"Liu Yongyou has more than 30 capital city words, accounting for one-fifth of his existing words. Liu Yong's city ci involves many aspects of the cities in the Northern Song Dynasty, and outlines one

"Liu Yongyou has more than 30 capital city words, accounting for one-fifth of his existing words. Liu Yong's city ci involves many aspects of the cities in the Northern Song Dynasty, and outlines one after another. It is not easy. I finally found nine songs, but I really can't find the tenth one.

Appreciation of Liu Yong's Ci

Liu Yong: (987? - 1055? ), the word is clear, and the initial number is changed three times. Because it ranks seventh, it is also called Liu Qi. Originally from Hedong (now Shanxi), he moved to Chong 'an (now Fujian). Scholars in the dynasty, officials to cultivate fields, foreign ministers, known as Liu cultivated fields in history. Because of his bumpy career and poor life, he turned from pursuing fame to being tired of officialdom, indulging in the charming and prosperous urban life, and looking for sustenance in "leaning on the red and leaning on the green" and "singing lightly". As the first poet in the Northern Song Dynasty, he not only developed the theme of ci, but also created a large number of slow ci, developed narrative techniques, and promoted the popularization and colloquialism of ci, which had a great influence in the history of ci. There is an action set.

1 -

Yulinling ①

Liu Yong

Chilling cries, pavilions late, showers early. Doumen Zhangyin ③ Careless, nostalgic, ④ Lanzhou ruined. Holding hands and staring at each other with tears, I was speechless and choked up. ⑥ I want to smoke thousands of miles, and ⑥ I want to sink into the sky. ⑧

Since ancient times, feelings of sadness and parting are even more worthy of being left out in the cold. Where did you wake up tonight? Yang Liuan, the evening breeze and the waning moon. After the new year, pet-name ruby should be a good time to exist in name only. Customs are strange, who to talk to. ⑩

(1) this song was originally a Tang song. According to legend, Emperor Xuanzong of the Tang Dynasty avoided An Lushan and went into Shu in disorder. It rained for several days, and the bell rang on the plank road. In memory of Yang Guifei, I wrote this song, and later Liu Yong used it as a tune. Also known as "the sound of rain slowly rings". Up and down, 103, rhymes.

2 showers: showers.

(3) Drinking in Doumen Tent: Set up a tent outside Kyoto and hold a farewell party. Not in the mood; No mood, listless.

(4) Nostalgia: A work called "Stand still".

⑤ Lanzhou: According to Story Club, Luban once carved a magnolia tree into a boat. Later used as a good name for the ship.

⑥ Choke: I choked with sadness and couldn't speak. One is "flat throat".

⑦ Go: Repeat, indicating the distance of the trip.

8 Dusk: Clouds in the evening. Shen Shen: Look deeply. Chutian: The southern sky. In ancient times, the lower reaches of the Yangtze River belonged to the State of Chu, so it was called.

Nine years: year after year.

Attending amorous feelings: love between men and women.

Liu Yong writes more slow words and is good at narrative. This word shows the scene that the author left Beijing and went south to bid farewell to the pavilion. The last farewell film, from the rain break at dusk to the farewell of the capital, to the destruction of the blue boat, tearfully facing each other and holding hands to say goodbye, describes the parting scene and the parting mode of both sides in turn, like a dramatic song with a story, showing a sad scene. The next film tells the story, bearing the word "read" and setting different scenes. Affectionate since ancient times, parting hurts the body, comparable to the cold autumn festival. Where do you miss the night wine, Yang Liuan, Xiaofeng and the waning moon? The last two issues show that parting is cold, and the sentence "tonight" means the last two sentences. "Where will I wake up tonight?" A song "Zhang Yin" is connected remotely, so it can be seen that although it is "unintentional", it is still drunk and drunk. The Remnant Moon of Yang Liuan and Xiao Feng focuses on a series of images that are easy to touch the sadness of parting, creating a desolate and desolate realm of cherishing others. Under "this is going", we can express the scenery with emotion, and write straight, not too heavy. From Tonight to Years, from Thousands of Feelings, from Silent Choke to Who to Talk to, the endless worries that "time was far before I met her, but it was longer after we parted" were repeatedly expressed.

