Traditional Culture Encyclopedia - Photography major - Who can introduce lost romance 3?

Who can introduce lost romance 3?

The king of death. . .

Introduction to the film:

The cause of my death remains a secret.

As far as I know, this "Romance of Confusion III" was released at the end of 2004, but there are still data showing that it was filmed in 1989, and the release date is close to the second part 15 years. However, Romance of Confusion II is a film of 199 1 year, subject to its own materials. Because there is no other information to introduce the characters, the film has no German subtitles, and my article may be a bit confusing. The black beginning and scrawled handwritten English brought us back to the world of only death. On a pure black background, strange violin accompaniment mixed with groans of men and women, a naked man turned over and stretched himself in front of the camera. A girl in red wrote "Der TodesKing" (German, meaning "King of Death") on a piece of paper and drew a lovely little skeleton. The pure black background reappears, the naked man slowly descends, and words will appear at the beginning of this series of movies. The music is as gloomy as ever, but in this film, there is obviously some affectation of ordinary horror film music. At the beginning of the film, a man (let's call him A for the time being) is walking in the street with a low bell.

Montag Monday

Write a letter in a strange strange voice like digestion, and then make a phone call. In an ordinary bedroom, A squatted at the head of the bed and cut off the things on the plate, then began to burn some paper, then got into bed and began to clean, put on black clothes and sat on the bed staring blankly, the door was open. The director arranged the scene very cleverly. In the same bedroom, the camera keeps spinning, and men are doing different things in different corners, which summarizes what happened in this room for a while. I don't know much about film theory, so I can't study this film in technical terms. Appreciate only by feeling. The camera finally stopped when A fed the fish. I think he may like fish very much. There is a poster on the wall beside the bed about the kinds of fish. There is nothing in the refrigerator except canned fish. A is eating, and so are the goldfish in the fish tank. I'm disappointed with the music in this one. It's too experimental, deliberately desolate and scary, and it doesn't have the low-key depression and psychedelic feeling of the first two films. After washing the dishes, he began to take a bath, and the strange digestion clang that had just appeared appeared again. He sat in the bathtub, wondering what medicine he was taking. He completely immersed himself in the bathtub and spit out some strange liquids. A is dead. Deanes Tiger. Tuesday

Another person (temporarily called B) opened his mailbox and received a letter from A. He walked into a video store with a confused romantic poster on the counter. What is B looking for? He chose a tape with Nazi symbols. When I got home, I opened a can of beer, sat on the sofa and started watching movies. One thing these three films have in common is that the scenes in the play reflect the inner feelings and backgrounds of the characters at that time. Because there is almost no dialogue in the whole film, this technique can also be used as a way to express the character. The man in military uniform in the movie B watched seems to be Mark in the second movie. A blindfolded man was crucified, and a female soldier wearing a Nazi armband stood by. On the wall is a portrait of Adolf Hitler. They gagged the man to stop him from shouting. The female soldier fiddled with the scissors in her hand, took off the man's trousers and cut off his penis. The female soldier's face was covered with blood. She casually brushed her sleeves, picked up the gadgets that fell to the ground, and drew a fascist swastika on the poor man with blood, like the projection of Mark's male soldiers on Hitler's experience, and the khaki wall came into view. At this moment, a woman came into the room with a big bag and a small bag. She didn't know what she was complaining about, which blocked B's view. B impatiently took out his pistol and killed the woman, continuing to drink beer. The male soldier in the movie is nodding and smiling. The music at this time is very passionate, not piano music or symphony, nor that strange sound, but a heavy metal song. He picked up the photo frame on the wall, smashed the glass into pieces, threw away the photos and nailed the empty photo frame to the blood on the wall. The picture is gradually reduced to A's TV screen, and B's face is ferocious and numb. What we just saw on the TV screen. The TV is off, and the sound of broken glass is abrupt. The soft piano music sounded slowly. This is a very messy room, and the ground is full of rubbish and damaged furniture. A few candles were lit around the windowsill, and a black cat was lying on the bed, with dim lights. The floor mirror reflects the scene behind the door, a pair of hanging legs, a person hanging, swaying in the soft sound of the piano.

