Traditional Culture Encyclopedia - Photography and portraiture - Han Niu's information
Han Niu's information
Han Niu is a poet who grew up in the 1940s. After a long period of ups and downs, his poetry has regained its vitality in China's new period literature. The collection of poems "Hot Springs" won the Excellent Poetry Collection Award of Chinese Writers Association. Han Niu's poems not only have the depth of history and soul, but also have the experience of social reality and life, and are ideological and artistic. Han Niu said that he likes and pursues a kind of poem which is composed of scenes and images. It has been thirty or forty years. This kind of poetry has a feeling of reality, history, nature and ideals. , has long been precipitated, condensed or instantly sublimated and erupted, with physical image and touchability. Poetry is not to reproduce life, but to discover and create situations that are not in life through hard work and sincere exploration and thinking step by step. Han Niu said that every time he writes a poem, he always feels that this is the first time to write a poem. It has nothing to do with any previous poem. In the case that he is almost a beginner, he is full of piety and mystery. In the field of life and poetry, I constantly struggle, explore, surpass and discover, and I have never found any new situation. I never write any poems. Of course, critics can see traces from his poems for decades, but in fact, his life's creation is endless, not a river with a shore. He would rather be immature and inexperienced, and never go to the end in his creation. His life will always be full of sad new wounds. The poems in the collection of poems "Hot Springs" can be said to be situational poems. Most of the poems here were written by the May 7th Cadre School during the Cultural Revolution. If these poems are divorced from the life situation and regarded as ordinary natural poems, it is difficult to understand the suggestibility and pertinence of these poetic images and the life situation that produces these emotions. In the May 7th Cadre School, these poems he silently wrote have the same emotional trend and the same conception, which almost became a conditioned reflex. Many ordinary things often suddenly ignite some emotions hidden in his heart at that time. At that time, for him, only poetry could make the soul get comfortable breathing in the sweltering heat. Therefore, these poems, which he has always felt heavy in his heart, inevitably carry a sad and idealistic tone. The birth of the eagle reminds people of a western proverb: "The eagle sometimes flies lower than the chicken, but the chicken will never fly as high as the eagle." This poem describes the poet's yearning for the eagle. The dangerous geopolitical environment of the May 7th Cadre School can be compared to the birth of the eagle. Bamboo Root shows that the poet is very good at discovering what belongs to poetry from his daily life. On the dry and hot land, the broken bamboo roots left traces of water. This is a very ordinary poem, but it has aroused the poet's imagination and experience. The vitality of bamboo has inspired the poet's vitality. "Snake Egg" is rich in artistic depiction, and the whole story is artistic depiction, so the poet expressed his complex and peculiar feelings about life. Regret for the Past is a poem that has been deeply explored. Cutting down trees is a very common thing, which can really symbolize something. But in this poem, the poet has a unique discovery and in-depth excavation, which is unusual: "But there is so much fragrance in his life" and "fragrance/sadness". These descriptions remind us of a great man, and only after he fell did people feel his value. The more people realize this value, the more sad they are. The idea of "giant roots" is also very strange: tenacious life is always buried deep underground, and the most flammable things have long-term condensed heat. South China Tiger is a famous poem, and its artistic description has left a deep impression on people. It can be said that since Rilke's "Leopard" came out, any poem about animals has to be tested in front of it, because "Leopard" is so good. Compared with the leopard, Han Niu has his own unique observation angle and profound feelings. Here, besides describing the tiger's blood and tears, the poet also observed the relationship between the audience and the tiger, and set off the tiger's peaceful lying with the audience's timidity, despair, pity and absurdity. The South China Tiger is the symbol of all persecuted great men, and those spectators symbolize the supporters who appear as sad spectators when all great and magnificent things are destroyed; Although these people are young, they have the right to see the tiger outside the cage. Orchids are very poetic and meaningful: orchids can't be found not because they don't exist, but because they can't tell bluegrass from weeds. Muntjac is very touching. A poet can't write the last two lines without great love. The creative process of Scar is as follows: because the poet has scars, he can find the scars of trees; It is only because of the poet's deep experience that he can say such a groundbreaking saying that "all scars have deep roots."
