What does a TV show producer usually do?

Filmmaker: A person who finances and supervises the production and performance of a film. \x0d\\x0d\Producer generally refers to the boss of the film company or the employer's agent. Responsible for coordinating and directing the preparation and production of the film, and has the right to change the plot of the script, decide on the director and main actors, etc. \x0d\Most producers understand film art creation, understand audience psychology and market information, are good at raising funds, and are familiar with business management. In film production, the producer is sometimes referred to as the executive producer. \x0d\In popular terms, a "producer" is an investor or someone who can attract sponsorship. \x0d\\x0d\The famous mainland producer is the bearded Zhang Jizhong, who has successively served as the producer of TV series such as "The Swordsman", "The Legend of the Condor Heroes", and "Dragon". Zhang Jizhong has been an actor and a director, and finally found that he is most suitable to be a producer. Producers need to be good at marketing, otherwise how will they recoup their investment? For example, when filming "The Legend of the Condor Heroes", Zhang Jizhong let the role of Xiao Longnu be hyped for more than a year, making it well-known across the country. \x0d\Producers are most afraid of losing money and going over budget, so they have to be careful with their budgets. For example, I often hear that when Jackie Chan is filming a movie, he requires the actors to use no more than 3 pieces of toilet paper because he is the producer of the film. Producers need funds, so they love sugar daddies. For example, it is rumored that a corrupt official once sponsored Zhang Yimou with a large sum of money. \x0d\Zhang Jizhong explained what a "producer" is in an interview. He said that the producer is the first person in charge of the crew, just like a factory, the producer is the director, and the director is the chief engineer. He is only responsible for art, and the producer is responsible for everything. The quality and mentality of the producer directly affect the quality of a TV series. Being a producer does not require you to be a professional elite. The most important thing is your vision and the ability to discover excellent themes, scripts, and actors. \x0d\

Reference materials: Internet information\x0d\\x0d\Producer: The core person behind the movie\x0d\\x0d\For the public, movies are entertainment, it allows us to enter another world . People care about the stars, the story and the entertainment. For business people, they usually show a strong interest in film investment, box office, derivative products, and advertising. But for managers who want to be inspired by the operation of the film industry, we should not ignore that there are hundreds of people behind almost every film, lasting from months to years, and behind every picture is their collaboration , conflict and harmony. Behind the scenes of every film, producers, supervisors, directors, directors of photography, and star actors need to "reach an agreement" on issues such as investment, art, and process. The relationship between them at the work level and the social level affects the management of creative organizations. It has reference significance. \x0d\Here we will focus on the unknown core role of the "Executive Producer" in the film industry. He is responsible for the daily operation and planning of the film. Producer is often confused with the other two roles in the film industry, Producer and Production Manager (which can be literally translated as production manager). The former is the investor of the film, also known as the producer; the latter is the person in film production. A mid-level position responsible for specific operational matters and reporting to the director and producer. \x0d\ Regarding the role of the producer, someone described it this way, "He usually represents the producer or the legal person of the production company. He is responsible for the total budget of the film crew and the preparation of the specific shooting schedule of the film. On behalf of the producer, he supervises the director's work. Artistic creation and financial expenditures, and also assisting the director in arranging specific daily affairs. In the film crew, the producer and the director are often in conflict. They often have tit-for-tat, insist on their own opinions, and do not give in to each other. Only when the film is finished, They just shook hands and made peace."\x0d\\x0d\--------------------------------------------- --------------------------------------------------\x0d\\x0d\Open On any Hollywood movie poster, we can see three to five rows of densely packed credits at the bottom of the picture. For ordinary viewers, these long and narrow words have almost no meaning - if there are one or several movie stars who are already well-known to the audience, the film producers will not hesitate to put their names in the film. Make it larger and bolder, and place it at the intersection of two golden lines in the poster. \x0d\However, the public's expectations for the Hollywood industry do not lie in how artistically accomplished films this group of prestigious directors and actors can create. The products of the film industry that come off the assembly line one after another and entertain consumers to death in front of the big screen are the most fascinating products of this entertainment era. Producers are the core role in the operation of the film industry. \x0d\As the list on the "War of the Worlds" movie poster shows, even if the public visibility of the producers is far less than that of the big-name stars behind them, as core figures in the film industry, their positions are always ranked before the directors. According to Hollywood standards, the core members of the production team are the Executive Producer and the Producer.

