A Brief Analysis of Zhang Yimou's Photography Skills

The existence of Liu Hao in On the Cliff is controversial, and Zhang Yimou once praised her as Zhou Dongyu's successor. Have you seen The Cliff directed by Zhang Yimou? Whether you watch it or not, you must have seen several discussions about Liu Haocun's acting skills on hot search.

Liu Haocun Liu Haocun studied in Beiwu High School and was a classmate with actor Ren Min. Later, he was admitted to the folk dance department of Beiwu. This "birth" is not outstanding among many small flowers, but she is lucky enough.

One second before the premiere of One Second, Zhang Yimou praised Liu Haocun, saying that "Liu Hao has a lot of energy" and that she is Zhou Dongyu's successor.

But what I didn't expect was that the box office was gone after the film One Second was broadcast. Although there are many reasons for this result, against the background of powerful actors such as Zhang Yi and Fan Wei, her acting skills are too green.

One second to evaluate Zhang Yimou. It is no exaggeration to say that he is a film director without a historical view. Including Chen Kaige, Tian Zhuangzhuang and others in the same period. Generally speaking, they are very clear about politics and history, which can be said to be a team. Compared with almost contemporary Jiang Wen's attitude towards history and political consciousness, they are far behind!

Zhang Yimou's One Second is still more profound than Xiaogang Feng's Youth, and Zhang Yimou left all the freehand brushwork and picturesque scenes to the exterior and the desert. As usual, the picture is vast and breathtaking, and the old man is engaged in photography. The handling of the picture and the exquisite aesthetic layout are very shocking.

Many people are debating whether Xie Jin is stronger or Zhang Yimou is stronger in the film history of China. In fact, Zhang Yimou is definitely no match for Xie Jin in storytelling and narrative plot, but Xie Jin is much worse than Zhang Yimou in aesthetic feeling and picture sense.

Jiang Wen used The Sun Also Rises and Let Bullets Fly to tell him what a director should have. However, Zhang Yimou is still stubborn. Last year, he filmed for a second.

Even brazenly said that one second is a love letter to the movie! To tell the truth, people who know that history will know at a glance that he didn't write a love letter, because a one-second film is an ugly book no matter how you look at it!

Zhang Yimou used film techniques to deliberately select the scenery in the northwest and design specific characters. A pair of children abandoned by their biological fathers, a filmmaker became a village god, and the protagonist of a reform-through-labour prisoner risked his crime to watch his daughter die and earn advanced skills, confusing the audience under the guise of family ties. Actually, this is all shattered glass. Only in this way can he make the WG era wild, chaotic and lifeless.

The most ridiculous thing is that they actually set the spiritual needs of ordinary people as watching movies. What is he doing? ! At that time, people's mental state was very good and highly concentrated, unlike now, it was a mess! Also, in the movie One Second, all the characters are very faceless, deliberately showing that people have become weird, fearful and godless because of the WG era.

Why did Zhang Yimou do this? Because he should have been attached to the powerful people in Beijing a long time ago, and he thinks he is superior. In fact, the eyes of the masses are discerning, and they have unearthed their own noble life experiences. Therefore, Zhang Yimou can't be hidden. He was a flop of historical nihilism from beginning to end.

One Second's location is wonderful as always, so I won't dramatize the story here, and I won't comment. What I want to say is that the old man has finally returned to real life. No big scenes, no huge investment, no commercialization, no traffic stars. He is actually making a movie and telling a story.