2 -

A butterfly in love with flowers

Liu Yong

It's easy to lean against a dangerous building. (2) Looking at the extreme spring sorrow, the sky is dark. (3) In the afterglow of the grass, who will lean on the bar and be silent.

I plan to get drunk, (4) treat wine as a song, and (5) it is strong and tasteless. (6) I don't regret my belt widening, (7) I was wasted by Iraq.

(1) This word was originally a song by Tang Jiaofang, and it was renamed to take the meaning of Jian Wendi's sentence "Stepping over the steps and falling in love with butterflies". Also known as "Magpie Stepping on the Ground" and "Wu Fengqi". Two tones, sixty characters, and rhyme.

(2) Dangerous buildings: high-rise buildings.

(3) gloomy: unknown.

(4) plan: plan. Boring: careless and wild, out of place.

(5) Sing a song about wine: Talk about Cao Cao's Short Songs. The meaning of "when" is the same as "right".

(6) strong: reluctantly. Le Qiang: Force a smile.

(7) The belt is gradually widened: it means that people are gradually getting thinner. The Chinese version of "Ancient Poetry" says: "The day of parting is far away, and the day of wearing clothes is slow."

This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow, and the sky was dark." "Spring sorrow" means to bid farewell to sadness with a vision for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, it tries to avoid platitudes, trying to turn intangible into tangible, abstract into concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky.

Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts.

In the next film, the hero decided to drink a crazy song to get rid of his troubles: "I'm going to get drunk." However, forcing a smile will eventually make you feel "tasteless." From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. The knot "the belt is getting wider and wider" writes tenderness with a healthy pen and swears that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's resolute character and persistent attitude, and thus the realm of poetry can be sublimated.

He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Who is a young romantic stranger? I doubt whether I will get married and rest all my life. Even if you are mercilessly abandoned, you can't be ashamed. This is "decisive speech is wonderful"; The last two sentences of this word are based on Wei's words, but "the spirit is gentle" In fact, Yan Feng has said in "A Magpie Treading on the Moon" that "wine is often ill before flowers bloom every day, and you are not afraid of thinness in the mirror". Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in The Tales of the World that "those who have achieved great success in ancient and modern times must go through three realms when asked by universities", and he borrowed it to describe the "second realm" as "clothes are getting wider and wider, but they never regret it, and people are haggard for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.

3 -

Pimp a butterfly

Liu Yong

Looking at the rain, the clouds were broken, quietly looking at Qiu Guang. The bleak evening scene made Song Yu sad. The wind is light, the apple is old, the moon is cold and the leaves are yellow. Emotional distress. Where is the old friend, the smoke is boundless.

Unforgettable, literary cocktail party, a few lonely romances, repeated star frost. The sea is vast and the mountains are far away. I don't know where Xiao Ting is! Reading Shuang Yan's hard-to-trust letters, returning home at dusk with no knowledge. Looking at each other in the dark, the sunset stands in the broken sound.

This word describes the feelings of missing friends during the journey, and the word "looking at the place" dominates the whole article. Writing the scene of rain and clouds, the twilight is boundless, naturally causing Song Yu's sad association in autumn. Facing autumn scenery, the poets cut out the most typical water wind, apple blossom, moon dew and Wu Ye, and described them with words such as light, old, cold and yellow. They found that Qiu Guang was covered with paper. The word "emotional distress" turns to nostalgia for old friends.

4 -

Klang Ganzhou

Liu Yong

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.

Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sighing for years, why bother me? I want beautiful women to dress up, miss a few times, and return home. Fight for me, lean on the dry place, I am in a hurry.

The drizzle, the evening drizzle, spilled all over the river, washing out a clear autumn world. After rain. Gradually, I feel that the frost is tight and the autumn is tight. The poet is an independent tall building, overlooking, the cold river and the sunset. After the storm, everything declined, declined, and the era was over. Only the Yangtze River water, flowing eastward without words, seems to be silently opposite to the poet.

