Peony Pavilion. Full-text translation of nightmares?

Is there any feminine style of Du Like Li Niang? I dreamed that my lover was ill, very ill, and couldn't get well so soon. I painted a portrait myself and died after being handed down from generation to generation. I've been dead for three years, but I can find the man of my dreams and come back to life. Du Like Li Niang, you can be called an affectionate person.

Her feelings were unconsciously aroused and deepened. You can die for your feelings when you are alive, and you can live for your feelings when you die. Those who live and don't want to die for love, and those who die and can't be resurrected, can't be regarded as the acme of feelings. Why must the feeling in the dream not be true? Is there still a lack of such a person with a dream in the world? Men and women get married at the same table, and they feel safe after resigning.

The story of Du Taishou's deeds imitates the legend that Li Zhongwen, the Wudu Taishou in Jin Dynasty, and Feng Xiao, the Guangzhou Taishou, fell in love with their children. I made a slight change in writing this play. As for Du Taishou's detention and torture of Liu Mengmei, just like the detention and torture of Emperor Yangdi in the Han Dynasty.

Alas, things in the world are not fully understood by the world. I am not a person who knows everything from ancient times to the present, so I often use "reason" to speculate. Just blindly emphasizing (the combination of Du Liniang's resurrection from the dead and Liu Mengmei) must not exist from a rational point of view. How can we know that it must exist from a perceptual point of view?

"Peony Pavilion. The Dream of Scared Dreams was written by Tang Xianzu, a dramatist in the Ming Dynasty.

The original text is as follows:

Women in the world are affectionate, so it is better to be Du Like Li Niang! I dreamed that the man was ill, and he was ill evenly, described by hand, spread all over the world and died. After three years of death, you can regain your energy and be born in a dream. Such as Li Niang, is the lover's ear. I don't know what happened, but it was deep. Life can't be born and death can be born. People who are born but can't be born and die, and those who die but can't be resurrected, are not affectionate.

Love in the dream, why is it not true? Are there very few dreamers in the world? They will get married because of a stiff neck, and those who live alone will be ruined.

It seems that the capitals of Jin and Wu and the generals of Guangzhou are the guardians of Du affairs. Give it a little more play. As for Du Shoushou's Kao Liu Sheng, it is also Rainbow Suiyang's Kao Tan Sheng.

Hey, honey! What happens in the world is beyond the book of the world. Since you are not an ordinary person, you must always be reasonable! There is nothing in the first cloud, and there is evil in the knowledge!

Extended data:

Creative background: The Peony Pavilion was taught by the teacher in the Book of Songs, "Guan Guan's dove is in Jiangzhou; My fair lady, a gentleman is good. " In other words, Du Liniang had a sad feeling, and after visiting his back garden with the maid, that feeling of hurting spring revived. When he came back, he dreamed of having sex with a son with a broken willow in his arms in the garden. After waking up, he went into the back garden alone to find more lovers in his dream.

Thus, there are several scenes of Du Liniang's "visiting the garden", "dreaming" and "seeking dreams" in the Peony Pavilion of Kunqu Opera. The Peony Pavilion, the representative work of the dramatist Tang Xianzu, has been adapted into various operas for hundreds of years, and there is the phrase "What a beautiful day, who is happy?" More popular.

In Suzhou and Hangzhou in the south of the Yangtze River, Kunqu Opera was quite popular in those days, and Peony Pavilion has always been a repertoire of Kunqu Opera. Peony Pavilion is the most fascinating love story between Du Liniang and Liu Mengmei.

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