works appreciation
The birth of the eagle
Ah, who has seen it? /How was the eagle born? In the mountains and valleys,/Ying Chao,/built on the steepest cliff,/is deeply hidden in the clouds. Looking up at Ying Chao is like looking at the faint stars in the night sky. /butch looked at it and sighed,/poisonous snakes can't climb up,/hunters can't shoot so high! In the plain and hilly areas of the south of the Yangtze River,/Ying Chao is built on the tallest tree,/(Which tree is the tallest)/The tip of the tree breaks the sky,/The wind and rain can't bend. Ying Chao,/simple,/very rough,/no down or thatch,/no leaves and fine mud,/all dirty black dead branches,/mixed with many thorns and thorns. /No wind, no rain,/No warmth and comfort! Eagle eggs are/as blue as the clear sky,/with nebula-like patterns floating on them,/shining in the Ying Chao. The eagle's eggs were catalyzed in the storm./Thunderous thunder woke up the sleeping embryos in the eggshell./The lightning all over the sky gave the young eagle Ming Rui's eye pupil./The hurricane thrived ten times./It encouraged them to grow hard wings./The scorching sun/threw it into their violent hearts. Ah, has anyone seen/seen the young eagle walking in the wilderness? /Who has seen it? /The young eagle rests its wings under the eaves? The young eagle is not a bird that walks on the flat ground and grass. /When their wings are very short and small,/They flap their wings, sing and learn to fly in the clouds at high altitude. At the moment of storm warning,/let's open the doors and windows,/listen to the wide world,/in the symphony of thunder and lightning,/we can hear the long and exciting song of the eagle. The eagle is flying on the clouds. /When the world is in darkness,/Their bright black wings are covered with golden sunlight. Ah, this is how the eagle was born.
South China tiger
I saw a tiger in Guilin/the zoo. I was crowded in the chattering crowd/separated by two bars/looked at the tiger in the cage/looked for a long time/but never saw it/the tiger's colorful face/flaming eyes. The tiger in the pet/with his back to the timid and desperate audience,/lying peacefully in the corner,/someone stoned it/someone yelled at it/someone tried to persuade it/it ignored anything! Long, thick tail/fluttering,/Oh, tiger, tiger in cage,/Have you ever dreamed of the vast forest? /Is the humiliating heart twitching? /or do you want to beat those poor and ridiculous audiences with your tail?
Your strong legs/spread out in all directions,/I saw your toes and claws/all broken,/with thick blood! /Are your toes/claws tied/hinged alive? /or because of sadness/you used the same broken teeth/(I heard that your teeth were sawed off with an old hacksaw)/I crushed them with blood ... I saw the blood ditch in the iron cage/on the gray cement wall/as dazzling as lightning! I finally understand .../I left the zoo in shame,/I heard a rock-breaking roar in a trance,/an unruly soul/flew over my head/flew away,/I saw fiery stripes/fiery eyes,/and huge broken/bleeding toes and claws!
Last name: Han Niu.
Pen name: Gu Feng.
Gender: male
Date of birth: 1923
Ethnic group: Mongolian
Formerly known as stone. Dingxiang people in Shanxi. Party member, CPC. 1943 was admitted to the Foreign Languages Department of Northwest University, majoring in Russian. 1946 was arrested by the Kuomintang government for participating in the democratic student movement and sentenced to two years in prison. After 1949, he served as academic secretary of the research office of Renmin University, member of the Party Committee of the Political Department directly under the Northeast Air Force and director of the Cultural and Educational Office, member of the Party Committee of People's Literature Publishing House, executive deputy editor of China Literature, editor of Historical Materials of New Literature, and people. 1995, Hu Feng was classified as a counter-revolutionary in Hu Feng's case, and he was imprisoned for two years until 1979. Published works 65438 to 0940. Now he is the vice president of Chinese Poetry Association and the honorary member of Chinese Writers Association.
He is the author of Colorful Life, The Motherland, In front of the Motherland, Hot Springs, Love and Song, Earthworms and Feathers, Selected Lyrics of Han Niu, etc. 10 in this poem; Seven collections of essays, such as Childhood Pastoral and China's Prose Collection Han Niu Volume; There are also poems, poetry notes and sleepwalking. In recent years, Han Niu's poems have been edited and published in Japan and South Korea.
Mourning for a Maple Tree won the literary creation award 198 1-1982, and Hot Springs won the national excellent new poetry collection award.
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