I can't bear to climb to the top of the mountain, because my hometown is out of sight, and it is always difficult to go home. Farther away, I remembered a beautiful woman. At this moment, I also hold my head high with desperate hope. How many times have I returned to the boat? It's always empty! The sadness of beauty dying and the sadness of decline are also one. How can a beautiful woman know that at this moment, I am as sad as you.

5 -

Wang Haichao

Liu Yong

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty. ? Thick lakes overlap and are clear. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. A thousand riders have high teeth. While listening to Xiao Gu's drunkenness, he enjoyed the clouds. The map of the future will be good. I will go back to Fengchi to boast.

Appreciation: Contrary to Liu Yong's consistent style, this poem describes the prosperity and magnificence of Hangzhou in a colorful way, which can be described as "calming the weather and describing the music to the end" (see Chen's "Solving the problem of supporting the house"). This long and slow poem is a masterpiece handed down by Liu Yong.

The first three sentences, starting from the title, cover the whole article with great momentum. First of all, it points out the importance and long history of Hangzhou's geographical location, and reveals the theme of singing. Sanwu, Old Finger, wujun and Huiji. Qiantang, namely Hangzhou. Known as the "Capital of the Three Wu Dynasties", it is said to be an important city in the southeast and the Three Wu Dynasties. Among them, the words "Xing Sheng" and "Xing" are the finishing touch. From the beginning of "smoke willow", the success and prosperity of Hangzhou have been described from all aspects. "Painting Bridge with Willow" is about the beauty of street and river bridge; "Green curtains inside" describes the elegance of residential buildings. The phrase "100,000 different families" has changed from weak to strong, showing the richness of hukou in the whole city. "Uneven" means about. From the city to the suburbs, I saw trees walking on the Qiantang River embankment, looking from a distance, gray and gloomy, like clouds. A word "around" describes the winding situation of the long embankment. The word "angry waves" describes the surging Qiantang River. "Natural moat", originally meant as a natural deep ditch, moved here to describe Qiantang River. Watching the tide in Qiantang River in August has always been called a grand occasion. It is essential to describe the tides in Qiantang River. The three sentences of "listing cities" only grasp the two details of "Pearl" and "Luo Qi", and then reflect the prosperity of the market and the prosperity of the citizens. Both Zhu Ji and Luo Qi are women's things, suggesting that Hang Cheng is full of lewdness. The word "striving for luxury" clearly shows the dazzling array of goods among the four stores, while the word "striving for luxury" implicitly shows the glory of merchants, reflecting the extravagant side of Hangzhou, a bustling city.

The next film focuses on the West Lake. The clean and quiet West Lake is as beautiful as a mirror. As for the early Song Dynasty, it was very beautiful. Sinking Lake refers to the inner lake and outer lake divided by Bai Causeway in the West Lake. Dieshan refers to the overlapping mountains such as Lingyin Mountain, Nanping Mountain and Huiri Peak. The beauty of lakes and mountains can be summarized by the word "Ting Anne" first, and then the laurel on the mountain and the lotus in the lake can be written. These two kinds of flowers are also typical scenery of Hangzhou. Liu Yong described two kinds of flowers in different seasons with a neat couplet here. The phrase "Sanqiu Guizi, Shili Lotus" is indeed highly concise, summarizing the most beautiful scenery of the West Lake and even the whole of Hangzhou, with inspiring artistic power. "The tube is strong and sunny, and Lingge sings all night", and the antithesis is also very stable and melodious. The meanings of "pan-night" and "flirting" are different, which shows that the lake is full of beautiful flute and ling-picking songs no matter day or night. The word "Pan" means "playing to catch a lotus doll" on a boat in the lake, which means that the fisherman who plays the Qiang flute and the lotus girl who sings are very happy. The word "frolic" vividly describes their joyful manner and vividly depicts a picture of the country and the people having fun together.

Then the poet wrote the scene of dignitaries playing here. Crowds of cavalry surrounded by high tooth flags came slowly and with great momentum. The brushwork is dripping and the style is rich, which seems to make people see a mighty and romantic local governor, drinking and having fun, standing proudly between mountains and rivers. "The future is good, I will go back to Fengchi to boast." Is the conclusion of this word. Phoenix pond, or phoenix pond, was originally a pond in the forbidden garden of the emperor. During the Wei and Jin Dynasties, Chinese books were famous for saving land and being close to the palace. The word "good scenery" will cover everything written and not written on it. It means that when the dignitaries call back, they will draw a picture of the good scenery and present it to the court, boasting to their colleagues that there is such a fairyland on earth. The absence of dignitaries set off the beauty of the West Lake.

