Who are the directors who have hardly made bad movies?

Let's talk about a TV director, Zhang Li, director of Towards the Republic and Ming Dynasty 1566.

Uncle Li's power lies in his profound understanding of history and human nature. His historical plays have broken the distinction between good people and bad people.

For example, in Ming Dynasty 1566, Harry is not the "green head" in the historical impression. He knows politics and officialdom. Yan Song is not a clown with a white face mask. He has a far-reaching influence. He is old but alert.

There is no preset position of historical view and moral view. Yuan Shikai has such a "reactionary" statement in "Towards the Republic", which is really watertight: Who are the people? I've only met one person after another, but I haven't seen those people you mentioned.

Uncle Li's historical plays are very complicated, and the characters in them are just like what Jiajing said.

Turbid water and clear water are very important. A group of people are powerful, and a group of people are smart. Good people and bad people are driven by interests, desires and power. The power struggle is not only a factional struggle or a black-and-white confrontation, but also a struggle of human nature in power.

Game of Thrones makes people enjoy it because it is not a heroic epic, and it is natural and orthodox if it is not a good person. The wolf clan who avenged their blood was almost extinct in a bloody wedding because of strategic mistakes. This is history, heroism and morality, which was added after the victory.

The plot inside is interlocking, and the characters of several factions are fighting wits and bravely on the historical stage, which is even more exciting. For example, "Ming Dynasty 1566" was repeatedly strict, but it was clearly caught by Yan Song and finally defeated by Yan Song. It is estimated that the dark characters in American TV series will not survive the first three episodes.

Uncle Li's plays have their own historical interpretations, and he likes to crush and rearrange history.

In the first scene of "Towards the Republic", the script is written by Li Hongzhang wearing official clothes and carrying a gun. Uncle Li changed his mind and let Li Hongzhang eat his favorite steamed bass at home. During the state affairs, he kept silent and buried himself in eating fish. However, when the servant came to report that the parrot prepared as a birthday present for Cixi was ill, Li Hongzhang suddenly gave a nervous "ah".

The first two minutes almost answered the question of why China people want to be a republic: in the imperial era, the importance of such an important event as insufficient military pay was not as important as the unhappiness of the Empress Dowager. Imperialism is inappropriate because it regards the country as private property.

Uncle Li's plays are exquisite. In the Ming dynasty 1566, Yang Jinshui's teacher Wang Jinsong recalled:

"The shooting was very quiet, horribly quiet. Everyone walks on tiptoe when entering the studio ... once, I forgot who came to visit the studio. I always feel that something is wrong. I have the wrong number. Later, I opened the door of the studio on the track and was shocked. The team of nearly 200 people and all departments are working, but there is no movement or sound. Because at that time, work was sacred, and what everyone defended was actually professional dignity. ...