Introduction and detailed information of elegant maiko.

Synopsis The charming and warm ancient city of Kyoto was once proud of geisha and maiko, and the sun set. In the flower street of Xiabaxuan, Wanshoule operated by Kojima Kangyu Qianchun (Sumiko Fuji) welcomed unexpected tourists. The other is Haruko Xixiang (Mone Kamishiraishi), a country girl who speaks mixed dialects of Kagoshima and Tsugaru. She has been paying attention to the blog of Bai Chun (Tomoko Tabata), a maiko, so she hopes to embark on the road of maiko. Chunzi, whose conditions are too different, is rejected by Qianchun, but Gino Ji Fa (Hiroki Hasegawa), who is known as a professor of linguistics, is determined to train Chunzi into a qualified maiko. After that, Chunzi launched strict special training in accent, dance and etiquette. ?

Qian Chun, Bai Chun, Li Chun (Tamiyo Kusakari), the professor and all those who care about her are watching these stills. The little girl grew up in tears and laughter. ...

Actor Haruko Xixiang Mone Kamishiraishi Bai Chun Tomoko Tabata Li Chun Cao Moe Min Dai Island Chihiro Tomoko Yoshino Faxi Hiroki Hasegawa Kitano Ryoji Ittoku Kishibe Nishino Akihito Gaku Hamada Douchunli Watanabe Aoki Fumio Naoko Takashima Masahiro Nishino Akihito Hamada Yueshi Kawakami Shiro Hiroshi Kitano Ryoshi Maehara Chiyomi Kumi Nakamura and-Zeng Yongyan Ben Xixiang Tianzhuchuo Gao Qiao Xixiang Meilizi Caocun Mingyilang Matsui Fuming Yu Tokui Changbai Teacher Taguchi Haozheng Wu Mingyan.

Mone Kamishiraishi plays haruko in Xixiang.

He was born in Kagoshima Prefecture and speaks a mixed dialect of Kagoshima and Tsugaru. Educated by Yan Dajie and her boss, she received Kyoto dialect training, sang and danced, and finally became a dancing prostitute.

Hiroki Hasegawa plays Kai Nuo Ji Fa.

Professor of linguistics. I have a great interest in Haruko, and I believe that Haruko will definitely become a dancer. In the following days, she was trained to be a qualified maiko in the longevity circle.

Sumiko Fuji plays Kang Yu, a small island.

The proprietress of Wanshou Industry. At first, I was biased against Chunzi, thinking that she could not be a dancer. Later, I trained her with Bai Chun, Ye Jing and others. When training, it is inevitable to be reprimanded.

Tomoko Tabata plays Bai Chun.

Bai Chun is a dancer. Debut 10 years, I have the habit of writing blogs, and I have a winter powder-Chunzi. In Haruko's next training, although harsh, she silently cares about her in life.

Highlights 1. After five sumo boys finished filming, the director considered making a film featuring girls. It happened that he saw Kyoto teahouse struggling. In order to attract newcomers to report crimes that are no longer confined to Kyoto natives, he went to the local area to collect a lot of information and learned more about maiko and flower street.

Stills 2. This film is an entertainment film of Masayuki Suo after he was away from romance and dancing in 18. Twenty years ago, he decided to invite Sumiko Fuji to play the wife of shop-owner. He was worried that the planning of Maiko would be delayed, so he began to select actors without a script.

3./Kloc-Mone Kamishiraishi, the heroine who can speak Kagoshima and Tsugaru dialects at the age of 0/6, was born in Kagoshima Prefecture, and she stood out from 800 applicants. The director was moved by Meng Yin's frank and simple temperament, and even said that filming might be delayed for 20 years just for Meng Yin's birth.

4. Masayuki Suo likes cute sounds very much. He often stares at the monitor when shooting, and even claims "cute, really cute". The crew members were annoyed by him, so they jointly made a rule that the director would be fined if he dared to say the word "cute" again.

When Mengyin was just adopted, I didn't expect it to be a musical. Fortunately, however, she has a mother who is a music teacher. She can sing and dance since she was a child. She often sees what she sings when she goes out to play, which is very hard for her. Her name "Meng Yin" is also the masterpiece of parents who love music.

6. In the cast, only Naoko Tian is from Kyoto. Tian Tian is not only articulate, but also her mother is a former maiko, from whom she got a lot of guidance during filming. She wrote in her primary school composition that her future dream is to be a dancer, and now it can be said that her dream has come true.

7. The "Moonlight" plane, which went to Tokyo to visit her lover in Chunchun, was the first domestic passenger plane YS1,1965 put into use as a domestic flight. Although the existing entity YS 1 1 can be used, considering the difficulty of dance scenes and art design, director Zhou Fang chose to set up the scenery.