6 -

Tilting cup

Autumn colors are clearly drawn by the frosty mainland and the wild geese crossing the smoky island.

At dusk, the rain suddenly stopped, and the small park stayed overnight in the hills of Wei Village.

When the moon falls in the breeze, A Qiang plays the flute.

I am very sad. I smell the grass on the shore and I am eager to sing.

In order to remember Fang Rong's farewell, the water is far away.

I want to embroider the pavilion. I want to know that I am haggard and damaged. I am a passer-by at the end of the world.

The clouds return to the Chuxia, and the literati are scattered, with traces of loneliness.

Wangjing country. The empty eye is broken, and the far peak is condensed.

This song, the first one is about scenery, and the second one is lyrical, with clear context and deep sadness. Three words, autumn scenery. Remember the time and place of berthing. "Who", remember to smell the flute and worry. Adding a grasshopper to the words "parting from sorrow" is even worse. Make a new face, "remember" three sentences, and state your distance from the letter and the difficulty of reaching it. "I want to embroider the pavilion", as far as the other party is concerned, it is extremely sad to miss people suffering outside. "Early Summer" three sentences, miss the past, swim like a dream, want to find no tour. The last two sentences, ending with a scene, are endless.

7 -

Appreciation of Autumn Sunset in Gan Caozi

At dusk in autumn, the lotus is scattered and the pearls are raining. The moon is born after the rain, and it is freezing.

There is no companion in the pool because of sadness, only this one, lonely mood! But next to the parrot in the golden cage, the words pink lang are written.

Gan Caozi is a wonderful poem about boudoir, which belongs to Xiaoling.

The first movie is about the scene where the heroine is lonely by the pond. Autumn is easy to feel lonely, not to mention the metaphor of "chaotic wine decays lotus, each pearl rains" in Autumn Twilight, and the word "chaotic" in the sentence is also excellent. It not only wrote the shocking sound of the rain-rotting lotus, but also painted the scenery of jumping beads, indirectly showing the lonely and boring image of the heroine standing by the fence. Then, write two sentences with thimble: "The moon is born after the rain, and it is cold." The words move from one place to another, indicating that the heroine did not walk when she moved by the pool, from rain to rain until the rain rose. When the rain comes, there are no mandarin ducks in the pool, so "being cold and empty" means a sense of indifference and emptiness, which is not only a strong hint that the weather turns cold after the rain, but also the heroine's depression.

After a film, close the sentence "there is no companion in the pool next to the fence" and point out the reason for concern. "Nai This One, Lonely Love" by going up one flight of stairs wrote about the pain of solitary sleep, and the scene also moved from the pool to the house. The beauty of this word lies in the two original words at the end, which write a new idea: "Only beside the golden cage, parrot, read the words of Pink Lang." In the moonlight of the lotus pond, a sleepless woman is teasing a parrot alone in the porch window. This is a wonderful picture of a lady. What is difficult to draw is the word that the woman taught the parrot to read. She didn't write about the heroine's obsession with "Pink Lang" and "Ci", but expressed it by parroting "Ci", which is actually graceful and implicit. After the bird language, it adds a desolation, because the play of bird language is only self-comfort, how can it be really empty?

Jin Su Hua thorn said: "Liu Yiqing's" golden cage teaches parrots and reads the words of pink lang "is also a beautiful sentence in" Flower Collection. " In other words, the last sentence of Liu Yong's ci is gorgeous, with colorful words, such as "Zhu Zhen", "Yue Hua", "Yuanyang", "Golden Cage" and "Parrot". But the difference is that the beauty of the environment can't cover up the emptiness of the characters' mood, so writing just has the magical effect of contrast.

