidden to obvious, from weak to strong, step by step. In the change of scenery and emotion, it seems that the poet gradually turned from longing for the scenery to overlooking and thinking about the scenery, and naturally transitioned to the second half? I want my relatives.

? The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. ? Since the Anshi Rebellion? No pains come without pains, can you believe it? Until now, in late spring and March, the war continues. How much I look forward to receiving letters from relatives at home. Is it really better to be a letter from home? Wanjin? Ah! ? A letter from home is worth a ton of gold? Write down the anxiety of news isolation when looking forward to receiving your letter for a long time. This is all the thoughts in everyone's heart, which naturally makes people * * * sound, thus becoming a famous sentence that has been told through the ages.

? Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin. ? There are bonfires everywhere, and my family doesn't trust me. I miss the tragic image in the distance, and I look at the decadent scene in front of me. I don't feel bored either. Scratching my head makes my hair thin and short. ? White hair? Worried about it? Scratches? For the action you want to solve your worries? Shorter? You can see the degree of worry. In this way, in addition to the grief of national demise and death, sighing and aging will add another layer of sadness.

This poem reflects the poet's good sentiment of loving his country and his family. The meaning is not straight, the scenery is not free, the feeling is strong but not floating, the content is rich but not miscellaneous, the meter is rigorous but not rigid, and it rises and falls with the five laws, so it has been circulated for more than 1,200 years.

Appreciation of Spring Tour in Qiantang River

Spring outing in Qiantang Lake

Tang Bai Juyi

From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.

Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.

Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.

I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.

[Reading Guide]

Qiantang Lake, also known as West Lake, is one of the famous scenic spots in China. When we mention the West Lake, we will naturally think of Su Shi's famous sentence? If you want to compare the West Lake to the West Lake, light makeup is always appropriate. . After reading this poem by Bai Juyi, I seem to really see the smiling face of Shi. The poem describes the charming spring scenery of the West Lake in early spring as seen by the poet riding a horse, shows the vitality of everything in the bath of spring scenery, shapes the poet's own image, creates an artistic conception of gratifying spring scenery and abundant business, and expresses his love for the early spring scenery and his quiet and comfortable mood.

[Introduction to the author]

Bai Juyi (772? 846), the word Lotte,No. Xiangshan layman, Mr. Drunk Sound. His ancestral home was Taiyuan (now Shaanxi), and his great-grandfather Bai Wen moved to Xiaguan (now Weinan, Shaanxi), so he was a great realistic poet in the middle Tang Dynasty. Bai Juyi's poems are rich in subject matter, profound in content, simple in expression, appropriate and fluent. There are nearly 3,000 existing white poems, the number of which should be the largest among poets in the Tang Dynasty. He once divided his poems into four categories: satire, leisure, sentimentality and heteronomy. What he is most proud of and valuable is his satirical poems. In literature, he advocates? Articles are written in time, and poems and songs are written in things? Emphasize inheriting the fine tradition of realism in China's classical poetry, and oppose it? Tide, snow, flowers? His works, which have no other sustenance, are advocates of the New Yuefu Movement and have an important position in the history of literature. The long narrative poems "Song of Eternal Sorrow" and "Whispering" represent his highest artistic achievements.

[Background Introduction]

Bai Juyi was appointed as the history of Hangzhou in July of the second year of Changqing (AD 822), and became the history of Suzhou in March of Bao Liyuan (AD 825). Therefore, this "Qiantang Spring Tour" should be written in the spring of the third or fourth year of Changqing.

[Text Notes]

Spring outing: a walk in spring.

Gushan Temple: On Gushan Mountain in Bai Causeway, West Lake.

Jia Ting: Jia Gongting, built by Jia Quan, the secretariat of Hangzhou in the Tang Dynasty, no longer exists today.

Chuping: From a distance, the water surface of the West Lake seems to be just flush with the shore and the scenery on the shore.

Jiao Yun: What did China call a drooping image in ancient times? Feet? Call it the lower part of the rain? Rain feet? . This refers to the drooping clouds.

