Selected Works of Film Art Appreciation (2)

Selected papers on film art appreciation II

Application and Appreciation of Color Art in Red Sorghum

Abstract: At present, film and television works have become the most important part of people's visual aesthetics. It is a visual art, image is its modeling language, and color is one of the most important components in its modeling language. The picture quality of film and television works directly affects the audience's visual enjoyment, and human visual experience is the strongest among human senses. The film Red Sorghum is a classic that best reflects Zhang Yimou's early style. The oil painting scene in the film outlines a scene dominated by red? Red sorghum? In the world, films praising China people's anti-Japanese life on the loess high slope are used to pay homage to the soul stirring in the endless sorghum fields.

[Keywords:] Red sorghum; Color art; Human nature; charm

Sorghum, symbolizing the wild and natural humanity, dances hard in the wind and dies, symbolizing the life of all things in the world. Red Sorghum has reached the point where it is difficult to render red. Red sorghum, red jacket, red trousers, red sedan chair, the red shadow of the man in the scorching sun, and the blood all over the screen at the end of the film not only symbolize the original vitality of resisting evil forces in the most essential way, but also make the whole movie full of poetry. Red Sorghum, with its strong colors and bold style, eulogizes the inspiring national spirit of Chinese children, combines narrative and lyric appropriately, and gives full play to the unique charm of film language. The film is full of magical colors, praising the essence of human nature and the irresistible nature of life, and the use of natural colors has reached its peak.

First, the color artistic effect of the film Red Sorghum

The red-dominated picture and magnificent atmosphere created by Red Sorghum are partly from the feelings injected by the author himself, partly from the artistic conception set off by objective things and the natural combination of situations. Love and scenery, meaning and image? . This is the basis of film creation and the charm that the audience likes. Color plays a vital role in creating the artistic conception of this film. Color contributes to the expression of emotion in film creation, which mainly depends on people's association, that is, the feelings people get through color.

The depiction of the characters' innermost feelings can set off their complex psychological activities and personality characteristics. In order to vividly and meticulously depict a person's inner activities in a limited time and limited scene, it is necessary to let the audience see a suitable visual carrier, and the ingenious function of artistic color art can just serve as this carrier. Director Zhang Yimou skillfully applied color art to the film Red Sorghum, vividly depicting the inner world of the characters in the film. Through the diversified transformation of artistic colors, he accurately and clearly showed the audience the inner activities of the characters in the film and the ideological content to be expressed.

The extensive use of the red tone in this film not only brought a strong visual impact to the audience, but also conveyed the symbolic significance of the film. The characters add complex feelings through colors, which humanizes the film. The film "Red Sorghum" uses a lot of colors to create the artistic conception of red China, and then catches the audience's eye, thus achieving the effect of resonance. The overwhelming red color in the film is very symbolic. The colors and tones of each scene vividly depict the characteristics of the characters in the film. From the red sorghum, red coat, red shoes and red hijab symbolizing vitality in full swing at the beginning, to the blood-red color that filled the screen at the end, these colors were very infectious. Through the seamless combination of the director's careful design and the story, they set a magnificent tone for the whole film.

Second, the film' Red Sorghum' color appreciation

Picture and music, as two major elements of the film, play an important role in the film. Color is a part of film language. Proper use of color can express different emotions and feelings, which is helpful to accurately express the feelings of the film and render the style atmosphere of the film. At the same time, music also plays an indispensable role in the film, which is very emotional. Music is a special expression of sound in movies, which affects the temperament of movies, deepens the theme of movies and strengthens the psychological activities of audiences. A successful film, excellent film music is essential.

The film Red Sorghum, which won many awards, is not the most classic work of Zhang Yimou, but it is the most passionate one. The film is devoted to expressing the agitation of perceptual life from beginning to end. Red Sorghum is not only a good work, but also a very good-looking movie.

The film Red Sorghum, adapted from Mr. Mo Yan's novella, tells the story of the wild life of a group of simple farmers in the 1920s and 1930s and their bloody resistance to the Japanese invaders. After the actor's successful interpretation, the film praises the unrestrained life, dare to love and hate, and live and die together. The story is full of ups and downs and unpredictable. The rhythm is relaxed, and the picture, color, light and its visual image are warm and lively. The film broke through the traditional theme of War of Resistance against Japanese Aggression, and in Red Sorghum, a free and unrestrained and magnificent life jumped onto the screen. Compared with contemporary film and television works, the war scenes are obviously reduced and do not involve any political color. The battle scene at the end of the film is very enjoyable. Although it is not as grand as the scenes in traditional domestic war films and there are not many characters, the picture is more shocking. Against the backdrop of the solar eclipse and Xia Hong, loud songs resounded around the world, such as the fiery sorghum fields in Wang Yang.

Red Sorghum left a deep brand of war in the hearts of the audience. The success of the film lies in its pure beauty, praising the magnificent life of love and true love, hate and dare to love and hate.

Director Zhang Yimou, like most people in China, has a soft spot for bright red, which naturally becomes the main color of the film Red Sorghum. As we all know, in the traditional culture of the Chinese nation, red is regarded as a symbol of joy and happiness. Later, red was gradually endowed with positive, just and revolutionary connotations. Moreover, in the field of artistic painting, red is also a common means to show personality and contrast the atmosphere.

At the beginning of the movie "Red Sorghum", people caught their eye that Wang Yang was a sea of blood. The heroine of the movie? Jiu-Er? Red dowry symbolizing happiness: red headscarf, red coat, red trousers and red shoes; And a red sedan chair; There is also the fiery sorghum field, which makes the audience feel the wild love rippling in the sorghum field. These fiery red pictures have brought a strong visual impact to the audience from the beginning and a red baptism to people's hearts. Although the tone of the whole film is mostly red, it does not make the audience feel that this is an affectation that breaks away from convention, but naturally accepts that sorghum is lux. In addition, the film also skillfully combines the bohemian, unscrupulous, free and passionate atmosphere with the main color of red. In the background of red tone, grandpa? And then what? Grandma? Here comes the sad love story.