8 -

Qi family

It's late autumn, and a short rain falls on the courtyard. The story of chrysanthemum The story of chrysanthemum withered and the Indus River was dead. Sorry, Wangjiangguan. The clouds are hazy and the setting sun is idle. What a sad sight, overlooking the rivers and mountains, the afterglow of the sunset. Looking back on that year, Song Yu, who was sentimental, saw how sad this autumn was. She used to climb mountains and rivers. Cicada is singing, leaves are falling, grass is withered, and the corresponding sound is also very loud. At this time, the whine of fallen leaves and the chirping of crickets in the hay are very noisy. In the posthouse, it's the same as each other, year after year. The sky is high and the clouds are light, and the moon is full of cicadas. On second thought. Night is always comparable to the scenery, and I only think about the past. At that time, fame and fortune did not exist, but in Song Lou brothels and other scenic spots, the time consumed every year. The infinite city of the capital reminds me that when I was young, I just wanted to have fun every day. In addition, there are many strange friends who linger with the live wine and live songs. Don't come to the scene quickly, you always swim like a dream, and the smoke and waves are endless. Thinking about fame and fortune, haggard and long. It is those who have fame and fortune that make me so haggard and will fetter me. Miss the past, leaving residual sadness. Sobbing gradually, I drew a few corners. Idle by the window, turn off the lights until late, holding the shadow and not sleeping.

Liu Yong's Collection of Movements is famous for his works describing travel and detention. This book describes the travel thought of posthouse, which is exactly its skill. According to the words "Song Yubei, climbing the mountain near the water here", we can know that it was written in Jiangling, Hubei. Liu Yong released Jingnan, who was over 50 years old. Because he loves to associate with musicians and prostitutes, he is not liked by Song Renzong, and he has not been transferred for a long time. It is difficult to gain a foothold in the DPRK, so he has to release state and county officials and feel very depressed. This kind of emotion is also deeply reflected in the text. This word is a three-part tune. Structurally, the author takes time as a clue, and writes straight from evening and late at night to dawn the next day, with a clear and orderly context. First, I write about my sad autumn mood, then I write about my deep thoughts at night, and finally I come down to the theme of being tired of pursuing fame and gain. Although the space is large, it is thin and dense, with distinct layers. The last film depicts a dusk scene after a light rain. The word "late autumn" indicates that this season is in September. Starting from the close shot: autumn rain phoenix tree, west cold chrysanthemum, dotted with lonely posthouse. "Make residual smoke", word for word. "Smoke" and "residual" show merchants that five chrysanthemums are dying without dense smoke cages. "Disabled" and "angered", it is even more pitiful to see him reluctant to part with the swaying branches. Compared with Yan Shu's "A Chrysanthemum on the Threshold with Blue Tears" ("Butterfly Lovers"), it seems to be more capable of touching people's heartstrings, although it also has anthropomorphic techniques. Vivid in a word "provoke". Write a vision under "sad". "Sunset Leisure" compares the above with an unintentional setting. The word "leisure" is well written and contrasted, which is a method of empathy. Chen is a close friend and good at learning willows. After "tired of listening", I heard that the word "should" has brought the autumn sound of cicadas and flies back to life. Both words and pens are ok, but you can't reach them unless you are quiet. China's films go further, depicting the psychological state here and now. The bright moon is in the sky and the night is still. You travel alone and sit alone at night. How can you not arouse the feelings of unity? "Night is always comparable to scenery", and six words are sentences. After One Finger, I turned to reminiscing about the past, purely writing about my feelings. People who are not too frank about virtual reality can flow freely with their true feelings. The next six sentences in Emperor Li are about the bohemian youth life, which specially supplements the content of Meditation. Or use a virtual pen, which is closely linked to the above question and has a wonderful effect of breaking through the clouds. Don't come as fast as a boat is to have a drink and then write a real scene. Words and pens, virtual and real, are full of movement. With the joy of cherishing the sunshine, it sets off today's loneliness and desolation without limit. After some preparation and preparation, the striking sentence "thinking about fame and fortune for a long time" came out. Why do you want to leave your relatives and friends and travel alone to suffer from this? Isn't it bound by pure fame and fortune? Is it worth it? These past events haunted him and kept him awake at night. At the end, the two sentences "Stop the light until dawn, stay in the shadows and don't sleep" are a poem that describes the taste of loneliness and is the best imitation of the gods. Zhou yun: "Liu Ci has always been good at plain narration. Or the beginning, or the end, or the change of head, it is very powerful to outline the content mentioned in one or two sentences. " (Song Sijia's "Selected Poems" comments on Liu Yong's "Fighting Hundred Flowers") It is also appropriate to change the word. The piece "Strange Stone" was composed by Liu Yong. The whole word is 2 12 words, which is a huge system. In terms of melody, the whole story is harmonious and beautiful, with lively syntax, flat and smooth veins and special rhyme. The melody is more exquisite than ordinary lyrics. This is because Liu Yong is not only an excellent poet, but also an excellent musician. Because he has the advantages of both, he can create such a new voice with rich feelings and complex system. As soon as this statement came out, it was widely circulated. At that time, there was a praise of "Li Sao's thousand years of loneliness eventually became a sad song" (quoted from "Bi Ji Man Zhi"). Its popular influence is evident from this.

