What are the behind-the-scenes productions of Blade Runner 2049?

Dennis Gassner is in charge of the scene of this film. In order to conceive the post-apocalyptic Las Vegas, Dennis Villeneuve and roger deakins spent several weeks drawing a series of plots and designing the visual effects of the film before the main shooting. The film inherits the most memorable city in the first film, surrounded by neon lights and huge rolling electronic billboards. Considering that it was thirty years later, it was further upgraded. Intelligent 3D holographic advertisement will appear in the film. In addition, Wallace's office is a private office with all-wood structure and has a deep understanding of minimalist aesthetics. Roger deakins uses a rippling pool to reflect light from walls and ceilings, or to reflect light to walls and ceilings to enhance the effect.

on location

The main shooting location of Blade Runner 2049 was in Hungary, and Orig Studio in Budapest used six studios and location shooting sites. In three Kodak studios in Ajek and other parts of Hungary, the crew set up large-scale live scenes in Orig Studio and Colda Studio, and the production team reduced the use of CGI and green screen. Most of the scenes in the film, such as fog, desert filled with orange smoke, the birthplace where the Replicator fell, and so on. , are all real shots.

Props design

In the film, K's spinning car can be understood as a tribute to the first film, which is based on the barbaric style that director dennis gassner wants. The new revolving car is sharper than Rick Dyke in the first part, but the body and interior are old-fashioned. Paul inglis, the artistic director, tried to make the interior look old and make the car look like a 10-or 15-year-old car. Everything is dilapidated, with stains, spots and wear everywhere.

Behind the scenes team

Blade Runner 2049 is the return of former director ridley scott and former starring Harrison Ford after 35 years. Ridley scott, the producer of this film, supervised the production of this film from beginning to end. The photographer was nominated by the 65,438+03 Oscar as the photography director of the film, which was composed by Hans Zimmer and Benjamin Wallfisch. The film uses a lot of electronic synthesizers to create an ethereal feeling.