\x0d\In a film production team, there are usually two main parts. One is the artistic part responsible for the director. He guides the actors' performances and determines the presentation of the picture. He wants to stimulate the actors' acting talents and determine the overall situation. The artistic effect of the film; the other is the operational part responsible for the production, who usually formulates the film production plan: when to start shooting, when to complete, and what the progress is. He is also responsible for the logistics of film production. In fact, he leads The team is responsible for almost everything except art. \x0d\\x0d\Produced Chinese Reality\x0d\\x0d\"I don’t know if you have read my new book "Hollywood Apocalypse". In bookstores, it is always misplaced on the movie bookshelf. In fact, What I’m talking about here is all about business models.” Faced with this confusion between art and commerce, film critic Zhou Liming is somewhat helpless. The same situation also occurs in the Chinese film industry, such as the attitude towards the role of producer. \x0d\On July 21, the movie "Namu Co" produced by Wang Xiaoshuai started filming in Beijing. Previously, the film "Blue Red" directed by Wang Xiaoshuai won the Jury Prize at the Cannes Film Festival. Wang Xiaoshuai's public popularity reached a new peak after the movie "Seventeen Years Old Bicycle". \x0d\"In the beginning, the production company came to me for cooperation in the case of "Nam Co". I had just finished filming and didn't want to be a director right away. So the best solution was for me to integrate the resources of all parties as a producer." Wang Xiaoshuai Interpreting his role in the crew this way, "Currently many domestic producers are people in the arts. My work on the crew of "Nam Co" focuses on artistic creation. For me, it is difficult to balance the market and art. "\x0d\This kind of positioning of responsibilities is far from the description of a producer in the American film industry. "Usually, the supervision is not done by pure artists. The supervision should be a management job. He takes the money and manages how to spend it, which is equivalent to the boss's representative. The qualities he needs are not the same as those of a director. It’s the same, the producer needs to understand both art and business,” Zhou Liming said in response to Wang Xiaoshuai’s explanation. \x0d\In recent years, there have been few successful production supervision cases in our country's film market. In our country's film production system, the position of producer is often held by some "authoritative figures" who have little to do with the film. Talking about this situation, Gong Jicheng, a professor of the Management Department of Beijing Film Academy, had many feelings: "I have participated in many such things. Although I do not have much social influence, if a Beijing Film Academy management member is listed as a 'supervisor', Professors in the department still look a little different on the surface. "\x0d\Although it is in name only, such a position can objectively promote the market distribution of the film. In 2004, "Hero" and "House of Flying Daggers" were released in the United States. Since Miramax successfully invited Quentin Valentino, the director of the box-office bomb "Kill Bill", to be the executive producer of "Heroes" when it was released in the United States, a large number of action movie fans came to the movie out of identification with Quentin. cinema. But when "House of Flying Daggers" was released, due to the lack of eye-catching commercial selling points, even though the martial arts craze continued to heat up around the world, its cumulative overseas box office of US$81 million was actually less than the US$123 million achieved by "Heroes" 1/4. \x0d\"I also asked Quentin to be the producer for one of my films, but it failed to materialize due to some domestic reasons. Otherwise, when it is released overseas, if there is a big-name producer, it will be subject to more criticism from all aspects. Pay attention." Wang Xiaoshuai said, "Both Tian Zhuangzhuang and Jiang Wen have served as producers. Their role is to support young directors in taking their first steps. Like me, I also hope that they can help the film's market. . ”\x0d\\x0d\Checks and balances between the two poles of power\x0d\\x0d\In the crew, the director and the producer are the two centers of power, and sometimes they even conflict or exceed their authority, which can lead to a conflict between one party and the other. Power is completely removed. "Producers often claim that 'the crew is in harmony', but