The first person to paint inside.

Ding Yi, formerly known as Nie Lei, was born in 1974. National first-class artist, Hebei master of arts and crafts, China master of arts and crafts. Since I was a child, I have been studying Chinese and calligraphy under the guidance of my father, laying a solid foundation for traditional calligraphy and painting. I have been to the forest of steles in Xi 'an and the forest of steles in Confucius Temple many times, and my calligraphy has made great progress. At first, his paintings were guided by Wang Xisan and other masters of internal painting, and later he was worshipped by Master Ye Shuying, the grandson of Ye Zhongsan, the originator of internal painting in Beijing. His calligraphy in pot is another powerful calligrapher in the history of internal painting after Ma Shaoxuan in Qing Dynasty, and he is known as "contemporary Ma Shaoxuan". "Original works, cursive script, official script and seal script" are all exquisite. His internal script "Thousand Characters" is only about a millimeter in size and is extremely difficult. Known as the "best interior", Ding Yi was praised as the "first contemporary interior" by his peers and collectors, and firmly occupied the position of a master of contemporary interior painting and a leading position in the field of interior painting. His main works include Heart Sutra, Preface to Lanting, Three-character Sutra, Hundred Family Names, Thousand-character Works, Disciple Rules, Family Instructions of Zhu Zi, Tao Te Ching and so on.

Now he is a member of China Arts and Crafts Association.

Member of Hebei Arts and Crafts Association

Master of Arts and Crafts in Hebei Province

The national first-class artist's inner painting is known as "wonderful workmanship" and "a unique skill in China" at home and abroad, and it is a wonderful work in China's traditional art. The creation of inner painting requires superb skills. The difference between it and external painting lies in: first, the painting order is reversed, the inner wall is opposite to calligraphy and painting, and the outer wall can be in positive order; Secondly, the small spout restricts the operation of painting and calligraphy, and it is not easy to see the position of the pen when painting the interior wall. Therefore, internal painting should not only have a solid foundation for external painting, but also undergo strict training to complete a good work. It is precisely because the creation of internal paintings is not easy that when a masterpiece is presented, it is precious.

When I saw Ding Yi (Nie Lei)' s elegant, rounded and simple calligraphy works in the crystal snuff bottle, it was so charming, just like fresh life juice flowing on the bottle wall, and I was moved. The more I read it, the more I feel that his calligraphy has the meaning of "the breeze comes out of the sleeve" and "holding the moon in my arms". It's incredible, awesome and heartfelt that such superb art comes from the hands of a refined scholar!

China's calligraphy art has a long history, which began in Shang Dynasty and matured in Eastern Zhou Dynasty. During the Jin, Sui and Tang Dynasties, calligraphers came forth in large numbers and reached their peak. Calligraphy in Song, Yuan and Ming Dynasties continued to innovate after Jin and Tang Dynasties. Calligraphers in Qing Dynasty advocated the study of North Monument, and also integrated a new style. Ding Yi can write a book in a one-millimeter jar. He can write with meticulous strokes and clear stippling. He is also unique in structure and layout, which is a miracle of contemporary calligraphy art.

Chinese painting pays attention to poetry, calligraphy, painting and printing, and the four-in-one is a complete work. For a painter in China, not knowing calligraphy means that the future of art is dark. Since he decided to engage in the art of internal painting, Ding Yi was determined to further develop the art of internal painting and open up a new world of his own.

Ding Yi, who loved calligraphy since childhood, practiced calligraphy with his father since childhood. His father is a famous local calligrapher. Under the strict guidance of his father, he began to practice from Ou Yangxun's masterpiece "Jiuchenggong Li Quanming", and gradually extended to the Eight Laws of Yongzi, the Thirty-six Laws of Ou Yangxun and the Ninety-two Laws of Huang Ziyuan. In the process of copying and learning, he did not avoid the cold and heat, wholeheartedly, tirelessly, and did not dare to be careless, trying to understand the subtlety and mystery of regular script, from which he realized the true meaning of the brushwork structure of European regular script. Even between meals and going to the toilet, I don't forget to practice hanging my wrists and elbows. I usually use chopsticks as an opportunity to practice when eating. During this period, he studied the Huadu Temple Monument and Huangfujun Monument in Ou Yangxun, as well as Meng Diantie, Zhang Tie and Hans Zhang Tie.

In the long-term practice, Ding Yi realized that the most important thing in calligraphy is the pen, followed by the form. Regular script is moving silently, pointing to the back, and there are images in vertical and horizontal directions. If the inscriptions on inscriptions on bronze inscriptions are naive and natural, and there is a kind of natural representation, then regular script is more abstract and standardized. For this reason, in addition to studying books, his followers are not limited to the Ou Yangxun family, but widely collect various families. He also studied Wang Xizhi's Preface to the Lanting Pavilion to gain his ethereal elegance and lofty sentiment. Learn from Shinan's Confucius Temple Monument to gain the spirit of its ancient temple, and learn from Chu Suiliang's Preface to Wild Goose Pagoda to gain its beautiful, smart and mellow natural style.

In the creation of internal books, Ding Yi carefully pondered the coordination between the focus of writing and brush strokes, tried to master the mystery of writing, and tried to write roundly and directly, avoiding being like an operator. When writing, try to make good use of the center, the starting point is sharp and the landing point is round. Considering the shape of the snuff bottle in the painting, Ding Yi realized in his creation that the slight arc from left to right will make the brushwork vivid and affectionate; Point should be sharp and round, pick should be sharp and sharp, bend inside and outside, and hook should be half bent and half straight. The pen is flexible and limitless. In particular, the whole word should be written in different strokes, but in harmony. A line of words is patchwork, but it has always come down in one continuous line. If there is, it will naturally run through and look like a pearl necklace.

