What is the profound connotation of the dream played by Daniel Wu and Yolanda?

It is a luxury to make a movie like Dream and watch Dream in the cinema. When the subtitles appeared on the blue screen and the overhead light was on, I stood in the hall of four people and still couldn't help applauding. Eddie Fong and Clara Law told a luxurious story with exquisite and neat pictures. Not long ago, following The Thieves of Those Years by Alex Law and Zhang Wanting, I once again watched a luxurious literary film at close range in a cinema that can accommodate 100 people.

Movies are about dreams. "Like a Dream" is extravagant and neurotic, but it is beautiful, with first-class pictures, a photograph and a landscape. I have to marvel that couples in their fifties still go their own way, keep their sensitivity to movies and love when they were young, and are full of affection for images and new things. Everything remains the same, which deserves extra points.

In Farewell My Concubine, Chen Dieyi's swan song "Don't be crazy, don't live" is still fresh in many people's memories; What kind of realm is the crazy devil? Is addicted, obsessed, obsessed with the personal world, unable to extricate themselves, and only in this way can we get close to the essence of pure Dionysian art. Directors and screenwriters have always been fascinated by movies and crazy. Starring Daniel Wu and Yolanda both said that filming Dream will change his view of love and make them cherish and respect love, marriage and childbirth more. This may not be a gimmick, but a real feeling. People who are obsessed with the complex in movies and can't extricate themselves repeatedly are never scarce.

As the dream is a rare specimen in China's films, it is extremely rare whether the subject matter is complicated or the form is exquisite and elegant. It is very rare that a literary film can be made into such a luxurious realm. It is also valuable to make a romantic movie into a distant dream and analyze personality and psychology; The love between ABC, who was born in "American Chinese", and a mainland girl who crossed the country and the ocean with standard Mandarin is intriguing under the specious background. Yolanda and Daniel Wu are the mice in this movie, and love is the reagent.

Eddie Fong and Clara Law have always been directors who are good at concocting dreams. The love stories in their movies remain confusing and unreal. 1The story of the famous "The Bold Woman of the Tang Dynasty" and the talented woman Yu starring in the 1980s is like a bubble dream, misty with water. In The Temptation of Monks starring 1993, the passion between General Shi and Mrs. Leng Yan Qingshou is like a dream after dawn, and the prophetic words of the old monk make people secretly speculate. Mavis Fan's eccentricity and Jacky Cheung's eccentricity in Very Detective are also full of dreamy elements. In 2004, "Looking for 1967 Goddess" filmed in Australia made the road film interesting.

The dream of quietly returning to Hong Kong after being dormant for many years has already made the couple's Mengmeng more stylized. A person who is addicted to the virtual image of dreams often symbolizes the split of personality and means unhappiness in real life. Looking at the synopsis of Dream is already a love story of schizophrenia: new york, a depressed China otaku, meets a China girl whose boyfriend just committed suicide. Then they fell in love in their dreams and finally lost each other strangely. When they first came to China to look for it, they came across a girl who looked similar but totally different. This kind of love is as maddening as a mystery novel. Among China's directors, only these two couples can use images to interpret such bizarre love, psychoanalysis and experimental style throughout their film career.

A story like Dream, if not well controlled, can easily become a pure symbol, or an obscure literary film that ordinary people can't understand. Clara Law and Eddie Fong tell stories in a simple and clear tradition of Hong Kong films and in a beautiful and enchanting style on the screen, which often makes people marvel at the psychological balance of the characters. Therefore, Dream is like a dream suddenly, and there is a fantastic sense of alienation on the blue floor. The cool and clean soundtrack is fascinating. "Like a Dream" keeps their usual aesthetic way, as if Daniel Wu is the protagonist. It is also an ingenious film, which plays schizophrenia and tells some "demon" stories. Daniel Wu is still good at this.

Daniel Wu is a more conscious actor among the young actors born in 1970s. He is never satisfied with slapstick commercial films. I have been honing my acting skills with some literary films. These characters all reflect the abnormal ecology and really mean "crazy". In The Demon Night Cloister, which won the Golden Horse Award a few years ago, he created a mysterious twin brother with the same confusing and stream-of-consciousness image. When I came back to find my identity, there were some stories of demon wind. Last year, the self-mutilation and coquetry of Daniel Wu directed by Dong Shengyi in shinjuku incident was shocking again.

Back to Dream, a romantic literary film, Daniel Wu's handsome appearance, coupled with his previous "non-mainstream" performance experience, is likely to sink himself into the film and go on acting crazily, so that the audience can see the other side of the handsome guy. The performance route of the French school has always been elusive to others. Self-breakthrough is one of Daniel Wu's pursuits. Movies should be one of Daniel Wu's talents. In addition to acting, The Four Heavenly Kings, directed by him three or four years ago, has also gained considerable recognition in the industry. This time with Yolanda, although Daniel Wu still has some unfinished business, the intention and dedication behind his beard residue have made people see sincerity.

Generations of acting geniuses often say, don't ponder the role, but understand the role, walk into the inner world of the role, and even walk into life to deeply understand it. As he grew older, Daniel Wu was not satisfied with being an idol for a long time. Obviously, he pursues an orderly performance. Confucius made Fage feel that he was the Confucius of Lamma Island, and his inner senses made Leslie Cheung obsessed with the complex and could not get rid of the spell. Lust, Caution made it difficult for Tony Leung Chiu Wai to get rid of depression several times. Can dreams change Yolanda and Daniel Wu? Look at the time.