in fact this situation is extremely rare. If there are media reports that an important member of the crew has withdrawn from the crew due to physical discomfort, it is actually the result of a power struggle within the crew. ." Zhou Liming thought. \x0d\The Hollywood masterpiece "Gone with the Wind" won the Oscar for Best Picture in 1940. However, during the filming process, the film crew was disturbed by the iron-fisted producer David O. Selznick, and the director changed hands three times. After the film was released, American media pointed out that "Gone with the Wind" was actually completed under Selznick's close supervision and careful guidance. As for the so-called Oscar for Best Director, in fact, the combined workload of the three directors before and after is only about half of Selznick's. \x0d\In China, Jiang Wen, who has twice served as a high-profile producer, has also frequently pushed himself into the center of storms among the crew because of his strong acting style. Since the release of the movie "Looking for a Gun" produced by Jiang Wen, director Lu Chuan has hinted more than once in various media that the film is just a film "directed by Jiang Wen and signed by Lu Chuan", indicating that Jiang Wen, as the producer, has no regard for the director's affairs. Interfering too much. Two years later, "The Sweeney," which had been filming for several years but had yet to see a finished product, once again exposed the conflict between producer Jiang Wen and director Chen Yifei to the media. \x0d\ Faced with the frequent conflicts between domestic directors and producers, Wang Xiaoshuai said: "The relationship between the producer and the director should not be an antagonistic one. I will try my best to communicate smoothly with the director and move the film towards a ** * Push forward in the same direction.

"\x0d\It is the responsibility of the producer to find a balance between artistic effects and commercial interests. If the director is in charge of the finances, he will usually stubbornly insist on increasing financial investment to ensure the quality of the film. However, any commercial project does not allow unlimited Endless overspending. Since the artistic stance and the administrative stance can easily conflict, the director and the producer need to constantly communicate. Both parties must weigh the priorities and decide whether to persist or compromise. The movie "Titanic" was a huge box office success, but Director James Cameron had to face the embarrassing situation of "nothing to film" for a long time. Because Cameron was too strong in the crew, the producer was completely unable to control the flow of film funds. It is clear that such an extreme success model will not be replicated \x0d\"There must be checks and balances in the production team of commercial films. Although power can sometimes make a film move more smoothly, if only one person on the crew has the final say, the entire production process becomes an irrational gamble. "Zhou Liming said. "Cleopatra" is the tragic product of such a power imbalance. Under the director's totalitarian rule, this box office poison that year hit a huge deficit of 18 million U.S. dollars. Coupled with inflation and other factors, for The U.S. economy at that time was in astronomical proportions, and the investor, 20th Century Fox, almost went bankrupt as a result. \x0d\\x0d\Explanation of terms: \x0d\\x0d\Film producer (Producer), also known as "producer." " refers to the investor of the film. The commercial nature of the film determines that the producer is the master of the film and has the right to decide all matters regarding the filming of the film, including what kind of script to cast, hiring directors, photographers, actors and dispatchers The film producer manages the production funds on its behalf, reviews the filming expenses and controls the entire filming process. After the film is completed, the producer also develops and promotes the film to the market. The executive producer (Executive Producer) is usually entrusted. For the producer or the legal person of the production company, he is responsible for the total budget of the film crew and the preparation of the specific shooting schedule of the film. He supervises the director's artistic creation and financial expenditure on behalf of the producer, and also assists the director in arranging specific daily affairs. .\x0d\Producer (ProductionManager, which can be literally translated as production manager) is a mid-level position in film production, responsible for specific operational affairs and responsible to the director and producer.