The whole movie is made by? Grandpa? With what? Grandma? The emotional elements of meeting, knowing each other, loving each other and helping each other. They finally came together through the struggle with secular ideas, and finally fought bloody battles against the Japanese invaders. At the end of the film, the heroine? Jiu-Er? Everyone else is dead. Grandpa? And then what? Dad? Standing there quietly, motionless, staring at each other, staring at each other in the blood-red sunshine for a long time, until the solar eclipse appeared in the sky, the sky suddenly darkened, followed by a blood red. Director Zhang Yimou skillfully applied the artistic color in this film to the extreme, with exquisite pictures and touching stories, which infinitely magnified the characters and gave high praise and praise to the people of China. The film eulogizes this desolate land, this pious love story, and also deeply eulogizes the unrestrained wildness of this land, and even expresses the excellent quality of Chinese children who are not afraid of rape and fight to the end. The whole film expresses admiration for the vitality of primitive life.

Throughout the film, the author still retains a lot of personal style and his own subjective cognition. Most films are fixed in the same shot to depict the changing process of the characters, attracting the audience to sink their hearts and watch them carefully. Most movies are shown through close-ups. Grandma? What time? Dad? Jumping around in the tank, yelling? Mom? What time? Grandma? There was a knowing smile on his face. then what Grandma? I noticed a figure in the distance, and the silhouette reflected on him, setting off Lohan's thin body. The golden sunshine surrounded him, suggesting that a storm was coming. ? Grandma? Anxiously chase after it? Grandpa? His face was puzzled, and the backlight behind him highlighted that he was more melancholy and wanted to see something, as if a crisis was coming, and as if the light was pressing on him, then the devil's plunder came out.

The film "Red Sorghum" skillfully connects the story lines together, and the splash-ink picture is exciting. The whole sorghum field was dyed blood red by the bloody sunset. That is a sorghum field dyed red with blood, which symbolizes the bleak sunset, right? Grandpa and dad? It is the author's praise to the sons and daughters of China on the land of sorghum that the scars in his heart after the loss of his beloved wife and mother. A sorghum field has been trampled, and there is still a sea of sorghum blood in Wang Yang, which symbolizes the unyielding vitality and endless civilization of the Chinese nation? Grandpa? The wildness in me. ? Grandpa? The wildness of the body is primitive, and the madness of the beast. It is a special quality shared by men in China and the basis for children in China to resist violence. This film appeals to people to pursue truth, goodness, beauty and a vibrant life.

Third, the picture appreciation of the movie Red Sorghum

The color is symbolic. People live in a world of various colors and cultivate a lot of visual experience. These experiences echo with external stimuli, and emotions gradually sublimate in them, profoundly expressing people's beliefs and thoughts and arousing people's thoughts.

Zhang Yimou, a photographer, has always had beautiful pictures and colors. In the film Red Sorghum, red is the main color of the film. In China, red not only represents joy and happiness, but also represents revolution. The most familiar picture in the film is the fiery sorghum field. The lush sorghum is above the head, which makes people breathless. Autumn wind strikes, setting off layers of waves and waves of crisp swaying sound; There are also pictures of bloody sunset. Jiu-Er? Married, when the sedan chair came to Lipo, she met a Japanese devil and finally died under his bayonet. The solar eclipse that day dyed the whole world blood red. Mom, mom, go to the southwest, the highway is full of tolls, mom, mom, go to the southwest? At the end of the film, loud songs resounded through the world, and the endless sorghum fields were like a sea of blood in Wang Yang. Jiu-Er? Lie in a pool of blood and die peacefully. Dark red blood dyed the sun red, and the red sun burned, burning the whole world red. This is the end of the movie.

Zhang Yimou used the special aesthetic value of color appropriately, presenting a bloody world for the audience. The film Red Sorghum is both aesthetic and ideological, and its success is closely related to the accurate grasp of the aesthetic value of special colors.

Red is the main color in the film, and color has a special visual effect on people's aesthetics. It can arouse people's distant reverie and successfully arouse people's visual experience.

There are many beautiful pictures in the film: Jiu-Er? When getting married, red shoes, red coats, red trousers, red hijab and even sedan chairs are all red; Men's bronzed skin and their unscrupulous bald heads; During the eclipse, the blood was red in the ocean, and the sorghum fields were green and breathless.

Fourth, conclusion.

In Red Sorghum, director Zhang Yimou combines visual enjoyment with plastic arts to the fullest, and almost every shot can be regarded as a beautiful ink painting. Plastic arts have also been applied to the peak. Before that, no one had ever been able to make a picture as freely as splashing ink, and the color was extremely strong. The red color of the bloody sunset not only pleases people's visual enjoyment, but also symbolizes an unyielding vitality, a life attitude of loving and hating true love, daring to love and hate, daring to act, being passionate and free. The successful combination of the two makes people reluctant to go, with endless aftertaste.

[References]

[1] Yin Xiucha. Desire and praise for life ―― Appreciation of Red Sorghum [J]. Writer, 2008(08).

[2] Xin Yujie. On the relationship between language and culture [J]. Hua Zhang, 20 1 1(07).

[3] Zhai. On Chinese character culture [M]. Changsha: Yuelu Bookstore, 1998.

He Youling. Chinese characters and culture [M]. Beijing: Police Education Press, 1999.

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