8. Unable to provide long-term photography conditions, Zhou Fang Group did not choose Toyo and Matsuzaka studios. Instead, it set up an outdoor photography studio called "Xiaba" in the suburb of Kawaguchi, saitama, creating an antique flower street in Kyoto, and the crew also dug a 70-meter-long river.

9. After the photography, the scenery of Huajie Street was demolished, the environmental protection materials were recycled, and the waste wood was sent to the nearby bath to become firewood for the fire. Flowers and plants are adopted by nearby neighbors. "Xiaba" Flower Street existed for four months.

On the opening day of 10, Meng Yin was filled with emotion, and she cried for the next 40 minutes. The seniors who performed on the same stage encouraged her and gave her advice on life and career.

11.In the 1970s, Sumiko Fuji created one of the most classic figures in Dongying film history-Fei Mudan Along. In this film, Tamiyo Kusakari once disguised as Aaron to pay tribute to Sumiko Fuji.

12, Tsuki Satoshi will play Koichiro Akagi, a movie actor admired by the proprietress Chichun when she was young. This guest appearance was also decided temporarily, because Tsuki Satoshi happened to meet Masayuki Suo on the set.

Winner/Works Notes: 2065438+On February 27th, 2004, the 38th Japan Film Academy won the Best Supporting Actress Award, Sumiko Fuji nominated the 38th Japan Film Academy for the Best Newcomer Award, and Mone Kamishiraishi won the best film score of the 38th Japan Film Academy. Yoshikazu Suo 2065438+June 65438+June 4, 2004 was nominated for the best film My Fair Lady at 17 Shanghai International Film Festival, and the release information was released in the country 20 14 September 13. The director's focus is actually between young people and traditional culture. The key is how to make the story complete and interesting. From Haruko's point of view, everything she sees is fresh and interesting to the audience, but for Haruko, the protagonist, there are unspeakable hardships such as learning rules and habits under the fence, and a language classroom with sweet first love. Only she experienced the ups and downs most truly.

Stills make a simple story deeply rooted in people's hearts, full of positive energy and mixed with various forms of expression. This movie is really worth seeing. It was supposed to be a maiko with a prominent focus, but it was just a bright color in the film. What really touches people is Chunzi's visible growth. While uncovering the mystery of maiko, the film also reveals some development status and ups and downs. (Oriental comprehensive evaluation. com)

Negative evaluation should have been an inspirational film about the interweaving growth of dreams and love under a specific cultural heritage theme, but it was made into an urban propaganda film about Kyoto dialect and kabuki culture by Masayuki Suo. Not only that, the process of Chunzi's transformation is tasteless, almost a guide to maiko cultivation.

Masayuki Suo tried to subvert the entangled mode of male and female protagonists, and used Chunzi to be taken care of by a geisha teahouse to offset the professor's independent creation. However, this mode was proved to be completely unreliable under the clumsy and boring plot performance. Therefore, the feelings between Haruko and the professor on the screen were converged as plain as water by the director, which seemed to conform to the temperament of oriental culture, but seriously damaged the explosive power that this particular theme should have, and even broke out after repression. From the beginning to the end of the film, I didn't see Chunzi's own fate and choice, but I was a little struggling, hesitant and suspicious. The professor was preaching the truth, and didn't take Haruko for himself and let others get their hands on him. The whole "* * * process" is more similar to the high school teacher's preaching to the political class, and the plot setting and emotional expression are even more lacking. It's just a comedy song and dance. It's superficial.

On the other hand, Masayuki Suo deliberately used Haruko's growth to show the elegance of Kyoto, especially the pleasant Kyoto dialect and geisha culture. However, this line is also very mediocre. From the beginning, the film shows the director's anxiety about the loss of Japanese traditional culture. The director tried to make the audience understand the necessity and preciousness of cultural diversity with grim facts, which was quite incisive in his lines. For "dialects protect the inheritance of culture and make the city better" and "the language of a city makes the city more complete", the audience outside Kyoto can't really understand from the Kyoto dialect in the film.

As for the form of imitating Hollywood and Bollywood musicals, it can only be described as clumsy. Geisha wear kimonos and dance modern songs and dances with body language, just like dancing in chains. Producers and directors tried to complete the film with pop music elements and audio-visual language that the audience was willing to accept, but the result was completely different from their wishes, and the form of geisha singing and dancing was lost, so God was incomplete. At the same time, Masayuki Suo has completely lost the skill of presenting the theme of musical form, with messy scene layout, chaotic action connection and picture switching, and many abrupt scenes between plays. (Phoenix Network Review)?