Ding Yi knew the importance of extra-word skills when practicing calligraphy. He studied calligraphy from philosophy, ancient poetry, prose, rhythm, dance and other aspects, trying to figure out and understand the personality charm and ideological talent contained in it. Because of this, his calligraphy is full of skills and self-cultivation. It looks like handwriting, relaxed and elegant, but it is actually learned and edified.

After nearly ten years of hard work, Ding Yi finally put the books with vivid shelf structure in China into the pot. The structure is neat but not rigid, compact but not cramped. This pen looks horizontal and vertical, but it's a little tilted. The pen is clean and neat, round and full. Every word is vivid, and every line has movable type. Like a tiger sitting on a dragon's plate, like an eagle before its exhibition, like a bird looking back, it is vigorous and beautiful, which fully embodies the art of calligraphy of internal painting in snuff bottles, bringing this difficult and high-skilled art to the extreme and pushing the art of calligraphy of internal painting to another peak after Ma Shaoxuan, a famous painter of internal painting in Qing Dynasty. 1996 won the first prize of the first Beijing Tourism Calligraphy and Painting Competition.

1997 works were collected by China's paintings and calligraphy.

1998' s works were included in The Complete Works of China Painters and Calligraphers.

200 1 was awarded by the Light Industry Department of Hebei Province as a folk arts and crafts artist in Hebei Province.

In 2003, his works were selected for the China Artists' Boutique Festival.

In 2004, his works won the second prize of the first national painting and calligraphy competition "Traditional Chinese Painting and Hometown Painting".

In 2007, the cursive script "The Farewell of Furong Inn and Xin Jian" won the gold medal in the "Holy Grail of Grass" national painting and calligraphy competition, which was permanently collected by the organizing committee.

In 2007, calligraphy works were included in the Representative Library of Contemporary Powerful Painters in China.

In 2007, the book "Thousand Characters" won the silver prize of "Learning Three Cups" indoor painting grand prix.

In 2007, the calligraphy works were permanently collected by the Organizing Committee of the National Calligraphy and Painting Competition "Puyang Cup Harmonious China".

In 2008, he was awarded the honorary title of "the backbone of China Contemporary Painting and Calligraphy Garden"

In 2009, he was awarded "the most collectible 100 artist".

20 10 "Heart Sutra" won the bronze prize of "Learning Three Cups" indoor painting grand prix.

20 10, 15 works were included in China's painting snuff bottle.

20 1 1, his deeds were included in the Hengshui Culture Survey by the Propaganda Department of Hengshui Municipal Committee.

20 works were exhibited in the "Shanghai Fine Exhibition of Internal Painting Snuff Bottles" on 20 1 1 year.

Six works of 20 1 1 were selected as "Ji School Painting Classics".

20 1 1, 8 works were selected as interior painting art.

20 1 1 Contemporary Painting Art Exhibition "Generous without Corner" exhibited 8 works.

20 12 was awarded the title of "Master of Arts and Crafts in Hebei Province" by the Hebei Provincial Government.

The work "Prajna Heart Sutra" 20 12 won the Silver Award of China Arts and Crafts "Hundred Flowers Award".

20 12 The work "Hundred Family Names" won the silver prize in the 47th National "golden phoenix" Innovative Product Design Competition.

Op. 20 12 participated in the painting exhibition of Henghu Qiuyue * Jipai.

20 12 works "Preface to Lanting" won the bronze prize in the 13th China Arts and Crafts Masters Works and International Art Fair.

20 12' s work "Humble Room Inscription" won the bronze prize in the first Shanghai "Zhongfu Cup" China snuff bottle masterpiece exhibition.

20 12 Qian's work won the gold medal in the 15th Beijing China Antique Art Fair.

20 13' s work "The Story of Yueyang Tower" won the Yin Shi Bronze Award in the 48th National "golden phoenix" Innovative Product Design Competition, formerly known as Zhang Changdong, with a far-sighted word, and was the owner of Xianyixuan. 1972 Born in Hengshui, Hebei Province, he now lives in Taocheng District, Hengshui City.

Master of folk arts and crafts in Hebei province, member of China Arts and Crafts Society, graduated from Hebei Academy of Arts and Crafts. I loved ink painting and painting since I was a child, copied a lot of ancient paintings, laid a solid foundation of Chinese painting, and won the careful preaching of Zhao Xiaohai, a master of Chinese painting. He went deep into Taihang Mountain area many times and created a lot of Taihang style works. He studied the art of internal painting for more than 20 years under the tutelage of Kang Xisan, a master of internal painting. He boldly used Chinese painting brush and ink in his internal painting works, and gradually formed his own style, becoming a representative of the internal painting school in Hebei. His works include a series of pots that embody his solid traditional skills, as well as sketches such as Taihang Family and Sunset in Mountain Country, which are full of modern life.

He was invited to Singapore, Mattel, Hongkong and Taiwan Province for cultural and artistic exchange activities, and performed painting art on the spot, all of which were successful. On-the-spot display of the art of internal painting at the first China International Collection Culture Expo won wide acclaim from collectors at home and abroad. In 2005, he was accepted as a member of China Fine Arts Society.

20 1 1 was awarded the title of "Master of Folk Arts and Crafts in Hebei Province" by the Light Industry Department of Hebei Province.

20 1 1 The work "Song Yin Gao Shitu" won the silver prize of Zhongfu Cup in China Snuff Bottle Exhibition.

20 12 won the "Hunan Academy of Arts and Crafts Award" indoor painting Excellence Award.

20 13 won the first "China International Collection Culture Expo" special prize.

20 14 became a member of China Arts and Crafts Association.