Mitwoch. Wednesday

On the bluestone pavement in the rain, pedestrians hurried past the stagnant water, and the music was still so soft and euphemistic. A woman with a blue umbrella (called C for the time being) walked slowly. A light flashed on a man's face from time to time, and the woman threw away the paper in her hand. On the bench in the street sat a middle-aged man (temporarily called D) who looked depressed. Alice doesn't mind the light rain getting wet on her decent clothes. C sits at the other end of the bench. There are no subtitles, I wonder what they talked about. In D's long monologue, the camera suddenly cut into a white sheet with blood on it. C seems nervous, hands clenched. The camera is shaking badly, the voice is constantly changing, and there is a mysterious and evil feeling. C took out his pistol, aimed at D's head and pulled the trigger. D took the pistol, held the gun head, a gunshot, and blood splashed all over the angel sculpture behind him. There is a naked figure on the black picture, which has appeared several times in the film and flashed by. Many insects are flying and crawling around the corpse, and death is their best food. The body calmly accepts the erosion of other creatures and slowly rots in front of the camera. Always so quiet. Donna Staag. Thursday

The film was shot near Berlin Bridge, which is the first choice for many suicides. The director chose to shoot here, shooting different people from different angles, but interpreting the same death. This lost romance III has greatly deviated from the route of love and death, and it is more like an experimental documentary filmed with consciousness, with repeated shots and gloomy colors. The director is good at digging up people's different views on death. Everything has no reason, and it is the same result. The camera is shooting the bridge, and the date and personal file displayed on the screen are the information of people who committed suicide here. Cars under the bridge are constantly flowing. The illusion of a bridge, the picture turns back to the body in the dark. It has rotted more seriously than just now, and there are more creatures living around it, which makes the flesh of the corpse disappear bit by bit in front of the camera. The close-up is the abdominal cavity where the body was cut open, and countless creatures were crazy about taking nutrients in it, which made people look at the scalp. The body is turning into bones. The picture turns to a warmly decorated room, and an elegant old woman (temporarily called E) puts flowers in a vase. Fleita. On Friday, E opened the curtain and looked out of the window, only to accidentally see the intimacy of a young couple. E went out and found a letter in the messy corridor. She took it home and went downstairs, eavesdropped and peeked outside a door, ran home in a hurry and began to make a phone call. The phone is disconnected. E stood by the window again, looking at the window where the young man had just made out. No one was there. She sat on the sofa, reading the letter she had just received. I think this is probably an obituary, or some other letter that brings bad news. E tore up the letter angrily, drank some strong liquor and ate some chocolate. She turned the clockwork and the soft music in the music box came out. E fell asleep. There are all kinds of toys scattered in the messy corridor. A girl pushed open the unopened door and there was a man and a woman on the bed. E suddenly woke up. I want to know what this dream means. She stood at the window again. The camera took me to that window. Young men and women were lying naked in bed, covered only with a white sheet full of blood. They're already dead. She drew the curtains. A corpse in the dark

The body rotted rapidly, the body was covered with insects inside and outside, and the bones were clearly visible. Its death has given birth to more life and will bring more death. The table is full of films, and a person (temporarily called F) puts a roll of films on the projector and starts playing. A woman's face flashed across the screen, and a gloved hand picked up a pistol. There is no one else around. In another outdoor place, a girl in a red skirt sat next to her. Not far away, a woman in red came to her and sat down to study. Then she put down her book and went somewhere else. At this time, I photographed the dazed girl with a lens that imitated the candid camera. In a small room, a woman in yellow (G for short) makes up in front of the mirror. She took a huge camera and pistol, put on gloves and left the room. Sam Staag. On Saturday, the projector continued to play the movie content. G walked in the dilapidated corridor, only the camera rustled. She walked into a room where there was only a man with glasses. G looked around, nobody was there, so he shot the man in the head. The man fell to the ground. Then she went in. It was a projection room. Someone is singing at the front desk and watching from the audience. G shot at the singer and audience, and an audience with a gun shot at her. The picture is blank. A man's voice sounded, and it was another film, which filmed G's killing process from the perspective of a third party. There are only many bones and a little carrion left in the darkness, but they are torn to pieces by dirty bugs. The body has completely cracked and is no longer complete. Pale bones, slowly melting in a black background. Sonntag. On Sunday, in a white room, a man (H for short) was sleeping in bed. The desk lamp suddenly lit up and he woke up. He doesn't seem to sleep well. He sat on the bed and looked at the chandelier swaying on the ceiling. He is lying in bed again. H rolled on the bed, pulling his hair, crying and feeling sad. He knelt on the floor in pain and banged his head against the wall. He has a nosebleed. He covered the wound on his head and looked at the blood on his hand, full of fear. The chandelier swayed even more. H's face spins at high speed in front of the camera. He has collapsed and is no longer struggling. The body appeared in the photo again. H looked at the blood on his hand and had a splitting headache. He continued to hit a wall. He is still dead. The remaining bodies were unusually clear in the dark, and there seemed to be children's voices around them. At first, the girl in red continued to draw, adding a crown to the unfinished skeleton, Der TodesKing. On an old yellow poster, a thin man sat on a high place with a crown-like hairstyle, a skull in his hand, and a baby sitting on the ground, looking at other places. The movie is over.