Warm tree: a tree facing the sun.

Miscellaneous flowers: refers to numerous and open' spring flowers'.

Shallow grass: grass in early spring, although abundant, is not very tall.

No (m? ): disappear.

Hudong: Taking Gushan as a reference, Baisha Dike (namely Bai Causeway) is in the northeast of Gushan.

Insufficient travel: insufficient travel, that is, repeated travel.

[hierarchy]

The first couplet focuses on the big picture and writes about the scenery seen by Gushan Temple. The first sentence is position, and the second sentence is vision. ? Chuping? , write spring water, and the embankment is slightly flat. ? Cloud feet are low? , write white clouds drooping, connected with the lake, draw the outline of early spring. The calm water at the foot and the low-hanging cloud curtain in the sky constitute a quiet ink painting of the West Lake.

The poems written by Zhuan Xu were seen by poets during their travels. Yingying is a singer in spring, and everyone is competing to fly to the sunny tree to sing; Yan, the messenger of spring, has begun to build nests with mud and is full of vitality. Use? Good morning. The description of oriole reflects Bai Juyi's sincere love for these vibrant little lives. One? Fight? Words make people feel that spring is rare and precious. With one? Peck? Words to describe the busy and excited expression of swallows seem to be writing about living swallows. These two sentences deliberately describe the dynamics of Yingying Yanyan, thus making the whole poem full of vitality and vitality in spring.

Writing flowers and plants in neck couplets focuses on the poet's feelings. The horse walked briskly on the shallow grass and looked at the flowers for a long time. His eyes were full of colorful flowers, which made people dizzying and puzzled. This pair of couplets and the first pair of couplets are the core of this poem, and they are also the crowning touch to describe the spring scenery in the white poem, especially the spring scenery in the West Lake. This is an emotional and energetic description of the scenery, which fully shows Bai Juyi's careful observation of the object of description and his accurate grasp of its characteristics.

At the end of the poem, the scenery of Baishadi is written, which directly expresses the poet's joy. ? Is it enough? It's because I haven't seen enough, which means the poet is lingering.

[Significance of Poetry Translation]

From the north of Gushan Temple to Jiating West, the spring water on the lake just overlaps with the dike and white clouds and is connected with the waves on the lake.

Several early orioles scrambled to fly to the sunny tree, and the new swallows were nesting with spring mud in their mouths.

Countless colorful spring flowers gradually fascinated people's eyes, and the shallow spring grass just covered the horseshoe.

I like the beautiful scenery in the east of the West Lake best. I haven't visited it enough, especially the white sand embankment under the green shade.

[Appreciation of Poetry]

From the northern foot of Gushan Mountain to the present autumn moon in Pinghu and Bai Causeway, the poet tells people the message of spring: the spring water on the lake is new, the spring warblers in the trees contend, the Chun Yan mud in the air, the spring flowers on the shore are blooming, and the spring grass is just green. The poet's keen and delicate brushwork makes people realize that the West Lake is wearing spring clothes in a stretch. The poet praised the spring scenery of the West Lake and pointed out that he loved walking on the white sand embankment. There is water on both sides of Bai Causeway, and willows and peach trees are planted on both sides of the embankment. Walking on the Bai Causeway in spring, the lake is at your feet, and you seem to be walking on the water; Willow branches in early spring, like smoke and fog, like silk, come to your face and make your heart swell with infinite tenderness and infinite love. You are like in a dream and a fairyland. When you walk on the Bai Causeway in spring, you can better appreciate the poet's feelings and moods when he wrote this poem.

What is the main meaning of the whole poem? Okay？ That's the word, department? Spring outing? Two words describe the scenery. But the West Lake is too big and the journey is too long, so the poet only intercepts a paragraph to write? It starts from the north of Gushan Temple and ends in Baisha Land. After reading this poem, we naturally have the feeling of enjoying the early spring scenery of the West Lake with the poet.

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