9 -

Appreciation of Liu Yong's Ci "Young People Traveling to Chang 'an Ancient Road Ma Yan"

Ye Jiaying

On the ancient road of Chang 'an, riding a thin horse slowly, Gao Liu Qiu Chan screamed. Outside the sunset bird, the autumn wind and the moon are on the original, and the eyes are broken for four days.

Tracing a cloud without a trace, where is the early stage? The spirit of debauchery has faded, and there are fewer drinking companions in the past. Now I am not as young as before.

When people talk about Liu Yong's ci, they often focus on his development in long and slow ci. In fact, his achievements in poetry creation are also very noticeable. In the article on Liu Yong's Ci, I once talked about the expansion of Liu Yong's Ci in artistic conception, and thought that "most of the poems described in the Tang and Five Dynasties are just a kind of feelings of hurting people in a boudoir garden pavilion", while some "masterpieces of self-lyricism" in Liu's Ci are "a kind of sadness that autumn students are susceptible to". This feature is obvious in some of his long-term representative works, such as Basheng Ganzhou, Quyuguan and Xuemeixiang. However, the expansion of Liu Ci is really not limited to his long and slow words, but also his short words, and there are some remarkable developments in content and artistic conception. Just like this little poem "Youth Tour", Liu Yong wrote his sadness of "autumn susceptibility" into a masterpiece of Lingci.

The reason why Liu Yong often has a "loss of ambition" is that on the one hand, because of the influence of family background, he once had the ambition to use the world, on the other hand, because of his natural endowment, he likes romantic life. When he finally came in the early years, although he could be dismissed by "singing and dancing lightly", he lost his interest in traveling when he was old, so after his ambition failed, he gained more feelings and lost a sadness. What can best convey his double sadness is the small word "Youth Travel".

Like some of Liu Yong's slow words, this little word is also about autumn scenery, but its artistic conception and voice are quite different. In this small word, Liu Yong lost both lofty interest and nostalgic feelings, and the whole word was full of deep and desolate tone and voice. Judging from this performance, I think this word is probably Liu Yong's later works. The beginning of "Chang 'an" can have two meanings: realism and metonymy. As far as realism is concerned, Liu Yong has indeed been to Chang 'an, Shaanxi Province, and he once wrote another poem "Youth Tour" with the phrase "Baling Bridge Broken Smoke Tree", which is enough to prove it. In Yan Yu's place, "Chang 'an" used to be a famous ancient capital in the history of China, which was often used as the capital by previous generations of poets, while the chariots and horses coming and going on Chang 'an Road were often accused of striving for fame and fortune. However, the word "Liu Yong" is connected with the word "Yan" under the word "Ma", which is in sharp contrast with the possible competition and association caused by the previous "Chang 'an Road". As for writing the word "ancient" on the word "Tao", it can also remind people of the galloping of horses and chariots on Chang 'an Road, which originally came from ancient times, thus generating an infinite sense of vicissitudes. In a word, the phrase "Chang 'an ancient road is slow" has far-reaching implications, which not only shows that the poet has long been discouraged from struggle, but also shows his profound thinking about the vicissitudes of life in ancient and modern times.